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罗耶R-10带麦克风

动态带麦克风以极性模式
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令人难以置信的价值罗耶带麦克风

斯威特188金宝搏官网是多少沃特,当我们想要甜,滑带麦克风的声音,我们很可能会达到罗耶。我们依靠公司高保真带麦克风站起来,每日部署在各种重要的录音室和生活良好的应用程序中,他们与R-10钉一遍。的罗耶R-10提供一个完美平衡的声场与平坦的频率响应和令人印象深刻的160分贝的最大SPL 1千赫,所以你可以close-mic大声来源而不用担心超载。R-10是选择电气和吉他,黄铜、字符串、鼓、钹、钢琴、声乐等等。它以极模式还捕捉环境优美,这使得它适合房间千分尺测量。的罗耶R-10充满价值,最先进的带式传声器值得在你的麦克风的储物柜。

相关视频:R-10带麦克风

光滑,柔软和高保真度

雇佣了几个罗耶R-10设计创新,包括一个内部shockmounted色带传感器和一个多层挡风玻璃。R-10 shockmounting有效隔离的丝带元素从振动和增加丝带耐久性。分层挡风玻璃提供出色的保护从爆破音和空中爆炸,同时减少邻近效应,所以你可以close-mic来源没有过度的低音增强。麦克风的平滑的频率响应,线性阶段,和缺乏self-distortion是一个完美的解毒剂现代数字录音的无情的本质。和它的柔软,高保真的乐器和人声的耳朵是一个纯粹的喜悦。

最先进的罗耶带技术

R-10利用罗耶offset-ribbon专利技术和低质量的铝带元素。麦克风的专门设计的阻抗匹配变压器最小化饱和,及其open-grille设计最大限度地减少驻波和服务员comb-filtration的影响。换能器的flux-frame稀土钕磁铁设计和创建一个强大的磁场,增加灵敏度,同时减少杂散磁辐射。这一切加起来一个优越的现代带麦克风没有录音室或生活平台应该没有。鉴于R-10很温和的价格,我们可能会添加,拥有一双他们是非常有用的。

继续:close-mic响亮的来源

吵得离谱高增益吉他音箱在你珍贵的射击,精致的丝带麦克风:一个工程师的噩梦。你可能听说过古董的故事带麦克风悲剧由高ㄧ切成碎片,甚至持续伤害从僵硬的微风。这是真的——昔日的丝带是出了名的脆弱。但在1990年代末,大卫•罗耶基本上继承了带麦克风是现代记录一个健壮的工具。的罗耶R-10最大SPL评级(以1 khz)是一个令人印象深刻的160分贝。实际上,这意味着你可以直接把你的R-10的昏暗robo-stack没有麦克风变形或破坏带。我们不建议尝试与其他带麦克风,但罗耶R-10可以把它。说完这些,我们建议谨慎关于有力的直接爆炸空气——比如从钻个洞把低音鼓膜。现代踢声音可以实现的,通过使用一个动态麦克风在洞里,加上一两个R-10一英尺,倾斜下来。

R-10:就像有两个麦克风

放在一个源,后方R-10比正面更明亮。不同的声音有点像混合10%的电容麦克风和你带麦克风的信号。这可能是非常有用的,当你记录原声吉他,人声和其他声音来源,将受益于更高端。罗耶offset-ribbon设计地处丝带元素接近前面的笼子,也允许更高的SPL处理在前面(标志),以及一个光明的选择响应安静来源的后侧(最佳3英尺或更近,极性逆转)。

罗耶R10带麦克风特点:

  • 高SPL处理——适合close-miking电吉他、黄铜、和其他工具
  • 多层挡风玻璃丝带元素提供了有效的保护
  • 内部shockmounted色带传感器以提高耐久性
  • 无源电路与定制变压器最小化high-SPL过载
  • 难以察觉地低残余噪声
  • 不受湿热带元素
  • 平坦的频率响应没有高频峰值,耳鸣或阶段转变
  • 从正面或背面的元素灵敏度相等

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技术规格

  • 麦克风类型:电动压力梯度带
  • 带式:2.5微米铝带
  • 单声道/立体声:莫诺
  • 极地模式:以数字
  • 频率响应:30 hz-15khz (±3 db)
  • 最大SPL:160分贝(1 khz)
  • 输出阻抗:100欧姆
  • 灵敏度:-54伏特分贝/ Pa
  • 连接器:XLR
  • 维度:5.87”x 1.38”
  • 重量: 0.81磅。
  • 包括配件:麦克风,麦克风袜子,携带情况
  • 制造商零件号:R-10

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顾客评论

4.8的5

客户增加了媒体

\nIMPORTANT TO NOTE: for quieter sounds like vocals, fingerpicked steel\/nylon acoustic guitars, and some percussion, a mic preamp is definitely required. Ribbon mics have low-gain output, and its wise to send them through preamps that can boost the signal to optimal line level. Luckily Royer had this in mind and made a preamp specifically for ribbon mics: the dBooster In-Line Signal Booster. Im already planning on getting this for my R-10
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": null }, { "id": 3695, "store_items_review_id": 269921, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-7dcc392789bbc745b6070dd3bb1d538eba7ce643\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYyODQ3LXBocHZjYXdybC5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-8b272b7a8f99f65f7b7205448fc05391beaf8ac2\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYyODQ3LXBocHZjYXdybC5qcGVn", "sir_title": "Incredible Microphone Worth Every Cent!", "sir_comments": "Royer dont disappoint when it comes to ribbon mics, and the R-10 is no exception. Built tough (though you should still handle it carefully because duh), it comes with its own screw-on clip\/shockmount, cloth sock, and case. It looks beautiful and sounds as good as it looks.
\nIMPORTANT TO NOTE: for quieter sounds like vocals, fingerpicked steel\/nylon acoustic guitars, and some percussion, a mic preamp is definitely required. Ribbon mics have low-gain output, and its wise to send them through preamps that can boost the signal to optimal line level. Luckily Royer had this in mind and made a preamp specifically for ribbon mics: the dBooster In-Line Signal Booster. Im already planning on getting this for my R-10
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": null }, { "id": 3696, "store_items_review_id": 269921, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-7fce7bf8c1fb0c6e5a8c2fb751eef12a545c5af6\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYzNjA2LXBocHZyeDFjNS5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-6334a26edff832a2409866aa7b084e84a40988e2\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYzNjA2LXBocHZyeDFjNS5qcGVn", "sir_title": "Incredible Microphone Worth Every Cent!", "sir_comments": "Royer dont disappoint when it comes to ribbon mics, and the R-10 is no exception. Built tough (though you should still handle it carefully because duh), it comes with its own screw-on clip\/shockmount, cloth sock, and case. It looks beautiful and sounds as good as it looks.
\nIMPORTANT TO NOTE: for quieter sounds like vocals, fingerpicked steel\/nylon acoustic guitars, and some percussion, a mic preamp is definitely required. Ribbon mics have low-gain output, and its wise to send them through preamps that can boost the signal to optimal line level. Luckily Royer had this in mind and made a preamp specifically for ribbon mics: the dBooster In-Line Signal Booster. Im already planning on getting this for my R-10
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isnt needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic Ive used. It doesnt bring out too much high end jangle Ive always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, thats without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and its good to go. The R-10 was built with a modern mindset, so youre actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. Youre really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.", "sir_rating": "5.0", "sir_name": "RJ", "sir_whereareyou": "Brooklyn, NY", "sir_background": "self-taught instrumentalist, currently studying audio engineering", "sir_keepanonymous": null }, { "id": 7299, "store_items_review_id": 287597, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-24abd3c1af8e83adc61d06b671392da758798210\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAxMDE5MTM0MzIzLXBocDRyOHpleC5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-86f25ed5af1fde49eea192487aefacb64bf11fd9\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAxMDE5MTM0MzIzLXBocDRyOHpleC5qcGVn", "sir_title": "Fantastic Mic!", "sir_comments": "Loving the R-10 Ribbon Mic so far! Using it primarily as a secondary Mic for, of all things, vocals. Very pleased with the performance of the Royer..and, as always, my friends at Sweetwater got it to me in record time!", "sir_rating": "4.0", "sir_name": "Woody Lingle", "sir_whereareyou": "SC", "sir_background": "Bassist\/ Producer\/Arranger\/Composer w\/ Gary Puckett & the Union Gap", "sir_keepanonymous": null } ]" review-count="4">
写下你的评论

令人难以置信的麦克风值得每一分钱!

罗耶不要失望时带麦克风,和R-10也不例外。建立困难(尽管你仍应审慎处理因为咄),它有自己的螺口式夹/ shockmount,布袜子,和案例。它看起来漂亮,听起来和看起来一样好。
重要注意事项:安静听起来像人声,fingerpicked钢/尼龙吉他,和一些打击乐器,麦克风前置放大器是绝对必需的。带麦克风有低增益输出,这是明智的把他们通过前置放大器,可以提高信号最优水平。幸运的是罗耶这一点,做了一个专门为带麦克风前置放大器:dBooster内联信号助推器。我已经打算为我R-10得到这个
然而,等声音信号放大吉他,鼓,大声弹音响,不需要前置放大器,但它仍然是安全的。
Sound-wise, R-10是惊人的。真的抓住了原声吉他比其他任何麦克风我使用。它不会带来太多的高端吵架我一直情商。事实上,当我把钢弦木R-10唯一记录我做情商是减弱中档和低胸。一切听起来很好。它也记录冲击非常好。瓶,我记录tampourine clavs,沙球R-10和声音是均衡的。温暖,可是现在的声音几乎没有背景噪音通常很容易被高输出冷凝器。
记录声音的时候,我发现它是安静的产出(再一次,没有前置放大器),但它仍然听起来很温暖,非常接近实际的声音。
所有带麦克风,R-10是双向的,有趣的是麦克风的高频响应超过前面。这是故意的,它实际上很好工作。另外,如果你想记录后端,你就抛阶段和很好。R-10建于现代心态,所以你可以麦克风吉他音箱和这个婴儿不担心声压破坏带。它的工作原理非常好,主要出租车麦克风和麦克风的一个房间。
总的来说,这是非常值得的。你真的不打算找个带麦克风与这种廉价的质量。帮自己一个忙,抓住它。
通过RJ来自纽约布鲁克林
音乐背景:目前自学成才的乐器演奏家,研究音频工程
\nIMPORTANT TO NOTE: for quieter sounds like vocals, fingerpicked steel\/nylon acoustic guitars, and some percussion, a mic preamp is definitely required. Ribbon mics have low-gain output, and it's wise to send them through preamps that can boost the signal to optimal line level. Luckily Royer had this in mind and made a preamp specifically for ribbon mics: the dBooster In-Line Signal Booster. I'm already planning on getting this for my R-10
\nHowever, for louder signals like amplified guitars, drums, loud strummed acoustics, a preamp isn't needed but it would still be safe to have one.
\nSound-wise, the R-10 is amazing. It really captures acoustic guitars better than any other mic I've used. It doesn't bring out too much high end jangle I've always had to EQ out. In fact, when I recorded my steel-string acoustic with the R-10 the only EQ I did was attenuate the mid-range and low-cut. Everything else sounded fine. It also records percussion really well. I recorded tampourine, shakers, clavs, and maracas with the R-10 and the sound is really well-balanced. A nice warm, but present sound with barely any background noise usually easily picked up by higher output condensers.
\nWhen recording vocals, I found it to be quieter in output (again, that's without the preamp), but it still sounded nice and warm and very close to the actual sound.
\nAs all ribbon mics, the R-10 is bi-directional, and interestingly the back of the mic has more high-frequency response than the front. This was intentional, and it actually works really well. Plus, if you wanted to record with the back end, you just flip the phase and it's good to go. The R-10 was built with a modern mindset, so you're actually able to mic a guitar amp with this baby and not worry about the sound pressure damaging the ribbon. It works extremely well as both the main cab mic and as a room mic.
\nAll in all, this is very much worth the price. You're really not going to find a ribbon mic this inexpensive with this kind of quality. Do yourself a favor and grab it.","type":"customer","itemid":"R10","name":"RJ","headline":"Incredible Microphone Worth Every Cent!"}" :media="[{"id":3694,"store_items_review_id":269921,"media_type":"image","media_path":"https:\/\/storage.googleapis.com\/web-uploads-55902ffc\/20200525162745-phpbsmgsd.jpeg","created_at":"2020-05-25 16:37:03","thumbnail":"https:\/\/media.sweetwater.com\/api\/i\/w-300__h-300__wm-__q-60__hmac-1bece1ff7494265645e58e4701cac616b76f58fb\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYyNzQ1LXBocGJzbWdzZC5qcGVn"},{"id":3695,"store_items_review_id":269921,"media_type":"image","media_path":"https:\/\/storage.googleapis.com\/web-uploads-55902ffc\/20200525162847-phpvcawrl.jpeg","created_at":"2020-05-25 16:37:03","thumbnail":"https:\/\/media.sweetwater.com\/api\/i\/w-300__h-300__wm-__q-60__hmac-52ac8146e4bc0f4d94714e09e304f9b69cdbfbcd\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYyODQ3LXBocHZjYXdybC5qcGVn"},{"id":3696,"store_items_review_id":269921,"media_type":"image","media_path":"https:\/\/storage.googleapis.com\/web-uploads-55902ffc\/20200525163606-phpvrx1c5.jpeg","created_at":"2020-05-25 16:37:03","thumbnail":"https:\/\/media.sweetwater.com\/api\/i\/w-300__h-300__wm-__q-60__hmac-20fde0ecc8bf98dfd9edfc20aac25ae115577c2a\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNTI1MTYzNjA2LXBocHZyeDFjNS5qcGVn"}]">

神奇的麦克风!

爱到目前为止R-10带麦克风!主要使用它作为第二个麦克风,所有事情,人声。非常满意的性能罗耶. .一如既往,我的朋友们在斯威特沃特在记录我的时间!188金宝搏官网是多少
通过伍迪林格尔从SC
音乐背景:贝斯手/制片人/编曲/作曲家w /加里·帕克特&工会差距

伟大的

R10是一个聪明的小麦克风为了钱。我发现它真的照在原声吉他(钢和尼龙),通常支持麦克风的逆转。它也记录冲击确实很好。也喜欢在吉他上出租车,但我不会说很喜欢木吉他录音。处理情商很好,玩得很好与我的主电容麦当他们配对。绝对推荐这种麦克风。
通过G在
背景:音乐作曲家

很棒的麦克风

买了这个主要用于吉他放大器,但有一个疯狂的想法尝试在人声(男性在这种情况下)。

天哪!奇妙的结果!我确信旋转麦克风180度(徽章一边远离源)丝带往往略亮出于某种原因,当你这样做。超级柔滑的结果。强烈推荐。
通过据Traynor约翰来自格伦埃林

可能我的麦克风

今天我刚收到这个麦克风。我没有带麦克风经验…即使我是一个音乐家被工程师记录等等。到目前为止它吹我的脑海里。我有一个UAD / PIA设置我运行它。我的第一印象是,我甚至不确定多少情商或压缩我需要这个东西。我记录一个干信号通过股票前置放大器在阿波罗没有插件,这听起来难以置信。就像听吉他出租车本身。我做了清洁空的身体和O / D Tele拳击手和他们都是很好的。清洁好,明显高点和足够的低端,没有细小的声音。O / D听起来胖但不泥泞的(我用橙色15可以声音泥泞的如果你不拨在右)。出租车的麦克风我有麦克风颠倒从出租车约9英寸。 I did some vocal takes with it and they made my voice sound warm but the high end response was right there as well. I wasn't really expecting the vocals to sound that good. I have a feeling my banjo, mandolin etc are going to be awesome! Really good mic! I feel like any serious hobbyist should have one of these in their arsenal. If you are looking for a really solid mic, this one won't disappoint.
通过肖恩从级联ID通过西雅图,洛杉矶,旧金山海湾地区
音乐背景:35年太多的卷列表在这里下车。

当罗耶实验室得到他们的技术在2013年格莱美奖,他们迫不及待地来到斯威特沃特炫耀它。他们对我们的印象的一件事是多么神奇的关系帮助宣传他们的产品。188金宝搏官网是多少当然,要宣扬他们惊人的带麦克风很简单——我们从未后悔推荐他们。事实上,它不会不谦虚的说,罗耶背后是一个最大的力量带麦克风的最近回到流行。除了提供更清晰和透明的经典带声音,罗耶的设计大大减少了体积和重量这些麦克风。使它容易的工程师斯威特沃特工作室使用罗耶丝带close-miking安培和深入鼓包188金宝搏官网是多少和声学钢琴。我们绝对爱他们,我们相信你会。

参见:带麦克风,罗耶,罗耶带麦克风
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