罗耶R-10带麦克风评论
斯威特188金宝搏官网是多少沃特,当我们想要甜,滑带麦克风的声音,我们很可能会达到罗耶。我们依靠公司高保真带麦克风站起来,每日部署在各种重要的录音室和生活良好的应用程序中,他们与R-10钉一遍。的罗耶R-10提供一个完美平衡的声场与平坦的频率响应和令人印象深刻的160分贝的最大SPL 1千赫,所以你可以close-mic大声来源而不用担心超载。R-10是选择电气和吉他,黄铜、字符串、鼓、钹、钢琴、声乐等等。它以极模式还捕捉环境优美,这使得它适合房间千分尺测量。的罗耶R-10充满价值,最先进的带式传声器值得在你的麦克风的储物柜。
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\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": "0" }, { "id": 3695, "store_items_review_id": 269921, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-7dcc392789bbc745b6070dd3bb1d538eba7ce643\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYyODQ3LXBocHZjYXdybC5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-8b272b7a8f99f65f7b7205448fc05391beaf8ac2\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYyODQ3LXBocHZjYXdybC5qcGVn", "sir_title": "Incredible Microphone Worth Every Cent!", "sir_comments": "Royer dont disappoint when it comes to ribbon mics, and the R-10 is no exception. Built tough (though you should still handle it carefully because duh), it comes with its own screw-on clip\/shockmount, cloth sock, and case. It looks beautiful and sounds as good as it looks.
\nIMPORTANT TO NOTE: for quieter sounds like vocals, fingerpicked steel\/nylon acoustic guitars, and some percussion, a mic preamp is definitely required. Ribbon mics have low-gain output, and its wise to send them through preamps that can boost the signal to optimal line level. Luckily Royer had this in mind and made a preamp specifically for ribbon mics: the dBooster In-Line Signal Booster. Im already planning on getting this for my R-10
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": "0" }, { "id": 3696, "store_items_review_id": 269921, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-7fce7bf8c1fb0c6e5a8c2fb751eef12a545c5af6\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYzNjA2LXBocHZyeDFjNS5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-6334a26edff832a2409866aa7b084e84a40988e2\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYzNjA2LXBocHZyeDFjNS5qcGVn", "sir_title": "Incredible Microphone Worth Every Cent!", "sir_comments": "Royer dont disappoint when it comes to ribbon mics, and the R-10 is no exception. Built tough (though you should still handle it carefully because duh), it comes with its own screw-on clip\/shockmount, cloth sock, and case. It looks beautiful and sounds as good as it looks.
\nIMPORTANT TO NOTE: for quieter sounds like vocals, fingerpicked steel\/nylon acoustic guitars, and some percussion, a mic preamp is definitely required. Ribbon mics have low-gain output, and its wise to send them through preamps that can boost the signal to optimal line level. Luckily Royer had this in mind and made a preamp specifically for ribbon mics: the dBooster In-Line Signal Booster. Im already planning on getting this for my R-10
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": "0" }, { "id": 7299, "store_items_review_id": 287597, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-24abd3c1af8e83adc61d06b671392da758798210\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAxMDE5MTM0MzIzLXBocDRyOHpleC5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-86f25ed5af1fde49eea192487aefacb64bf11fd9\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAxMDE5MTM0MzIzLXBocDRyOHpleC5qcGVn", "sir_title": "Fantastic Mic!", "sir_comments": "Loving the R-10 Ribbon Mic so far! Using it primarily as a secondary Mic for, of all things, vocals. Very pleased with the performance of the Royer..and, as always, my friends at Sweetwater got it to me in record time!", "sir_rating": "4.0", "sir_name": "Woody Lingle", "sir_whereareyou": "SC", "sir_background": "Bassist\/ Producer\/Arranger\/Composer w\/ Gary Puckett & the Union Gap", "sir_keepanonymous": "0" } ]" review-count="4">
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188金宝搏官网是多少斯威特沃特的销售工程师被视为最有经验的音乐产业和知识渊博的专业人士,与广泛的音乐背景和强化训练在最新的产品和技术。他们可以为您提供个性化的产品建议任何时候你需要它。
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伟大的
R10是一个聪明的小麦克风为了钱。我发现它真的照在原声吉他(钢和尼龙),通常支持麦克风的逆转。它也记录冲击确实很好。也喜欢在吉他上出租车,但我不会说很喜欢木吉他录音。处理情商很好,玩得很好与我的主电容麦当他们配对。绝对推荐这种麦克风。
很棒的麦克风
买了这个主要用于吉他放大器,但有一个疯狂的想法尝试在人声(男性在这种情况下)。
天哪!奇妙的结果!我确信旋转麦克风180度(徽章一边远离源)丝带往往略亮出于某种原因,当你这样做。超级柔滑的结果。强烈推荐。
可能我的麦克风
今天我刚收到这个麦克风。我没有带麦克风经验…即使我是一个音乐家被工程师记录等等。到目前为止它吹我的脑海里。我有一个UAD / PIA设置我运行它。我的第一印象是,我甚至不确定多少情商或压缩我需要这个东西。我记录一个干信号通过股票前置放大器在阿波罗没有插件,这听起来难以置信。就像听吉他出租车本身。我做了清洁空的身体和O / D Tele拳击手和他们都是很好的。清洁好,明显高点和足够的低端,没有细小的声音。O / D听起来胖但不泥泞的(我用橙色15可以声音泥泞的如果你不拨在右)。出租车的麦克风我有麦克风颠倒从出租车约9英寸。 I did some vocal takes with it and they made my voice sound warm but the high end response was right there as well. I wasn't really expecting the vocals to sound that good. I have a feeling my banjo, mandolin etc are going to be awesome! Really good mic! I feel like any serious hobbyist should have one of these in their arsenal. If you are looking for a really solid mic, this one won't disappoint.
伟大的麦克风!
如果你想要丝般光滑,带麦克风的声音这是路要走。它是温暖而浓郁。你不能打败的价格。使用它在一个立体设置然后把两个一起把冰淇淋放在你的咖啡。
罗耶R10的人声
我只是一个业余爱好者喜欢摆弄着一个小型的家庭工作室。使用了许多声乐麦克风,低端和高端。最近购买的R10人声。它提供了一个坚实的、准确的我的声音,而传授一个甜蜜和丰富的基调。让你想唱你的最好的。我率中等收入国家我用# 1。
有很大的形式因素是不到6”长约1.4“直径。它能够很好地响应EQ。可能会或可能不会需要一个信号助推器取决于你插入。它并没有提高我的雅马哈混合。
哇
我爱这个东西虽然我意识到我需要dBooster我匆忙了。我爱这个东西在人声尤其是通道地带。它不像其他的ribbony丝带我听到,但有自己的特点,都是伟大的。你的麦克风收集会好一点的。它当然不是一个“尽”麦克风但是它的一个伟大的除了这样你至少可以作为一个选项。优秀的吉他橱柜和声学。
我的第一个罗耶
这个罗耶教我什么可以做伟大的事情当你像本公司专用的!
可怕的(尤其是dBooster)
我用这个麦克风通过dBooster (+ 12 db)到一个UA 276伏特和爱。是的,它确实独立工作,但dBooster带来的水平,它可以用来与其他中等收入国家和高输出,还有276年应用于相同的增幅
我还拥有一个SE VR2至少一样R10和差距R1活跃,这是为了钱。
最后在我的博客switchingyard录音。艺术你能听到我的声音使用R10和骑NT1A和挡泥板野马SE7和VR2都指出正确的扬声器锥和纸相遇的地方。他们是几英寸远离烧烤。
罗耶R-10
爱死它了。神奇的麦克风,少给了我一个明亮的声音但更多的身体在我的喇叭的声音
罗耶R-10
好吧,我有点担心当我下令这个麦克风,但从用户评论,我决定试一试。我有一个小作曲家工作室和一个同样小预算。我的麦克风内阁虽小,但是包括行业标准水平的质量。这个麦克风也不例外。不要被价格。这是他们的入门级丝带,是的,但是音质与他们更昂贵的中等收入国家。这些麦克风的重量也会给你留下深刻印象。像一个砖家。
我曾经在马丁HD-28和000 - 15这是鼓舞人心的。结合一个sm - 81这种组合一个门将。尝试今天在吉他放大器。我希望类似的结果。
我从来没有一个动态的麦克风,听起来就像这一个。
过去几年我一直在寻找什么
我有一个字根,semi-harsh声音。大多数我的声乐录音真的击中3 k-4k跳出的混合和伤害你的耳朵。我一直试图找到一个麦克风,赞美我的声音真的好多年了。我试着骑洛泰克、石板数字VMS-1 4400 SE。一切我试着不是太苛刻,发出咝咝声响,或过于黑暗和死亡的空气,在我的声音。
这罗耶是惊人的。这就是我要说的。我能够得到一个声音跟踪了一首歌我已经工作一年多了,简直是完美的。我通过WA76运行它,它听起来像一个梦。
如果你正在寻找一个奇妙的声音和原声吉他麦克风,看看这里的婴儿。
带麦克风的明智选择
我一直在争论一个带麦克风来记录我的小号,和其他典型的使用,一年多来,。我试过一个SM57, RE20,美国舒尔KSM32。所有通风,spitty声音,它与情商不能固定。我在一些中等收入国家包括一些旧RCA争论,阿肯色州教育协会和其他罗耶丝带。我没有获得任何尝试,所以从听YouTube评论,我决定试试这个麦克风。我很高兴我做了,因为我的小号现在听起来自然,喜欢你听到它从观众的角度在适当的距离,不喜欢你的耳朵在贝尔。它正是我需要的,花费更多的我就不会受益家庭录音爱好者。我从来没有写产品评论,直到现在。如果你是在市场上丝带,我不推荐它。我认为有人会对这个麦克风,尤其是在这个成本。奖金,这是美国制造,由著名的制造商,所以你的R10听起来和我的一样好!
令人难以置信的麦克风值得每一分钱!
罗耶不要失望时带麦克风,和R-10也不例外。建立困难(尽管你仍应审慎处理因为咄),它有自己的螺口式夹/ shockmount,布袜子,和案例。它看起来漂亮,听起来和看起来一样好。
重要注意事项:安静听起来像人声,fingerpicked钢/尼龙吉他,和一些打击乐器,麦克风前置放大器是绝对必需的。带麦克风有低增益输出,这是明智的把他们通过前置放大器,可以提高信号最优水平。幸运的是罗耶这一点,做了一个专门为带麦克风前置放大器:dBooster内联信号助推器。我已经打算为我R-10得到这个
然而,等声音信号放大吉他,鼓,大声弹音响,不需要前置放大器,但它仍然是安全的。
Sound-wise, R-10是惊人的。真的抓住了原声吉他比其他任何麦克风我使用。它不会带来太多的高端吵架我一直情商。事实上,当我把钢弦木R-10唯一记录我做情商是减弱中档和低胸。一切听起来很好。它也记录冲击非常好。瓶,我记录tampourine clavs,沙球R-10和声音是均衡的。温暖,可是现在的声音几乎没有背景噪音通常很容易被高输出冷凝器。
记录声音的时候,我发现它是安静的产出(再一次,没有前置放大器),但它仍然听起来很温暖,非常接近实际的声音。
所有带麦克风,R-10是双向的,有趣的是麦克风的高频响应超过前面。这是故意的,它实际上很好工作。另外,如果你想记录后端,你就抛阶段和很好。R-10建于现代心态,所以你可以麦克风吉他音箱和这个婴儿不担心声压破坏带。它的工作原理非常好,主要出租车麦克风和麦克风的一个房间。
总的来说,这是非常值得的。你真的不打算找个带麦克风与这种廉价的质量。帮自己一个忙,抓住它。
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": "0" }, { "id": 3695, "store_items_review_id": 269921, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-7dcc392789bbc745b6070dd3bb1d538eba7ce643\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYyODQ3LXBocHZjYXdybC5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-8b272b7a8f99f65f7b7205448fc05391beaf8ac2\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYyODQ3LXBocHZjYXdybC5qcGVn", "sir_title": "Incredible Microphone Worth Every Cent!", "sir_comments": "Royer dont disappoint when it comes to ribbon mics, and the R-10 is no exception. Built tough (though you should still handle it carefully because duh), it comes with its own screw-on clip\/shockmount, cloth sock, and case. It looks beautiful and sounds as good as it looks.
\nIMPORTANT TO NOTE: for quieter sounds like vocals, fingerpicked steel\/nylon acoustic guitars, and some percussion, a mic preamp is definitely required. Ribbon mics have low-gain output, and its wise to send them through preamps that can boost the signal to optimal line level. Luckily Royer had this in mind and made a preamp specifically for ribbon mics: the dBooster In-Line Signal Booster. Im already planning on getting this for my R-10
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": "0" }, { "id": 3696, "store_items_review_id": 269921, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-7fce7bf8c1fb0c6e5a8c2fb751eef12a545c5af6\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYzNjA2LXBocHZyeDFjNS5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-6334a26edff832a2409866aa7b084e84a40988e2\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYzNjA2LXBocHZyeDFjNS5qcGVn", "sir_title": "Incredible Microphone Worth Every Cent!", "sir_comments": "Royer dont disappoint when it comes to ribbon mics, and the R-10 is no exception. Built tough (though you should still handle it carefully because duh), it comes with its own screw-on clip\/shockmount, cloth sock, and case. It looks beautiful and sounds as good as it looks.
\nIMPORTANT TO NOTE: for quieter sounds like vocals, fingerpicked steel\/nylon acoustic guitars, and some percussion, a mic preamp is definitely required. Ribbon mics have low-gain output, and its wise to send them through preamps that can boost the signal to optimal line level. Luckily Royer had this in mind and made a preamp specifically for ribbon mics: the dBooster In-Line Signal Booster. Im already planning on getting this for my R-10
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": "0" }, { "id": 7299, "store_items_review_id": 287597, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-24abd3c1af8e83adc61d06b671392da758798210\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAxMDE5MTM0MzIzLXBocDRyOHpleC5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-86f25ed5af1fde49eea192487aefacb64bf11fd9\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAxMDE5MTM0MzIzLXBocDRyOHpleC5qcGVn", "sir_title": "Fantastic Mic!", "sir_comments": "Loving the R-10 Ribbon Mic so far! Using it primarily as a secondary Mic for, of all things, vocals. Very pleased with the performance of the Royer..and, as always, my friends at Sweetwater got it to me in record time!", "sir_rating": "4.0", "sir_name": "Woody Lingle", "sir_whereareyou": "SC", "sir_background": "Bassist\/ Producer\/Arranger\/Composer w\/ Gary Puckett & the Union Gap", "sir_keepanonymous": "0" } ]" :for-review="269921">
货真价实!
这个麦克风是如此甜蜜!伟大的amp千分尺测量,声学吉他,角,应有尽有。它excell一切。
感谢斯威特沃特188金宝搏官网是多少!
色带热
添加这个麦克风我库是我做出的最好的决定之一齿轮。它不仅有温暖和瞬态声我想找到,多才多艺。踢、amp、声学、开销,中心开销,人声,我只是完全的印象。现在我要弄我们如何得到更多!
谢谢,斯威特沃特188金宝搏官网是多少,感谢你瑞安·穆雷提供齿轮和客户支持。
干杯
我的荒岛上麦克风
我不经常写评论齿轮,因为它太主观,但我不得不说,罗耶R10吹我走了。虽然我知道总会有买R121工作室,我有点觉得罗耶把地毯从自己这里,我可以舒服地抛弃我其他中等收入国家赞成电吉他R10的老鼠。我使用这个内阁国税局主要记录,但我感觉它在我的工作室会得到其他用途,。
首先,R10的邻近效应是恒星。一些中等收入国家太flubby(121可以控),但R10变得又粗又圆,同时仍然保留一些严重的清晰的中档和高频率。的是个好词。直接指向对出租车V30和GB dustcap烤架是喜欢我的简单的按钮,因为它听起来很好,通常我讨厌dustcap如何捕捉声音。逐步滚边的声音变得圆润高点的进一步dustcap你移动它。
不要让低灵敏度相比R121引导你,这麦克风灵敏度仍有超过一个SM57,所以几乎每一个麦克风前会没事的。它处理期限如此之高几乎恳求使用响亮,高增益吉他场景,这就是为什么我在第一时间就买了。和我不能相信罗耶做免费带替换第一年……很明显,他们是一个公司,很多关心他们的客户。
我相信R10将继续得到改善,因为我要学习它的细微差别,但到目前为止,我是一个很快乐的人。喊出对尼克Schenkel快速航运!
罗耶r10
这个小麦克风真的抓住了吉他和角的声音在房间里。伟大的货真价实。罗耶又做了一次。
问题解决了! !
我一段时间一直在努力让声音听起来我在寻找。在尝试一些不同的麦克风我亏本。我给瑞安莫里,我的销售顾问,一个戒指,他建议这个麦克风。我是男高音所以我不携带大量的100到200赫兹在我的声音。我插进了我的黄金时代之前73年,哇! !人声也厚,圆形....更不用说,这是一个很好的吉他音箱麦克风! ! ! !谢谢瑞恩! !
思想开放! ! ! !
我烂蕃茄吹走这宏伟的设备!无论如何这不是“便宜”或低品位。尝试“顶线”。有有趣的家伙!
木吉他,低端麦克风
罗杰R-10:优良的品质麦克风。我的歌手/作曲家捡更多的要求表演和建立一个小,质量家庭工作室。121年拿起之前,我决定试试这个办法。匹配了一个AEA N22, R-10抓住了低端的声音在我的工作室正在以惊人的清晰度和宽度(也没有麦克风噪音!)。
我也使用它(而不是唯一)在舞台上声学麦克风”荷兰国际集团(ing)。是的,这是正确的。前面一个原声吉他!AEA N22面对颈部,这R-10捕捉低结束时,它的一个美丽的声音清晰地通过翻译我的Bose PA系统。的好像只有我的体积是提高我的听众感到他们就坐在我的前面。
我爱这个麦克风——我的首席吉他手电气&低音男人爱的狂喜/出租车/ re-amping东西。这将会是一个未来的经典。
伟大的麦克风!
我必须承认我已经推迟这次购买了相当长一段时间,但我很抱歉我做了!我使用这个麦克风我的吉他内阁和它捕获我的内阁几乎完全一样的声音听起来!
如果你是记录电吉他这个麦克风就不能选错!想做就做!
超凡脱俗的吉他出租车麦克风
R10的锥SM57或语音邮件系统i5旁边。开始只是罗耶和打开57或i5慢慢直到你找到甜点。只是美丽。一定要把它和实验;我发现1/2英寸运动是十分显著的。
我记录直接吉他部件和re-amped R10几个麦克风的位置,57岁的i5,拜尔M201和蓝色i100。我爱拜尔,有时忧郁,但他们不适合使用这个组合。YRMV
生活到罗耶的名字!
如果有一个缺点,我有,我爱麦克风!我有很多,我收集了因为我“需要”。与罗耶R-10为数不多的麦克风,当我把它源最终的结果总是让人印象深刻。这个预算友好带麦克风绝对是添加到你的收藏的东西如果你找一个带麦克风。这个麦克风是好的和温暖的色调特征,它强调了高点,但不让他们听起来太薄。一个缺点是它不是很热。你必须曲柄它得到一个可用的信号,我有一个cloudlifter所以它不是一个问题,然而;如果你不我建议观察一到两麦克风。
一个惊人的交易的麦克风让你的房间里
是的是的是的,我听说了一个r - 121,我“已经使用一个和他们“神奇。他们“还1295美元,是的,值得。我以为我尝试新的低成本的选择基于罗耶显然知道他们”重新做的。我很高兴我做了:-
并排比较R-10 121就像兄弟姐妹,他们无疑是比较相同的股票,他们都存在一个非常令人信服的声音在房间里的照片。在低端但是他们声音很大不同,实际上,我更喜欢在这方面R-10易于管理与它邻近效应。高端略有不同,头发更详细和亮度在121平EQ设置。带来一点的EQ R-10但是使得它几乎与“老大哥”,虽然“s只是一个小小的暗示更多的存在(不是condenser-y明亮,更为顺畅)r - 121。我希望我能证明买一个r - 121 ?是的,它是更好的麦克风如果放置好。我很高兴我有个R-10吗?是的,因为它“令人震惊的好价值和它“年代几乎保证没有白痴的placement-wise。我相信它的注定要被称为SM57丝带的世界,和一个SM57不同,它“humbucking,所以你可以把它在你的吉他放大器没有变压器诱导各种各样的嗡嗡声,这本身就值得5 SM57”年代!它混合了57,两者的结合是一个杀手的声音。
短版的事情——R-10听起来非常,非常接近你听到的声音在房间里。它既不聪明也不“牛气哄哄型”,在吉他出租车”年代足够完美的自己和绝对美妙的结合SM57带来一些咬。声音,丝般光滑的,虽然我一个令人震惊的歌手,因此没有试一试,我可以想象那将是美妙的否则恼人地尖锐或shrieky歌手,以及增长一种复古的氛围任何人声录音。
优秀的丝带从罗耶
我非常满意这个麦克风,我刚买了一个,可能会购买更多。我用它主要是为在铜管乐器。我一直使用这个任务主要是纽曼最不发达国家,但如此满意结果我获得R-10成为我转到。我用大号,次中音号,长号,喇叭,这听起来完全和自然需要情商低得多。我也使用它作为一个满意结果发现在管弦乐队的低音提琴,自然声音与冷凝器,混合其他没有测深景气的字符串。
…这是一个必须,不听起来像一个值定价麦克风。
新罗耶R 10(买了一双)
非常甜蜜的测深麦克风在吉他出租车”。我用在老式Trayner amp和挡泥板振捣王。跑时通过cloudlifter R10 Trayner fethead当麦克风" ing振捣国王。通过这两个听起来很棒DiGiCo SD 8。为显示我有一个朋友在圣诞节后与他59吉布森Les Paul黄金,我将使用R10和通过cloudlifter嗨公关30打扰,R10轴公关30从轴上期待。
相信炒作!
不要让价格点欺骗你,这所有的魔法您来联想到传说中的罗耶的名字。当把面前的吉他音箱和六个其他的选择相比,它突出的能力,捕捉我用我的耳朵听见的声音。低端温暖和完整,但仍然紧密和良好定义的。高端是光滑的,但是没有掩盖了清晰度。中频通过引人注目的定义,没有额外的严酷。每个音符,每一个谐波泛音是完全听到。这都是在这个价格点有点奇怪。尽管麦克风的平滑度,非常真实的了……捕捉每一盎司的勇气和嘶哑的咆哮,你听到房间里你所听到的录音。不是太暗,就像现实生活中——但一点温暖和平滑:)
房间麦克风,清晰完全粉碎了我比较它的大型薄膜电容器。就像昼夜。
我看到一个立体模型在我的未来…我可以很容易地把一些工作在未来的会议时间……
这是一种不可思议的力量！
2带在我的储物柜,但是我必须说R10现在我自带的最爱!我跑一些快速音频检查各种音频来源和被其清晰和真实的复制被风吹走。与一个好的前置放大器匹配……和你的黄金……作为一个小工作室的老板,我肯定会推荐添加这个负担得起的带你的麦克风的储物柜。记录快乐!
好声音,好质量,好价格!
我经过多年与国际旅游展的电吉他声音,或总是数字至少(Kemper斧FX二世,雅马哈100 hd刺,和许多sims)我回到开箱即用的芬达Bassbreaker 15瓦特amp和踏板。对我来说,这是回家。其他的我可以得到伟大的声音盒子为我和他们都有他们的优点,但我需要一个简单的设置和可能听起来我需要快速拨号。
我很难的一个声音轻微,chimey,分手对于美国岩石和芬达钉。然而,它成为麦克风和捕捉声音准确的任务。我试着我的旧57,这是好的,我试着其他中等收入国家但没有吹我走,和最需要很多的工作得到一个体面的声音。尝试不同的位置、角度、距离从未让我我感到很沮丧。
马克•查普曼我疯狂的病人和伟大的代表告诉我关于新R10的出来什么时候寄给我。我打开麦克风(优秀的包装),并设置它很快。我为了它大约2英寸远的演讲者,去我的阿波罗MKII一致并添加1073粒雪塞将电吉他.....就设置一个水平和BAM !有!声音是完美的,和丰富的,刚刚我爱这个深度。我真的没有移动麦克风以来!
清晰度和深度惊人,但最大的是在领导和高音符都被完美地呈现在银幕上,没有任何尖锐刺耳!被一个问题与我的其他中等收入国家,公平地说,一边形成57是LDC意味着更多的人声、音响等。
但这麦克风钉我想捕捉和付出代价的时候,我,作为一个家庭的家伙没有畏缩。我不能说足够好的东西关于这个麦克风,我衷心地推荐这个给你如果你寻找一个麦克风捕获一个音箱!我可以试穿下但迄今为止莫哈韦MA300声我对人声,声是奇妙的,之间的2我掉我所有的基地覆盖。
谢谢罗耶!谢谢马克!感谢斯威特沃特188金宝搏官网是多少!就太棒了!
不错,温暖的麦克风
我正要购买sE巫毒VR-2当罗耶市场上把这个麦克风。我立刻买了R-10毫无疑问Cloudlifter,不能和我购买快乐。
我记录爵士乐主要和一些昂贵的工作室与各种Neumann,罗耶,应有尽有。我决定测试这个麦克风和喇叭;自然明亮,非常有活力。玩家扮演领导和民谣摘录几块对比。麦克风应对所有摘录非常平坦,温暖,干净利落的尖叫引起部分。通过压缩机在发送声音文件,我没有做出任何改变原始的音频。我只能想象这听起来与钢琴,萨克斯或吉他。
为了钱,你会得到一个麦克风,超过货真价实。伟大的营销罗耶决定。目前积极进取的和专业的艺术家和工程师可以得到质量和罗耶的声音在一个合理的价格。做得好,罗耶!
非常多才多艺的带麦克风
刚收到我的一双罗耶R-10和他们吹我走的门。很难击败这些吉他音箱在生活环境。目前使用搭配一个SM57我芬达豪华混响声音是难以置信的。它正是你想要的音箱声音——温暖,圆形,依然清晰。多亏了新设计,关闭麦克风的这个礼物没有额外的低音喜欢一些带麦克风。我不能说足够大的值——美国制造,借鉴r - 121的特点,更实惠,更耐用的现场设置由于更好的防风。期待在工作室使用。
可能是完美带麦克风!
对于许多中等收入国家,尤其是r - 121相比,这将不可避免地,我花了一段时间,形成一个意见和了解人物和颜色。之前我有R-10不到24小时运回去和秩序R-10一对匹配的。与我并肩R-10和r - 121安培,我当然注意到细微的差异。R-10有低端的母公司麦克风,与一些中档,我不能得到没有情商121。
让我们忘记了121分钟,在真空中。我发现R10超过我的预期。我可能倾向于使用r10作为我的第一选择带麦克风原声吉他。这肯定会是一个更好的麦克风在我的收藏。至于电吉他,语气拿起是最好的之一,它不会一段说我只会单独使用R-10 amp,而不是配对与另一个麦克风。我觉得这麦克风把最好的品质的121搭配SM57,打包成一个固体的天堂。由于总是一流的专业销售工程师,迈克尔Wuchter,现在我有一个伟大的新带麦克风和我一起去阿森纳——事实上,他告诉我这个麦克风天发售!
吉他的魔法
我第一次带我爱电气和原声吉他。结合动态吉他出租车是无与伦比的。非常高兴!
伟大的麦克风!可怕的持有人
我要得到一个r - 121,而我在斯威特沃特录音工作室,但鲍比(在工作室工作)告诉我新的R188金宝搏官网是多少-10,所以我买了一双。我很高兴我做了!我使用他们作为一对钢琴,和爵士单独踢,木吉他,和几个角。这些是我的第一个带麦克风,哇,什么声音。他们一直在伟大的我试过的一切。了,持有人。很难让它呆在你想要的角度。你必须收紧的旋钮的思维方式你会带它为了安全的主。不过还是推荐!很高兴我买了一双这些有限的预算,而不是一个单一的121。
太好了! ! !
我绝对喜欢这个麦克风。到目前为止,我主要用它在吉他放大器。这是一个野兽!罗耶声称它有减少邻近效应,他们完全交付。当放置在烤架的声音变得有点厚,但是低端从未听起来夸张,景气的,或者不自然。拉回来一点烧烤和邻近效应,捕获声音反映出我听到房间里的音箱。
我比这另一个“预算”带麦克风和5流行动态麦克风吉他音箱,记录各种各样的声音从高获得清洁和介于两者之间的——这麦克风是我的# 1或# 2选择在任何情况下,整体和赢家。我特别喜欢它MD421或ATM650混合。
相比,一个受欢迎的“预算”电容麦克风设置麦克风用于一个房间我被风吹走了结果——罗耶绝对主导的地位。它吸引了我房间的灯光氛围与惊人的清晰度。
这个麦克风的mids尤其令人印象深刻,捕捉每一个细节。谐波捕获复杂声源漂亮,每个音符和细微差别。有一个微妙的平滑过度严厉的信号,但它保持一个很自然的声音。我怀疑我会购买一对立体声或至少有一个在未来更多的。
神奇的麦克风!
爱到目前为止R-10带麦克风!主要使用它作为第二个麦克风,所有事情,人声。非常满意的性能罗耶. .一如既往,我的朋友们在斯威特沃特在记录我的时间!188金宝搏官网是多少
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": "0" }, { "id": 3695, "store_items_review_id": 269921, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-7dcc392789bbc745b6070dd3bb1d538eba7ce643\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYyODQ3LXBocHZjYXdybC5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-8b272b7a8f99f65f7b7205448fc05391beaf8ac2\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYyODQ3LXBocHZjYXdybC5qcGVn", "sir_title": "Incredible Microphone Worth Every Cent!", "sir_comments": "Royer dont disappoint when it comes to ribbon mics, and the R-10 is no exception. Built tough (though you should still handle it carefully because duh), it comes with its own screw-on clip\/shockmount, cloth sock, and case. It looks beautiful and sounds as good as it looks.
\nIMPORTANT TO NOTE: for quieter sounds like vocals, fingerpicked steel\/nylon acoustic guitars, and some percussion, a mic preamp is definitely required. Ribbon mics have low-gain output, and its wise to send them through preamps that can boost the signal to optimal line level. Luckily Royer had this in mind and made a preamp specifically for ribbon mics: the dBooster In-Line Signal Booster. Im already planning on getting this for my R-10
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": "0" }, { "id": 3696, "store_items_review_id": 269921, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-7fce7bf8c1fb0c6e5a8c2fb751eef12a545c5af6\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYzNjA2LXBocHZyeDFjNS5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-6334a26edff832a2409866aa7b084e84a40988e2\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYzNjA2LXBocHZyeDFjNS5qcGVn", "sir_title": "Incredible Microphone Worth Every Cent!", "sir_comments": "Royer dont disappoint when it comes to ribbon mics, and the R-10 is no exception. Built tough (though you should still handle it carefully because duh), it comes with its own screw-on clip\/shockmount, cloth sock, and case. It looks beautiful and sounds as good as it looks.
\nIMPORTANT TO NOTE: for quieter sounds like vocals, fingerpicked steel\/nylon acoustic guitars, and some percussion, a mic preamp is definitely required. Ribbon mics have low-gain output, and its wise to send them through preamps that can boost the signal to optimal line level. Luckily Royer had this in mind and made a preamp specifically for ribbon mics: the dBooster In-Line Signal Booster. Im already planning on getting this for my R-10
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": "0" }, { "id": 7299, "store_items_review_id": 287597, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-24abd3c1af8e83adc61d06b671392da758798210\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAxMDE5MTM0MzIzLXBocDRyOHpleC5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-86f25ed5af1fde49eea192487aefacb64bf11fd9\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAxMDE5MTM0MzIzLXBocDRyOHpleC5qcGVn", "sir_title": "Fantastic Mic!", "sir_comments": "Loving the R-10 Ribbon Mic so far! Using it primarily as a secondary Mic for, of all things, vocals. Very pleased with the performance of the Royer..and, as always, my friends at Sweetwater got it to me in record time!", "sir_rating": "4.0", "sir_name": "Woody Lingle", "sir_whereareyou": "SC", "sir_background": "Bassist\/ Producer\/Arranger\/Composer w\/ Gary Puckett & the Union Gap", "sir_keepanonymous": "0" } ]" :for-review="287597">
伟大的麦克风,但是要小心
这个麦克风说的页面:
“你可以把你的R-10正前方的昏暗robo-stack没有麦克风变形或破坏带。我们不建议尝试与其他带麦克风,但罗耶R-10可以把它”
我不知道什么是“robo-stack”,但我有这个台面/不羁马克V 90 w头通过2 x12整流柜一年多。它并没有因为我把它移动。已经开始扭曲,为了应对某些注意振动。我有带分解之前,我开始听到的声音。我已经使用amp很慷慨的卷,但远不及“暗淡”,我听着广告,所以我想它可能需要它。它似乎,一年多了。但是现在听起来像是它需要一个丝带替换。幸运的是,罗耶将免费做第一个,这是一项很好的政策。
我不敲话筒本身,这是构建并产生巨大的结果在一个伟大的价格,但我认为它的耐久性大声的吉他柜可能是被超卖。你至少是谨慎卷扔,不要期望它处理“暗淡”100 w amp。你可以把任何带麦克风大声的吉他出租车非常新,它确实耽误了一年,取得了很好的效果。但我怀疑这是一个长期的战略。
总的来说,麦克风是伟大的,但是要小心。
没有任何错误
这个麦克风没有问题。我听一点魔力的性格或某种与中等收入国家不管价格。虽然听起来不坏,我只是没听到任何理由让它。我不相信你能产生一个带麦克风质量有一些人格在这个价格点。但是我将继续听了非常低的一个,甚至可能尝试一比较和定价选项设置自己的预期。麦克风的快乐!
是的,这是一个带但是…
不是一个糟糕的麦克风,我只是发现它没有人格,没有什么特别,我只是不能让它让我微笑。不喜欢它
罗耶有很大的代表,这是第一个也是唯一一个罗耶我试过了,只是没有给我。
我很高兴这么多挖掘它因为我们都应该热爱齿轮我们买不管成本。老实说,如果你卖1300块钱一个模型,然后进入入门级市场在500(1/3的价格不要太短)你必须牺牲很多。带麦克风应该“某些东西”一些字符。
我可能不会与其他低成本的丝带,等到我想花更大的雄鹿。