变焦ms - 70 cdr MultiStomp合唱/延期/混响踏板评论
变焦ms - 70 cdr MultiStomp合唱/延期/混响踏板房屋影响处理器和踏板的虚拟图书馆的大小一个stompbox-sized踏板。选择从86年开始创建你的理想信号链建模的影响。大型液晶显示屏使ms - 70 cdr容易使用在任何光照条件下进行。的盒子,这种变焦处理器30预设gig-ready经典的效果和50用户预设,所以你可以设计并保存自己的声音。从摇滚到金属,ms - 70 cdr是任何演出准备。腾出一些空间在你的力量pedalboard变焦ms - 70 cdr MultiStomp合唱/混响/延迟踏板。
低至7美元/月
与24密苏里融资*
看到所有的付款选项
最高额定评论
一个巨大的影响MicroFreak踏板
我只是购买了这种变焦MultiStomp效应箱提高干燥的声音从我Arturia MicroFreak合成器。MicroFreak相当惊人的合成器,无尽的声波的可能性,但没有任何效果,即使是一个简单的合唱。虽然我已经涉足吉他和低音一生我不是一个“真正的”球员这些工具(我老鼓手)所以我从来没有效果踏板。我用任何影响植入我的安培,哦,是的,我有一个便宜的哇哇踏板回到1969年。有人建议这个变焦MultiStomp。我必须承认这是相当令人印象深刻的和影响以如此低的价格。我也刚刚发现有一个叫做放大效应的免费应用程序管理器,可用于MAC和PC,包括和让你从所有其他的安装影响到这个踏板框/踏板变焦效果。谈论一个强国的影响从一个小盒子。
所以除了MicroFreak使用它,我现在也把这个小魔法效果框进我Tascam 12搅拌机/记录器工作流模型。通道1 & 2有“插入”。我可以利用这些模型之间有一个“Y电缆”12和缩放框。使用Y,一个在,另一个用于放大,另一单的电缆进行发送和返回信号通道1 & 2的Tascam插入杰克(两者都是mono、不平衡)。这给了我大量的额外的影响对我的模拟合成器除了Tascam模型已经提供了。
\nSo aside from just using it for my MicroFreak, I am now also incorporating this little magic Effects Box into my Tascam Model 12 Mixer\/Recorder workflow. Channels 1 & 2 have \"insert\" jacks. I can utilize these with a \"Y cable\" between the Model 12 and the Zoom Box. Using the Y, one for in and one for out on the Zoom, the other single end of the cable carries both the send and return signal back to the Tascam Insert Jack on Channels 1 & 2 (both are mono, unbalanced.) This gives me a slew of extra Effects for my Analog Synthesizers in addition to what the Tascam Model already offers.", "sir_rating": "5.0", "sir_name": "Floyd ONeil", "sir_whereareyou": "Greenville, SC", "sir_background": "Old Drummer, Synthesizer Programmer since 1972, Forner Recording Enginneer and Studio Owner from 1970 - 1988.", "sir_keepanonymous": "0" }, { "id": 31086, "store_items_review_id": 400225, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-16b827680920bfa0bb1a388def8ddd1b4a6b0249\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNDE0MDcyMTAyLXBocHk4dDJyai5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-c0faf25d5e2aa2925aa984eac8c79bc747cd5763\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNDE0MDcyMTAyLXBocHk4dDJyai5qcGVn", "sir_title": "ZOOM MS70CDR", "sir_comments": "I had one space on a Nano and needed a decent tuner and the most flexible, best sounding multi effects unit on the market for Bass and this is it. Highly recommended!", "sir_rating": "5.0", "sir_name": "Ty", "sir_whereareyou": "Austin, Texas", "sir_background": "Bass Player", "sir_keepanonymous": "0" }, { "id": 4912, "store_items_review_id": 275741, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-5eb68b692da957a0a3afc6ebfe682a38170bbdda\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNzEwMjIyNDM3LXBocHhyZ3Rxdi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-b173afe4d9813988d2eb398dde74fca30376ad02\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNzEwMjIyNDM3LXBocHhyZ3Rxdi5qcGVn", "sir_title": "Killer Drones", "sir_comments": "If youre into making a racket with synths, samplers, and other such electrical machinery, this pedal cant be beat for the price. I wish I had known about it years ago. It has instantly become a centerpiece in my setup as Im finally getting some new and exciting sounds since forever. Ill probably buy another one at some point.
\n
\nIve mostly been using it with Blackbox, which is a pretty stellar combination. I have it set up as an FX send\/return so I can dink around with patches and resample the sounds for further processing\/sequencing. Not many better ways to kill time during a pandemic.
\n
\nMy opinion:
\n1) Sound quality - An Eventide it is not. But it makes some mental sounds that Im not sure any other FX pedal in this price range can touch. I mostly use the reverbs and delays, which are perfect for my needs (the spring and plate are nice on a 303, but the spring doesnt sound anything like a spring is supposed to; it has its own flavor that I quite like). A few of the delays can be used like a rudimentary looper if youre into that sort of thing (Smooth Delay and Stomp Dly are my current favorites for that). I wouldnt call it lush sounding but you can coax some pretty cozy sounds out of it. Its great for drones. If youre used to fancy pedals that sound expensive, try before you buy. If youre into experimenting and coming up with new sounds to sample & process then this thing will be your pal.
\n
\n2) Usability - Super easy to learn and navigate but Im the kind of person who RTFM. Not too menu-divey; youre usually only one page away from where you want to go. It hasnt made me swear once. Well, I said WTF a couple times but it was a cheer.
\n
\n3) Build quality - Its in a metal case so thats good. I worry about the longevity of the encoders. Those buggers always go wonky after too much twiddling, and too much twiddling this thing will get. I saw someone on ebay selling one with a cracked screen so thats a thing. Im also not super confident in the push buttons & stomp switch but time will tell. It seems solid out of the box though (but a reminder: its not an Eventide).
\n
\n4) Power - This thing can be powered three ways: 2 AA batteries, USB, or wall wart. Im building a battery powered setup so this is a key reason I bought it. Beware that it can suffer from the dreaded USB whine if youre not careful. I tried powering it from the USB host port on both Blackbox and MPC Live and \"whheeeeeeee\" it went like I stepped on its toe. This isnt necessarily a fault with the unit; USB noise just happens if youre not doing it right. I have other USB gear that can whine too. Sounds fine on AA batteries, USB power supply, and USB battery brick. I havent tried powering it with a wall wart but I dont see the need with all the phone chargers I have sitting around. Theres a lot of fun here in a small, mobile package.
\n
\n5) Sync - This is the only real problem area for me. You can only sync via tap tempo. Thats it. You cant dial in the tempo using an encoder and there is no clock or MIDI in. Tempo can only be set in integers, so you cant set a tempo of 66.6 BPM. The good news is most of the delays and a few other time-based FX can be synced via tap tempo. So far Ive not had a problem hitting the target (you can tap either the stomp switch or an encoder\u2013the encoder has been more accurate for me). You can also set the units with an encoder (like 8th notes or whatever) so thats handy (heads-up: the time units are hidden way at the top of the dial, easy to miss). Ive read that the USB port does have some MIDI capability\u2013like you can use CCs to engage the tuner and change patches\u2013but it doesnt take MIDI clock. That would be a sweet firmware update, Zoom.
\n
\n6) Changing patches - Ive seen some noodlers complain about the way you have to change patches on the unit\u2013I guess their hands are busy\u2013so if youre a guitar player you might not like this thing for live use if you need to play footsie with it. Ive seem some third-party switches for it that solve that problem though. But for my setup the patch change buttons are preferred. That said, it is a bit of a drag scrolling through 137 FX but theyre at least organized by category (reverbs, delays, etc.), which gets you there a lot faster.
\n
\nIn the end, great pedal for sound design and experimentation at relatively little cost. To make it better I would add 1) MIDI or clock sync and 2) A soft touch momentary button instead of the stomp switch.", "sir_rating": "5.0", "sir_name": "A. User", "sir_whereareyou": "North", "sir_background": "24 years", "sir_keepanonymous": "0" }, { "id": 25437, "store_items_review_id": 373123, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-bbc37599854540821c3aafd7d674db8eaa7615ae\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwOTE0MjE1MTIzLXBocHRrZGRkdi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-2a414e3034ecf9d77ace454f1298f0e8f0c030c0\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwOTE0MjE1MTIzLXBocHRrZGRkdi5qcGVn", "sir_title": "Great pedal BIG caveat", "sir_comments": "The effects sound great, and there are a lot of them. The interface is a little tricky to use, I think the GUI could have been a little better thought out, but, all in all it does what you want in a small, lightweight package. HOWEVER, there is a very annoying high-pitched whine that this pedal emits, I scoped it with a spectrum analyzer and it is prominent at 5458hz (5.5khz). Holy cow is it annoying, really ear-piercing. This being said, depending on the frequency response of your setup, your speakers may mask the noisee, or, your amplifiers frequency response might roll this of considerably, but it will ALWAYS be there. I ran it with a PRS MT15, NO other cables in the mix, even tested the pedal by itself with a dummy cable in the input, removing the signal chain entirely, no change, so this unit literally generates the noise completely on its own, bear in mind this is inherent to the pedals design. Some people arent bothered by it, but I was, and I cant imagine how someone couldnt find it very irritating. I ended up returning mine, though admittedly, this is a borderline deal breaker, so YMMV.", "sir_rating": "2.5", "sir_name": "Eddie Currant", "sir_whereareyou": "PHOENIX, AZ", "sir_background": "B.A Music, guitar teacher, composer", "sir_keepanonymous": "0" }, { "id": 25438, "store_items_review_id": 373123, "media_type": "video", "thumbnail": null, "media_path": "https:\/\/youtu.be\/Ys29vkl9Tv4", "sir_title": "Great pedal BIG caveat", "sir_comments": "The effects sound great, and there are a lot of them. The interface is a little tricky to use, I think the GUI could have been a little better thought out, but, all in all it does what you want in a small, lightweight package. HOWEVER, there is a very annoying high-pitched whine that this pedal emits, I scoped it with a spectrum analyzer and it is prominent at 5458hz (5.5khz). Holy cow is it annoying, really ear-piercing. This being said, depending on the frequency response of your setup, your speakers may mask the noisee, or, your amplifiers frequency response might roll this of considerably, but it will ALWAYS be there. I ran it with a PRS MT15, NO other cables in the mix, even tested the pedal by itself with a dummy cable in the input, removing the signal chain entirely, no change, so this unit literally generates the noise completely on its own, bear in mind this is inherent to the pedals design. Some people arent bothered by it, but I was, and I cant imagine how someone couldnt find it very irritating. I ended up returning mine, though admittedly, this is a borderline deal breaker, so YMMV.", "sir_rating": "2.5", "sir_name": "Eddie Currant", "sir_whereareyou": "PHOENIX, AZ", "sir_background": "B.A Music, guitar teacher, composer", "sir_keepanonymous": "0" } ]" :for-review="401448">
变焦MS70CDR
我有一个空间在纳米和需要一个体面的调谐器和最灵活,最听起来多影响单位在市场上低音,这是它。强烈推荐!
\nSo aside from just using it for my MicroFreak, I am now also incorporating this little magic Effects Box into my Tascam Model 12 Mixer\/Recorder workflow. Channels 1 & 2 have \"insert\" jacks. I can utilize these with a \"Y cable\" between the Model 12 and the Zoom Box. Using the Y, one for in and one for out on the Zoom, the other single end of the cable carries both the send and return signal back to the Tascam Insert Jack on Channels 1 & 2 (both are mono, unbalanced.) This gives me a slew of extra Effects for my Analog Synthesizers in addition to what the Tascam Model already offers.", "sir_rating": "5.0", "sir_name": "Floyd ONeil", "sir_whereareyou": "Greenville, SC", "sir_background": "Old Drummer, Synthesizer Programmer since 1972, Forner Recording Enginneer and Studio Owner from 1970 - 1988.", "sir_keepanonymous": "0" }, { "id": 31086, "store_items_review_id": 400225, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-16b827680920bfa0bb1a388def8ddd1b4a6b0249\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNDE0MDcyMTAyLXBocHk4dDJyai5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-c0faf25d5e2aa2925aa984eac8c79bc747cd5763\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNDE0MDcyMTAyLXBocHk4dDJyai5qcGVn", "sir_title": "ZOOM MS70CDR", "sir_comments": "I had one space on a Nano and needed a decent tuner and the most flexible, best sounding multi effects unit on the market for Bass and this is it. Highly recommended!", "sir_rating": "5.0", "sir_name": "Ty", "sir_whereareyou": "Austin, Texas", "sir_background": "Bass Player", "sir_keepanonymous": "0" }, { "id": 4912, "store_items_review_id": 275741, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-5eb68b692da957a0a3afc6ebfe682a38170bbdda\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNzEwMjIyNDM3LXBocHhyZ3Rxdi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-b173afe4d9813988d2eb398dde74fca30376ad02\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNzEwMjIyNDM3LXBocHhyZ3Rxdi5qcGVn", "sir_title": "Killer Drones", "sir_comments": "If youre into making a racket with synths, samplers, and other such electrical machinery, this pedal cant be beat for the price. I wish I had known about it years ago. It has instantly become a centerpiece in my setup as Im finally getting some new and exciting sounds since forever. Ill probably buy another one at some point.
\n
\nIve mostly been using it with Blackbox, which is a pretty stellar combination. I have it set up as an FX send\/return so I can dink around with patches and resample the sounds for further processing\/sequencing. Not many better ways to kill time during a pandemic.
\n
\nMy opinion:
\n1) Sound quality - An Eventide it is not. But it makes some mental sounds that Im not sure any other FX pedal in this price range can touch. I mostly use the reverbs and delays, which are perfect for my needs (the spring and plate are nice on a 303, but the spring doesnt sound anything like a spring is supposed to; it has its own flavor that I quite like). A few of the delays can be used like a rudimentary looper if youre into that sort of thing (Smooth Delay and Stomp Dly are my current favorites for that). I wouldnt call it lush sounding but you can coax some pretty cozy sounds out of it. Its great for drones. If youre used to fancy pedals that sound expensive, try before you buy. If youre into experimenting and coming up with new sounds to sample & process then this thing will be your pal.
\n
\n2) Usability - Super easy to learn and navigate but Im the kind of person who RTFM. Not too menu-divey; youre usually only one page away from where you want to go. It hasnt made me swear once. Well, I said WTF a couple times but it was a cheer.
\n
\n3) Build quality - Its in a metal case so thats good. I worry about the longevity of the encoders. Those buggers always go wonky after too much twiddling, and too much twiddling this thing will get. I saw someone on ebay selling one with a cracked screen so thats a thing. Im also not super confident in the push buttons & stomp switch but time will tell. It seems solid out of the box though (but a reminder: its not an Eventide).
\n
\n4) Power - This thing can be powered three ways: 2 AA batteries, USB, or wall wart. Im building a battery powered setup so this is a key reason I bought it. Beware that it can suffer from the dreaded USB whine if youre not careful. I tried powering it from the USB host port on both Blackbox and MPC Live and \"whheeeeeeee\" it went like I stepped on its toe. This isnt necessarily a fault with the unit; USB noise just happens if youre not doing it right. I have other USB gear that can whine too. Sounds fine on AA batteries, USB power supply, and USB battery brick. I havent tried powering it with a wall wart but I dont see the need with all the phone chargers I have sitting around. Theres a lot of fun here in a small, mobile package.
\n
\n5) Sync - This is the only real problem area for me. You can only sync via tap tempo. Thats it. You cant dial in the tempo using an encoder and there is no clock or MIDI in. Tempo can only be set in integers, so you cant set a tempo of 66.6 BPM. The good news is most of the delays and a few other time-based FX can be synced via tap tempo. So far Ive not had a problem hitting the target (you can tap either the stomp switch or an encoder\u2013the encoder has been more accurate for me). You can also set the units with an encoder (like 8th notes or whatever) so thats handy (heads-up: the time units are hidden way at the top of the dial, easy to miss). Ive read that the USB port does have some MIDI capability\u2013like you can use CCs to engage the tuner and change patches\u2013but it doesnt take MIDI clock. That would be a sweet firmware update, Zoom.
\n
\n6) Changing patches - Ive seen some noodlers complain about the way you have to change patches on the unit\u2013I guess their hands are busy\u2013so if youre a guitar player you might not like this thing for live use if you need to play footsie with it. Ive seem some third-party switches for it that solve that problem though. But for my setup the patch change buttons are preferred. That said, it is a bit of a drag scrolling through 137 FX but theyre at least organized by category (reverbs, delays, etc.), which gets you there a lot faster.
\n
\nIn the end, great pedal for sound design and experimentation at relatively little cost. To make it better I would add 1) MIDI or clock sync and 2) A soft touch momentary button instead of the stomp switch.", "sir_rating": "5.0", "sir_name": "A. User", "sir_whereareyou": "North", "sir_background": "24 years", "sir_keepanonymous": "0" }, { "id": 25437, "store_items_review_id": 373123, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-bbc37599854540821c3aafd7d674db8eaa7615ae\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwOTE0MjE1MTIzLXBocHRrZGRkdi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-2a414e3034ecf9d77ace454f1298f0e8f0c030c0\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwOTE0MjE1MTIzLXBocHRrZGRkdi5qcGVn", "sir_title": "Great pedal BIG caveat", "sir_comments": "The effects sound great, and there are a lot of them. The interface is a little tricky to use, I think the GUI could have been a little better thought out, but, all in all it does what you want in a small, lightweight package. HOWEVER, there is a very annoying high-pitched whine that this pedal emits, I scoped it with a spectrum analyzer and it is prominent at 5458hz (5.5khz). Holy cow is it annoying, really ear-piercing. This being said, depending on the frequency response of your setup, your speakers may mask the noisee, or, your amplifiers frequency response might roll this of considerably, but it will ALWAYS be there. I ran it with a PRS MT15, NO other cables in the mix, even tested the pedal by itself with a dummy cable in the input, removing the signal chain entirely, no change, so this unit literally generates the noise completely on its own, bear in mind this is inherent to the pedals design. Some people arent bothered by it, but I was, and I cant imagine how someone couldnt find it very irritating. I ended up returning mine, though admittedly, this is a borderline deal breaker, so YMMV.", "sir_rating": "2.5", "sir_name": "Eddie Currant", "sir_whereareyou": "PHOENIX, AZ", "sir_background": "B.A Music, guitar teacher, composer", "sir_keepanonymous": "0" }, { "id": 25438, "store_items_review_id": 373123, "media_type": "video", "thumbnail": null, "media_path": "https:\/\/youtu.be\/Ys29vkl9Tv4", "sir_title": "Great pedal BIG caveat", "sir_comments": "The effects sound great, and there are a lot of them. The interface is a little tricky to use, I think the GUI could have been a little better thought out, but, all in all it does what you want in a small, lightweight package. HOWEVER, there is a very annoying high-pitched whine that this pedal emits, I scoped it with a spectrum analyzer and it is prominent at 5458hz (5.5khz). Holy cow is it annoying, really ear-piercing. This being said, depending on the frequency response of your setup, your speakers may mask the noisee, or, your amplifiers frequency response might roll this of considerably, but it will ALWAYS be there. I ran it with a PRS MT15, NO other cables in the mix, even tested the pedal by itself with a dummy cable in the input, removing the signal chain entirely, no change, so this unit literally generates the noise completely on its own, bear in mind this is inherent to the pedals design. Some people arent bothered by it, but I was, and I cant imagine how someone couldnt find it very irritating. I ended up returning mine, though admittedly, this is a borderline deal breaker, so YMMV.", "sir_rating": "2.5", "sir_name": "Eddie Currant", "sir_whereareyou": "PHOENIX, AZ", "sir_background": "B.A Music, guitar teacher, composer", "sir_keepanonymous": "0" } ]" :for-review="400225">
吃惊!
对这个管尖声叫喊的人,你已经有了你需要的一切。超速,促进、模糊失真,混响,延迟,合唱,移相器,镶边,颤音,和压缩机。
变焦踏板
我不是一个人,喜欢计划的事情。提供的方向似乎光。对我有很多的控制按钮,只需要尝试了。都说它有一个漂亮的屏幕,更影响我的关心我的生活。预设需要调整你的个人品味,但非常深。为我花费大量的时间程序,但从长远来看,这将是值得的。这有点太大博$ $踏板框。它将取代我的几个其他踏板。我是带着一个调谐器,它也。快速设置现场演出。 I give it a top rating because it has a large amount of power and fits in your guitar case
最好多外汇踏板可用的价格。时期。
我在想给它4.5星,但之后去五星级我写评论的标题。至于多外汇踏板,这个是最好的价格范围和幅度。我使用这个踏板合成器,为此我发现它的。我甚至考虑得到另一个,甚至两个。当然,混音不是世界上最好的,但他们仍然非常好。不,合唱没有比得上模拟合唱效果,但是他们仍然很好。
似乎有人在菜单。我不喜欢。我发现一切都非常简单。是的,你需要阅读手册,如果你没有,那么你可能会迷路。
有些人似乎认为你不能关掉整个连锁效应,但这不是真的,你可以。手动解释说这很清楚。这是一个特殊的效应称为行选择。通过关掉行选择脚踏开关,所有影响下游也关掉。这是一个非常整洁的特性,因为它意味着你可以决定哪些影响应该关掉,哪些应该保持开启。
唯一的小问题我和踏板是没有手动设置BPM或者生活方式同步功能同步时间的影响。女士说,使用调整作品很好,这当然改变我的主意关于这个盒子有多好。
如果你使用合成器和非常有兴趣看看这个声音和如何得到最好的- 70 cdr女士,我建议你在YouTube上搜索一个通道称为波形。他广泛使用这个踏板,有不同的教程就如何获得不同的效果。
强烈推荐。
爱这个
你可以告诉的所有其他评论这是一个有趣和多才多艺的踏板。没有这不是模拟但你获得的外汇和堆栈的能力这些外汇这成了我去而不是威仕特插件。有很多用户创建预设在网络上。一些用户甚至模仿其他踏板。你可以两倍arecreate踏板。只需要一些知识的信号链,实验,有点耐心。
变焦ms - 70 cdr
这是我最好的效果踏板使用,它是小而强大的,6的影响,还有一个噪声门,伟大的工作。我通过影响运行这个循环在飞机城JC50C它完美的工作。
下载手册和影响的细节表……他们帮助很多
我通常同意其他好评如潮,所以需要去结束这一切。非常满意。我只是想建议任何人购买去放大网站和下载所有的信息单位,因为它会帮助你的。那里绝对是一个学习曲线找出如何编辑效果,将不同的效果结合在一起,命名您的补丁,等等。一旦你得到它很容易使用,但这需要一些时间和实践来找出它是如何工作的。我认为只有这样的球员不会踏板齿轮势力小人图他们用变焦pedalboard不会看起来够酷了踏板。他们的损失!本单位拥有自己与其他mod踏板,价格你不能击败。如果你的踏板板紧空间像我,这真的是唯一的mod /延期/混响单元需要。它涵盖了所有的基地,你可以调整所有你想要的效果。
杀手无人机
如果你与合成器吵,取样器,电机等,这踏板价格不能被打败。我希望我已经知道多年前。它立即成为一个核心设置我终于得到一些新的和令人兴奋的声音自永远。我可能会买另一个。
我是黑盒的使用它,这是一个非常出色的组合。我已经将它设置为一个外汇发送/返回我可以丁克在补丁并重新取样的声音/测序进行进一步的处理。没有多少大流行期间更好的方式来消磨时间。
我的意见:
1)音质-一个黄昏。但也使一些精神的声音,我不知道任何其他外汇踏板在这个价格区间可以联系。我主要使用混音和延迟,这是适合我的需要(303年春天和板是好的,但听起来一点也不像一个弹簧应该;它有自己的味道,我很喜欢)。的延迟可以使用像一个基本的电影如果你对这类事情(光滑的延迟和跺脚海底是我目前最喜欢的)。我不会叫它郁郁葱葱的声音但你可以诱导一些相当舒适的声音。是伟大的无人机。如果你习惯的踏板,听起来十分昂贵,先试后买。如果你尝试,提出新的声音样本&过程这个东西就会成为你的朋友。
2)可用性-超级容易学习和导航RTFM但我的那种人。不要太menu-divey;你通常只有一页离你想去的地方。它没有让我发誓一次。好吧,我说WTF几次但是欢呼。
3)建立质量——这是在一个金属外壳,这样很好。我担心编码器的寿命。那些虫子总是靠不住的太多玩弄后,和玩弄这个东西会太多了。我看见有人在ebay上销售了屏幕,这样的一件事。我也不是超级自信的按钮和踩开关,但时间会告诉我们。似乎固体的尽管(但一个提醒:这不是一个黄昏)。
4)力量——这个东西可以驱动的三种方式:2节AA电池,USB,或墙壁疣。我建立一个电池供电的设置这是一个关键的原因我买了它。小心,它可以遭受可怕的USB抱怨如果你不小心。我试着给它从USB主机端口黑箱和MPC生活和“whheeeeeeee”就像我踩它的脚趾。这并不一定是错单位;USB噪音只是如果你没有做。我也有其他USB设备可以抱怨。听起来好AA电池,USB电源,和USB电池砖。我没有试过为一堵墙疣,但我看不出需要的手机充电器我坐着。这里有很多的乐趣在一个小,移动包。
5)同步——这对我来说是唯一的真正的问题区域。你只能通过开发节奏同步。就是这样。你不能拨打节奏使用编码器和没有时钟或MIDI。节奏只能设定在整数,所以你不能设置一个BPM 66.6的节奏。好消息是大部分的延误和其他一些基于时间的外汇可以通过利用节奏同步。到目前为止,我没有一个问题击中目标(你可以利用stomp开关或一个encoder-the编码器一直对我来说更准确)。还可以设置编码器的单位(如8日笔记之类的)这是方便(提醒:时间单位是隐藏的顶部的拨号方式,容易错过)。我读过的USB端口确实有一些MIDI随着您可以使用CCs进行调谐器和改变patches-but不需要MIDI时钟。这将是一个甜蜜的固件更新,放大。
6)改变补丁——我见过一些面食者抱怨你必须改变补丁在单位,我猜他们的手忙,所以如果你是一个吉他手,你可能不喜欢这的生活使用如果你需要调情。我似乎有些第三方开关为它解决这个问题。但是我安装补丁改变按钮优先。说,这是有点拖滚动到137年外汇但是他们至少按类别组织(混音、延迟等),这可以让你更快。
最后,巨大的声音踏板设计和实验成本相对较少。以使它更好我想补充1)MIDI或时钟同步和2)软触摸的按钮,而不是踩开关。
\nSo aside from just using it for my MicroFreak, I am now also incorporating this little magic Effects Box into my Tascam Model 12 Mixer\/Recorder workflow. Channels 1 & 2 have \"insert\" jacks. I can utilize these with a \"Y cable\" between the Model 12 and the Zoom Box. Using the Y, one for in and one for out on the Zoom, the other single end of the cable carries both the send and return signal back to the Tascam Insert Jack on Channels 1 & 2 (both are mono, unbalanced.) This gives me a slew of extra Effects for my Analog Synthesizers in addition to what the Tascam Model already offers.", "sir_rating": "5.0", "sir_name": "Floyd ONeil", "sir_whereareyou": "Greenville, SC", "sir_background": "Old Drummer, Synthesizer Programmer since 1972, Forner Recording Enginneer and Studio Owner from 1970 - 1988.", "sir_keepanonymous": "0" }, { "id": 31086, "store_items_review_id": 400225, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-16b827680920bfa0bb1a388def8ddd1b4a6b0249\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNDE0MDcyMTAyLXBocHk4dDJyai5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-c0faf25d5e2aa2925aa984eac8c79bc747cd5763\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNDE0MDcyMTAyLXBocHk4dDJyai5qcGVn", "sir_title": "ZOOM MS70CDR", "sir_comments": "I had one space on a Nano and needed a decent tuner and the most flexible, best sounding multi effects unit on the market for Bass and this is it. Highly recommended!", "sir_rating": "5.0", "sir_name": "Ty", "sir_whereareyou": "Austin, Texas", "sir_background": "Bass Player", "sir_keepanonymous": "0" }, { "id": 4912, "store_items_review_id": 275741, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-5eb68b692da957a0a3afc6ebfe682a38170bbdda\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNzEwMjIyNDM3LXBocHhyZ3Rxdi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-b173afe4d9813988d2eb398dde74fca30376ad02\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNzEwMjIyNDM3LXBocHhyZ3Rxdi5qcGVn", "sir_title": "Killer Drones", "sir_comments": "If youre into making a racket with synths, samplers, and other such electrical machinery, this pedal cant be beat for the price. I wish I had known about it years ago. It has instantly become a centerpiece in my setup as Im finally getting some new and exciting sounds since forever. Ill probably buy another one at some point.
\n
\nIve mostly been using it with Blackbox, which is a pretty stellar combination. I have it set up as an FX send\/return so I can dink around with patches and resample the sounds for further processing\/sequencing. Not many better ways to kill time during a pandemic.
\n
\nMy opinion:
\n1) Sound quality - An Eventide it is not. But it makes some mental sounds that Im not sure any other FX pedal in this price range can touch. I mostly use the reverbs and delays, which are perfect for my needs (the spring and plate are nice on a 303, but the spring doesnt sound anything like a spring is supposed to; it has its own flavor that I quite like). A few of the delays can be used like a rudimentary looper if youre into that sort of thing (Smooth Delay and Stomp Dly are my current favorites for that). I wouldnt call it lush sounding but you can coax some pretty cozy sounds out of it. Its great for drones. If youre used to fancy pedals that sound expensive, try before you buy. If youre into experimenting and coming up with new sounds to sample & process then this thing will be your pal.
\n
\n2) Usability - Super easy to learn and navigate but Im the kind of person who RTFM. Not too menu-divey; youre usually only one page away from where you want to go. It hasnt made me swear once. Well, I said WTF a couple times but it was a cheer.
\n
\n3) Build quality - Its in a metal case so thats good. I worry about the longevity of the encoders. Those buggers always go wonky after too much twiddling, and too much twiddling this thing will get. I saw someone on ebay selling one with a cracked screen so thats a thing. Im also not super confident in the push buttons & stomp switch but time will tell. It seems solid out of the box though (but a reminder: its not an Eventide).
\n
\n4) Power - This thing can be powered three ways: 2 AA batteries, USB, or wall wart. Im building a battery powered setup so this is a key reason I bought it. Beware that it can suffer from the dreaded USB whine if youre not careful. I tried powering it from the USB host port on both Blackbox and MPC Live and \"whheeeeeeee\" it went like I stepped on its toe. This isnt necessarily a fault with the unit; USB noise just happens if youre not doing it right. I have other USB gear that can whine too. Sounds fine on AA batteries, USB power supply, and USB battery brick. I havent tried powering it with a wall wart but I dont see the need with all the phone chargers I have sitting around. Theres a lot of fun here in a small, mobile package.
\n
\n5) Sync - This is the only real problem area for me. You can only sync via tap tempo. Thats it. You cant dial in the tempo using an encoder and there is no clock or MIDI in. Tempo can only be set in integers, so you cant set a tempo of 66.6 BPM. The good news is most of the delays and a few other time-based FX can be synced via tap tempo. So far Ive not had a problem hitting the target (you can tap either the stomp switch or an encoder\u2013the encoder has been more accurate for me). You can also set the units with an encoder (like 8th notes or whatever) so thats handy (heads-up: the time units are hidden way at the top of the dial, easy to miss). Ive read that the USB port does have some MIDI capability\u2013like you can use CCs to engage the tuner and change patches\u2013but it doesnt take MIDI clock. That would be a sweet firmware update, Zoom.
\n
\n6) Changing patches - Ive seen some noodlers complain about the way you have to change patches on the unit\u2013I guess their hands are busy\u2013so if youre a guitar player you might not like this thing for live use if you need to play footsie with it. Ive seem some third-party switches for it that solve that problem though. But for my setup the patch change buttons are preferred. That said, it is a bit of a drag scrolling through 137 FX but theyre at least organized by category (reverbs, delays, etc.), which gets you there a lot faster.
\n
\nIn the end, great pedal for sound design and experimentation at relatively little cost. To make it better I would add 1) MIDI or clock sync and 2) A soft touch momentary button instead of the stomp switch.", "sir_rating": "5.0", "sir_name": "A. User", "sir_whereareyou": "North", "sir_background": "24 years", "sir_keepanonymous": "0" }, { "id": 25437, "store_items_review_id": 373123, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-bbc37599854540821c3aafd7d674db8eaa7615ae\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwOTE0MjE1MTIzLXBocHRrZGRkdi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-2a414e3034ecf9d77ace454f1298f0e8f0c030c0\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwOTE0MjE1MTIzLXBocHRrZGRkdi5qcGVn", "sir_title": "Great pedal BIG caveat", "sir_comments": "The effects sound great, and there are a lot of them. The interface is a little tricky to use, I think the GUI could have been a little better thought out, but, all in all it does what you want in a small, lightweight package. HOWEVER, there is a very annoying high-pitched whine that this pedal emits, I scoped it with a spectrum analyzer and it is prominent at 5458hz (5.5khz). Holy cow is it annoying, really ear-piercing. This being said, depending on the frequency response of your setup, your speakers may mask the noisee, or, your amplifiers frequency response might roll this of considerably, but it will ALWAYS be there. I ran it with a PRS MT15, NO other cables in the mix, even tested the pedal by itself with a dummy cable in the input, removing the signal chain entirely, no change, so this unit literally generates the noise completely on its own, bear in mind this is inherent to the pedals design. Some people arent bothered by it, but I was, and I cant imagine how someone couldnt find it very irritating. I ended up returning mine, though admittedly, this is a borderline deal breaker, so YMMV.", "sir_rating": "2.5", "sir_name": "Eddie Currant", "sir_whereareyou": "PHOENIX, AZ", "sir_background": "B.A Music, guitar teacher, composer", "sir_keepanonymous": "0" }, { "id": 25438, "store_items_review_id": 373123, "media_type": "video", "thumbnail": null, "media_path": "https:\/\/youtu.be\/Ys29vkl9Tv4", "sir_title": "Great pedal BIG caveat", "sir_comments": "The effects sound great, and there are a lot of them. The interface is a little tricky to use, I think the GUI could have been a little better thought out, but, all in all it does what you want in a small, lightweight package. HOWEVER, there is a very annoying high-pitched whine that this pedal emits, I scoped it with a spectrum analyzer and it is prominent at 5458hz (5.5khz). Holy cow is it annoying, really ear-piercing. This being said, depending on the frequency response of your setup, your speakers may mask the noisee, or, your amplifiers frequency response might roll this of considerably, but it will ALWAYS be there. I ran it with a PRS MT15, NO other cables in the mix, even tested the pedal by itself with a dummy cable in the input, removing the signal chain entirely, no change, so this unit literally generates the noise completely on its own, bear in mind this is inherent to the pedals design. Some people arent bothered by it, but I was, and I cant imagine how someone couldnt find it very irritating. I ended up returning mine, though admittedly, this is a borderline deal breaker, so YMMV.", "sir_rating": "2.5", "sir_name": "Eddie Currant", "sir_whereareyou": "PHOENIX, AZ", "sir_background": "B.A Music, guitar teacher, composer", "sir_keepanonymous": "0" } ]" :for-review="275741">
灵活,多才多艺,伟大的踏板
每个单独的各种效果听起来很棒,但魔术发生当你开始堆栈。它像一个整体pedalboard可用的影响在一个踏板。容易编辑和存储。它听起来不像一个黄昏h9,但其关闭并更有用。这将永久留在我的设置。
哇!
缩放- 70 cdr女士是我的第一个踏板和50年代兴起听——豆儿Wop和60年代——沙滩男孩,我想要合唱,延迟和混响踏板!51免费升级,你可以有更多的影响。
我不是金属的声音,所以我把那些孤独,但有足够多的影响每个人的使用和获得乐趣。我不认为你可以找到更好的东西和价格,这老家伙很快乐!
伟大的踏板!正是我想要的。
一时冲动,户外记过处分我只是一个踏板,会给我我最喜欢的三个效应:合唱;延迟;混响。我不想拖在整个pedalboard除了一个amp和乐器。
这个放大框可电池供电的。项目在一些独特的补丁和船上所有的预设和效果和有丰富的选择需求。
变焦- 70 cdr multistomp女士
伟大的小盒子,我买它来处理信号lapsteel吉他。听起来很干净,多才多艺。188金宝搏官网是多少斯威特沃特总是通过与大齿轮,和伟大的服务感谢我的销售工程师凯文,谢谢!
这个预算踏板真的退出提供了很多!
不要让预算价格欺骗你,因为“年代很多的马力引擎盖下
我有几个伟大的测深Strymon, TC, Digtech, Fulltone Wampler踏板和变焦可以在吉他pedalboard很多利基市场和在那家公司持有自己的声音和音乐。
坚固的,制作精良,让使用它的用户界面后,这是一个相当不错的单位。
这将是一个不错的基本多级单元对于任何初学者或者预算,但它同样可以作为一种严肃的职业,填补许多声波卷。也许不是适合每一个人,但我相信这是一个非常喜欢和高评级的踏板是有原因的。
这是一块漂亮的装备和它呆在我的工作室。
很多价格的功能
变焦ms - 70 CDR踏板真的有很多功能。影响的数量是惊人的。但是,老实说,可能有很多我不会使用。我更喜欢更比其他的一些影响。例如,法兰是我很少使用产生影响。我更喜欢阶段比法兰。
合唱和颤音效果可能是我最喜欢和有很多变化的合唱效果。当你混合调制效应延迟和混响,你得到惊人的声音;很多环境和深度。有太多的延迟和混音可供选择。
底盘非常坚固耐用,它pedalboard占用很小的空间,这是一大亮点。我有其他多级踏板和他们占用更多的空间。这是一个很好的紧凑的单位。
导航不是那么糟糕一旦你要去适应它。我找到了很多,只是闲逛的时候,当我遇到困难时,我指的是手册,这是非常有用的和容易理解。我可能会花很多时间在尝试各种效果,因为有很多。可能是耗时的,但你必须期待,当你有这么多可用在一个单一的单位。我认为这是一个好交易的价格,。
影响踏板
我不是一个踏板的人。50年来我一直玩,从不使用踏板,但我最近买了一个音箱没有混响但我用混响,所以我购买了这个踏板从斯威特沃特的方式是最好的。188金宝搏官网是多少我把踏板,它使音箱声音大爱。唯一的缺点是与它的学习曲线。它不仅仅是混响。它还有合唱和延迟所以我猜这老家伙需要做一点作业。
标准的
如果你只有一个踏板,购买这一个。这听起来令人难以置信的和我的作品,许多传统的踏板的工作在一个廉价的盒子。这是标准的multi-FX synth世界是有原因的。
特殊的价值!
我只是购买第二个- 70 cdr女士为我的声学和低音踏板。它的成本是多少!工厂设置是不坏,但如果你花点时间拨号,你会非常满意这个小宝石(和堆栈效应是超级有用的)的能力。
踏板主板,我用它来音乐特别影响所以我不需要调整我的正常设置在其他踏板只是为了一首歌(尤其是调制&颤音设置或极端混音)。它可以轻易取代半打踏板在你的董事会。
唯一的你曾需要调制踏板
我已经自己放大的低音multistomp踏板(这是我低音钻机的核心),和G3X,所以我知道这事就好了(我知道如何工作菜单-变焦是非常一致的,产品)。
但如何好吗?这是尤物。
这是如果你买这个,你永远不会需要一个调制踏板。永远。女士- 70 cdr会讨价还价如果它都是疯狂的延迟…或所有这些混音…或所有这些合唱。但所有这些* *一个地方吗?并能够堆积到6行吗?并能够节省50预设的组合呢?这是本世纪讨价还价。
有一段时间放大让事情看起来像玩具,但那些日子已经一去不复返了。这个踏板是基业长青,它有着巨大的功能,这听起来不可思议。现在得到它,得到它!
惊人的音质和极端的多功能性
很明显,这不仅仅是一个多级处理器,它也是一个多功能处理器。的影响不仅是丰富的,他们是出奇的好。我个人觉得放大是一个被低估的公司,并不总是得到他们应得的荣誉。当你认为你得到你所支付的,这是一个虚拟的显而易见的。
我看过这个踏板大多在2通用应用程序。第一个是电吉他球员寻找一个踏板与各种不太常见的影响为偶尔的歌曲。其中一些影响不会经常被用来证明购买单独的专用踏板。然而,随着声球员不同的应用程序在我看来。声玩家旅行越来越轻。这个踏板有一种利基。我有一个小音响pedalboard更用于一般用途。然而有时这踏板可以是一个一体化的音响产品。特别适合更多非正式的情况下打开麦克风或其他短演出像婚礼,等。建于彩色调谐器,压缩、噪声抑制,利用节奏,图形情商,等等,它可以是你所需要的只有踏板。我甚至可以看到一些声学玩家使用它专门为他们所有的应用程序。 For a short gig, you can confidently get through it with 2 AA batteries and still have plenty of time to spare. You can also power it with an external supply like any other typical stomp-box. All of that, and you can still stick it in the storage compartment of your guitar case.
这个东西有面包和黄油调制和基于时间的影响任何声球员想要的。像所有其他人一样,它有一些影响,你可能不会关心的。同时,它的头转音景和其他特殊效果当你想完全的颜色基调。这是非常鼓舞人心的! ! !你可以有几个小时的有趣组合。尽管有趣但是,我会亲自来记录感到骄傲,更不用说玩活。这些严重的影响,而不是廉价的仿制品。你会期望从在这个价格区间有这么多的功能。即使你有另一个吸声板,它使一个伟大的备份是值得的钱过多的影响和它提供的函数。
当别人提到过,有一个学习曲线。应该不足为奇,有这么多函数stomp-box格式显然将主要菜单驱动的。它仍然有许多直接的影响,而根本不需要编程。然而,一旦你得到基本功能发现这不是大不了的导航。用户界面是唯一的缺点。的成本,它能做什么,我从来没有见过这样的东西。这是很有趣,我肯定会推荐。让时间和认为这是一个娱乐的项目,大多数肯定会还给你。
我为什么等这么久? ! ! !
我不得不说的是这踏板真的指甲!发现它很容易导航和最重要的是,听起来美妙的作品。购买电源这美妙的野兽。
小助手的作品
有三个,分别为独白,子37,Minilogue。带来额外的微光和发光的野兽。不是寻求广泛的编程,把基础知识打在味道和称这一天。爱用户槽,1号。并列第一,价格。利用节奏、音响/出局,6的影响在一个链。是的,编辑有点笨拙,但就像我说的,不是在寻找大量的编程。,老板,当然,不是一个性感Strymon或黄昏,但除了疯子购物斯威特沃特(每个人举手)没有人能区分(阅读:人们没有认真参与创造性的音乐性,形状或形式)……188金宝搏官网是多少加上我有三个小玩伴一个单位的价格。最后,他们放大产品:固体和质量。
再次感谢亚伦史密斯!
Synth天堂
这个踏板累仪器中注入新的生命。我用这个老吵Omnichord疯狂惊人的结果……
买这个盒子
你好,孩子们。我再一次。我刚买了这个盒子,玩它一段时间通过我的固态老板刀头和颈- 1 Schecter猛鬼追魂。我没有使用V3,这样我就可以得到最清晰的语调。目前我有一个古董TC合唱/镶边(凯迪拉克我以为),钻石合唱,老板C3,邓禄普合唱(黄色框)和拥有各种调制50多年的玩具玩。从垃圾到珠宝和珠宝。以128美元的价格,我得到了它在24小时内(斯威特沃特战利品你)和它的声188金宝搏官网是多少音质量是难以置信的。这是我第一次放大效应,但是不会是我最后一次。
没有噪音。不声不哼不大声卷。
合唱的选择。通过经验我听了许多品牌。并不是所有但很多。每个模型的参数是钉在T这个东西。设置参数为每个合唱一样切换从一个到另一个让你听到这些盒子的实际听起来。
的镶边一样消失。我接下来会有另一个这一个环境延迟,合唱等。
谢谢你的叫蒂姆。188金宝搏官网是多少斯威特沃特(Tim哈林顿)提供最好的服务给我们摇滚,我不会但别处。很快就会购买。谢谢。
优秀的价值
我有几十年的经验与机架和踏板效果。这个踏板包很多钱的价值。原始的声音。变焦已经永远和在做建模,因为它成为一件事。
很容易通过预设页面和激发创造力或保存您的自定义的声音。我满意这个购买
最好的起动器踏板Synth上议院
我甚至不知道从哪里开始与这个东西。模拟是完全不可思议的,你也可以建立自己的6踏板预设(这已经是荒谬的)打开了很多可能性。我已经想要另一个。如果你有任何monosynths这是一个无需用脑的事。
新固件
新固件增加51更多影响…所以按这个价格做数学
最好多踏板
非常易于使用和学习,菜单很容易理解和导航,可能会有更好的效果踏板,但这是最好的高质量的影响和简单之间的妥协,满载着每一个合唱+法兰+回声+混响+延迟+字符串需要情商和能力6效果以任意顺序快速和容易,我用这个尼龙搭扣到我ms-20迷你synth更可怕的声音,声音设计的另一层,也使用这个麦克风的低成本和有效的设计师
伟大的踏板的作品
我得到这个踏板添加额外的层的影响合成器(Roland盖亚),它能够很好地处理它。显然有些影响是专门为吉他/低音和不完全按预期工作synth,但总的来说有一些很好的模仿合唱单位以及混音和延迟——包括两个带回声——真的增强了盖亚的声音。一个巨大的各种各样的效果可以稍作调整并影响模块的链接——六可以用于一个预设,但一些影响很多处理能力使DSP完整消息出现,所以一个小前锋一起规划时需要链接的影响。菜单很容易绕过,屏幕,虽然小,但很清楚,并提供良好的视觉反馈。
没有问题与剪切/失真立体运行代码输入,我试着用合成器和鼓机,并输出,直接放大:R24——足够响亮,没有背景噪音。如果噪音是个问题,变焦恰好把这事的降噪装置,这将解决这个问题。
我肯定会推荐这种踏板任何键盘球员想要添加一个良好的全面影响单位工具建在有很少或没有影响。
声波的诱惑
我曾变焦ms - 70 cdr Multi-Stomp在YouTube上一堆的评论。我在寻找一个演示与单位记录在立体音响。那一刻我听到立体声的ms - 70 cdr,我被出售。我下令从马克斯坦那一天,我很棒的斯威特沃特的销售工程师。188金宝搏官网是多少我无法相信它有多快到了。第一次机会我,我在踏板板和设置它听起来更好,我想象……简洁、清楚,甘美的,比现实更好!…我可以继续下去。当我打TC的模拟电子电晕合唱踏板,ms - 70 cdr听起来比实际的单位。很容易a / b两个因为Tri-Chorus链中的下一个立体板。 I was so impressed with the MS-70CDR that I purchased the Zoom G3 the next day. I'm confident it will have the same killer models and more, and I can run in the cans without disturbing others.
我
很高兴
我不知道其他说,其他人还没有指出。我得到一些伟大的音调的踏板。我购买了其他专门踩箱子甚至拿起老Intellifex最近和我继续回到这个踏板。我发现一个伟大的领导和HD大厅混响的结合,立体声合唱,和立体声延迟。搭配我的马歇尔DSL40C它听起来很棒。不犹豫地捡起这个强国。它有一个学习曲线导航但没有大多数人无法处理。感谢亚伦屈里曼把我像往常一样。我爱斯威特沃特188金宝搏官网是多少。
很酷的踏板
我曾经拥有一个Peavey Profex架装安装和错过了影响所以我命令这个缩放。我认为这是伟大的记录。我用它和我的声学设备添加一个小氛围等等。听起来不错,我很喜欢它很多!我建议让变焦ad16电力要求。一个地方,似乎没有插入好吗?我试过在前面输入的台面和Badcat电子管放大器和感觉它可能通过影响循环做得更好。通过固态安培精美通过前面。的学习曲线,但您还可以使用它为单身独自影响。我喜欢使用它在几个不同的场景但声学设备可能会坚持下去。我喜欢它在我橙色的循环影响微黑。 Be aware that it's on as soon as you plug your chord in with batteries. I got the ad16 adpt. and took the batteries out. Hope this helps. Part timer out!
变焦也使多的效果
没有比老板踩箱子,这小狗包一个大踏板董事会的影响,如果单独购买了价值数千美元。
他们如何听起来你问吗?绝对是伟大的在我看来。
混音(所有类型)、镶边、延迟、颤音、震音甚至一个智能移距器!我个人有三个。两个踏板板和一个孤独。
唯一的警告是有一个学习曲线,但它将是非常值得的。我所能说的就是,得到一个!
变焦ms - 70 MultiStomp踏板
这是一个奇妙的踏板的钱!效果非常好,提供的控制效果,你可以定制特定的吉他的声音你玩,这是很重要的如果你有多个吉他,还用它(和我一样)声学和电。
说,这是很重要的,因为大量的混响或延迟或合唱,您将使用单个线圈,而不是humbucker,而不是一个声,可能会有所不同。它需要一点工作,学习如何编程,但这是值得的。手动,在我看来,很清楚如何去做事情,也有你管视频如果你学会更好的视觉效果。你有多个选择的“三巨头”影响(因此它的名字),他们中的一些人在立体音响。其他影响,如移相器、音调转变,等等,也很好。是的,你可以得到可怕的“DSP限制达到“信息在一些补丁,但是我可以接受这样的条件。usb电缆固件更新选项也非常酷,是立体进进出出,这是很好的记录。我喜欢这个踏板,我只是下令女士50,在一些场合和计划对在一起。我有很多独立踏板,包括其中的一些建模的ms - 70,虽然他们并不完美的副本(没有数字踏板),我拥有的,他们非常接近足以让大多数应用程序。这个瑞士军刀踏板是值得的钱我花了99美元,并感谢我的销售工程师Nathan帮助他当我得到G.A.S.和问他多个问题。 You're the best!
收集很多好东西变成一个小包装!
我买了这作为一种有一堆时域影响非常小的低音pedalboard我使用两个alt-Americana声组。我没有失望!
预设,一如既往,通常是无计划的,有点太夸张了。但是如果你花时间去做一些编辑,并建立一系列补丁,可以骑车通过脚踏开关,你可以得到良好的结果。
合唱和调制延误的声音美妙我的耳朵,似乎工作同样与低音或吉他。混音我特别高兴,我使用添加一点氛围低音大提琴弓工作;合唱,我使用添加一个小运动和“咆哮”当我去全金属“错话”的事情。
我再也不会行使所有的可能性在这个踏板,但因为它是取代三个踏板我使用更大的“战舰”pedalboard,我觉得我遥遥领先。的价格,你不会找到任何可以在这个领域竞争的功能。
合唱,延迟,动词等等
我有一个多混响踏板和最特色的包装延误,超过5调制踏板,所以你可能会认为我不需要这些,但这与其他multifx单位,有权立即运行6的影响。5如果你需要立即1踩绕过。
所以我用这个当我想添加多个效果。
这可能是更微妙的,像一个提高(可以添加到最影响甚至不用占用一个槽),情商和动词,独奏。或者把你的信号转化为一个不断发展的。
构建质量是固体,我写这篇评论之后有一个一年多了。我每次调整跺脚。
哦,这也有一个很好的调谐器,因此它几乎自由空间。
我买了一个备用的偏执孩子停止之类的。
坚实的建立和郁郁葱葱的清洁chorus-delay-reverb外汇
这是一个非常低噪声fx单位。
我喜欢它如何模拟许多著名fx框,您可以在菜单链接在一起。
我也找到这个单位启动多个源的能力非常方便(usb、9 v或墙上适配器)
我用这个为家庭工作室。我在玩不使用失真或希望amp模拟踏板这踏板就是一切我想要或需要的任何东西打我的电动或原声吉他在工作室的环境。
我以前拥有一个变焦20 20年前,它持续了我,直到我把它卖了。女士- 70 cdr当然是一个更坚实的建立与改善音质。我希望这多年来。斯威特沃特和销售代表188金宝搏官网是多少迈克尔·Eads谢谢你总是照顾我的音乐需求和超过预期这么多年了。
多影响最大
我想要一个伟大的多单位延迟,混响,合唱进行记录,这些都是几乎唯一的影响(以及超速促进)我喜欢用。哇,你不会错的,很多踏板可供选择。他们都令我始料未及。对现场演出可能是困难的,但对于录音,这真是太棒了
缩放- 70 cdr女士是一个野兽! ! ! !
这是一个很好的踏板!比我预期从一个小multi-stomp吉他踏板。它建在有很多影响,您可以自定义和程序。6一次! ! !我有我的缩减与TC倒叙X4延迟,是杀手!你不会找到一个更好的踏板的价格保证!
太好了!
我很欣赏这个踏板,我购买了2,这样我可以使用DSP过载的高清效果没有得到消息。我爱更高价格的不同正确的模拟装置。这是原始无噪声和效果。将使用我和奥德赛Rev1 Moog子37。+ !
One-stomp商店
我用小fly-rig这个单位,我无法快乐。一如既往地迈克Godlove和淡水船员以优异的成绩通过。188金宝搏官网是多少按比例缩小的单元本身是完美的一个巨大的pedalboard。大量的合唱、延迟和混响的声音在这个单元独立的同行的竞争对手。我可以用更多的镶边和移相器控制和/或选项,但为了钱,这是接近你可以“拥有一切”调制和基于时间的效果。任何更好的接近成本的4倍。这个单位是为什么他们发明了短语“香槟味啤酒预算”。
伟大的踏板钢吉他!
体积小、重量轻,但听起来像一个机架单元。阅读手册程序。。。然后一步根据需要通过你的影响(钢玩家只用半打)。得到AC适配器回家练习,电池演出。
混响迷在一个预算
我正在寻找一个混响,做我想要板、弹簧、扭转和调制。我想要的东西提供了微妙的极端。我很感兴趣的黄昏空间。但是说真的不能承诺价格标签。所以看着替代我偶然发现ms - 70 cdr。我喜欢特定的特性。我喜欢它仅限于合唱,延迟和混响效果。的变化这三个影响是压倒性的。我听说dsp有限时叠加的影响,但我通常不同时使用许多影响。我也喜欢它没做amp建模,一切似乎都做音箱现在建模。 It is built solid and is very intuitive to use. I like having the three knobs to control the parameters in real time. The screen is a good size and looks great. So easy to see your parameters positions. You don't have to go into too many menu screens to achieve your sounds. Best of all it sounds really good! Really surprised it is priced so reasonable. As far as me looking at the Eventide Space, this has three clones of eventide algorithms! It's like this thing was custom made for what I was looking for. BTW I use this with guitar and synthesizers.
完美的声学钻井平台
我买了我的电吉他的MS-50钻机声钻机和ms - 70。这确实如此我整个声钻机由只有我的木吉他和ms - 70输出音响Bose塔。这就是我所需要的。神奇的声音!
超出预期将是一个保守的!
在这个价格点,我期待的东西“应该做的”。我是给我的印象就像strymons时间表和蓝天的音质(显然不像提到的strymons功能强劲,但音质绝对水平!)
我拥有一切从最早的老板和ibanez说跺最新DSP。所以我有很多比较这一块。恕我直言你不能获得更多的价值,从任何单一踏板功能,或更好的音质在当前市场。变焦钉踩!
我使用这个循环的影响我blackstar id260,第二个我插,游戏改变了!我径直进去,打一个情商+高清混响+一个模拟延迟....我立刻在独奏天堂!如果这是所有这些踏板,我会欣喜若狂!但它不是!这个踏板的一些最茂盛的合唱我听过,所有的模拟/数字/山谷回声回声/乒乓球可能有你想要在一个踩单位,提到几次,我将再次这样做,音质非常激烈!
它可以用一些改进吗?当然!我肯定我们将会看到一些很棒的踏板源于这个女士一行!
PS:我这里时,我也可以把我同样由变焦G3X吹走,我还在否认一点,这些两块踏板有多少已经取代了在我登机!
有史以来最好的踏板
这个踏板之前我对吉他钻机;Pedaltrain 1 + TC至交延迟+ EHX圣杯TC倒叙延迟+混频器阶段90 EVH +液体合唱+ TC保利调整+ CMAT布朗尼+ TC火花迷你增压+哇。
在我现在这个踏板平台是:Pedaltrain nano变焦女士70 + CMAT布朗尼+ TC火花迷你增压+迷你哇。
这件事让我的生活更容易。
很容易使用。
买它....这是一个必须,历史的终结。
是正确的
几年前我曾上一代变焦踏板,没有深刻的印象。
但想要影响只有通过管amp循环运行amp建模。试图从何哼的所有董事会不会在循环工作。所以给了女士70 cdr一试。这个踏板很棒。听起来运动众多品牌他们取样,真的,易于使用和是伟大的声音效果。尤其重要,如果你想保持你的管amp C-D-R质量和有很大的选择在一个踩踏板大小。
女士- 70 cdr
哇。我爱它。,老板,黄昏,混频器,TC-Electronics Digitech,时间线,ADA, Line6,电Harmonix,挡泥板混响,大师回波操作和缩放的效果等等这些影响很好模拟。他们听起来可怕的好。我希望这是很久以前的。我可以节省很多的钱和空间。值得一试。
一个“最佳表演”的吉他世界! ! !
巨大的多功能效应
很棒的选择的chain-able混音和延迟。我唯一的失望是不可能的影响MS-50G没有黑客,尽管这踏板花费更多。会但是很高兴有一些扭曲和amp模型。我也有MS-50B这可能是精确的电路与“烤”MS-50G但低音预设。变焦有这样一个伟大的产品,他们应该做一个踏板一点空间,适合所有的预设。我会买一些。
变焦- 70 cdr MultiStomp女士
我为我的“模拟”pedalboard设置(我管安培)给我国防部和延迟效应。后通过“学习曲线”(这不是硬)我发现这个小单元它!我希望它能做的唯一的事是我程序四个多影响一次(它们单独使用行)但除此之外,它的伟大!控制好,伟大的探测效果,甚至调谐器是准确的。所以,如果你想保存房间pedalboard和有足够的访问效果,买这个!价格,你不能出错。
变焦ms - 70 cdr
伟大的除了你的踏板设置。我最初得到电晕合唱踏板和穿过这个,决定试一试。听了几个这样的组合效果踏板年前,我非常不实际表演的效果。我甚至从来没有考虑过收购之前,这引起了我的注意。我和罗兰管乐器迷你购买它,因为我目前没有一个合唱踏板。惊人的结果,在我看来。然后,我尝试用我的Peavey电力幻灯片GFS Humbucker。它产生了很好的钢吉他的声音。另外,我和混合Strat treid出来。它有57 - 62挡泥板皮卡。光滑。 Parameter adjustments seem to work like the pedal being imitated. The only reason I gave it a 4 1/2 was the fact that the internal pedal chain has a steeper leaning curve.
如果你正在寻找合唱、延迟和混响,试一试,我当然不是失望。
比预期的要好!
这个踏板最终将支付本身的踏板我能够清除。更不用说它有大量的非常好的效果。我好高兴!
神奇的,有局限性。
这个踏板是惊人的,没有其他踏板,可以为这个价格做什么这个踏板。结束的。如果你想播放同样的音乐,同样的舔,用同样的安培和吉他,人被打了40,50,60多年,也许这个踏板不是针对你。如果你不想深入这个踏板和探索声音设计,这个踏板可以为你工作,有预设,它们听起来不错。
这个踏板擅长创造大气,或略混乱的声音。这些天一切都好,你可能会意识到,实际上很难让一个混乱的声音。你可以追逐幸福,但首先你会追逐那些dolla dolla账单,你们。如果你深入这个踏板和工作,你会得到回报。(放大是一个升值Brian Eno外汇公司,并说点什么,但Eno作品产生他的声音)
说完这些,有点平的很多影响。如果你戴上一个高质量的混响预设,听起来不错,好吧,它不会是最好的混响声音你听过。它就不会。听起来,你将支付至少4倍的价格,你只会有一个混响踏板。然后,如果你想达到这个水平的质量和覆盖的范围仅为这个踏板,你很容易在4000美元的总范围。如果你有5 k美元踏板和需求最好的,试试吧。
声音是擅长常规的东西,在一些独特非凡的/个人/投资/混乱的声音。
现在gigability,老实说这是贫穷。只有一个脚踏开关,但理想2,你会有一个巨人,一个不可阻挡的外汇踏板,踏板上无处不在的董事会(这是一件好事吗?)。我想说的是它很难使用踏板,在一首歌,在一组列表。在一首歌,你想要使用不同的外汇链的不同部分的歌。很简单,你可能想要一个介绍/结尾部分/桥,这是一个补丁的三类如果你吝啬,让它正常工作。但是你很有可能会想要一个补丁,补丁,节,甚至一块特殊效果结束的合唱或诗句,不管它是什么,这些需要在一首歌。与一个脚踏开关忘记做这个活。你不能这样做,除非有一个黑客,我不知道。
现在,在一组列表,您需要切换从歌曲的歌,,,几乎瞬间。通常使用ms - 70 cdr对那些长期环境部分,可以完成一首歌,带你进入下一个歌。但它本质上是不可能与你的脚开关补丁。你还是用你担忧右手拿着笔记,弯腰和菜单潜水进入下一个补丁。如果你能做到这一点,那么这组列表限制对你不是问题(如果你不介意一个突然的声音改变当你真正进入菜单切换补丁)。事实上,这是行不通的。
所以,我希望你能看到我给一个诚实的和平衡的审查。我给它4.5星,因为它可以使惊人的声音,以及函数作为一个简单的混响/延期/调制踏板。这在舞台上踏板不太有用的。最后,没有什么,没有多年来,任何可以为价格做什么这个踏板。我真的很喜欢这个单位,我真的完全失去了它的不人道的暴怒发作试图让这个东西在生活环境中工作。说真的,一个非常尴尬的灵长类动物的愤怒已经显示几次。
哦,有一个黑客可以购买的设备,或者至少,可以购买,可以通过脚开关补丁,但在我的记忆中,它是非常昂贵。它把这个踏板Strymon /黄昏(后者具有更好的声音imho)领土,,如果我的领土,我宁愿拿起一个黄昏或进入市场的新数码网络大师之一。
能力,多才多艺的节省空间
这个踏板做了很多。我扮演一个synth通过它,它是一项宏伟的生活平台。我已经能够取代四个踏板只有这一个,使我生活建立更快和更容易携带。
当然,杂而不精,但似乎掌握它们。它可能不会取代你Strymons,但也有一些很好的隐藏在这个影响行为如您所料,可以创建一个美丽的立体图像。我一直玩到运行的立体声合唱带回声与瓷砖的房间混响和它听起来好像我在玩通过一个昂贵的连锁效应。
有时menu-diving期间表现有点难以适应,但它足够直观和响应,通过一些实践,它应该是快速和容易。
我强烈推荐这个你是否在一个预算。听起来很不错,有一个巨大的各种色调的可能性,你可以花几年试验。
更多的乐趣比踏板有权!
这是一个很好的小盒子几乎所有合唱团,您可能希望延迟或混响效果。除了40预设补丁(所有这些都完全customizeable),有空间让你创建并保存自己的补丁从86个人的影响。我扣除1/2星仅仅是因为有这么多的这个盒子可以做,有一个学习曲线,与用户手册比详细的快速启动指南手册。幸运的是有一些好的视频在YouTube上深入挖掘功能和流程更彻底。在任何情况下,只要鼓捣这个事情你可以很好的掌握基础知识,如果你无意中做出改变,你不知道如何取消,您可以选择恢复工厂默认的一切。如果你正在寻找一个伟大的3-in-1踏板,你的搜索已经结束。巨大的来源也对我的销售家伙Norb Berninger持续优质的服务!
不错的作品!
我买了这个使用在工作室各种合成器,只是因为我爱的手在控制单元的影响。不会吧!你可以做这个小盒子。我爱的能力,连锁效应并保存补丁。我正在寻找一个便宜比Strymon踏板时间表黄昏Timefactor(但有很多影响选项),这个满足我的需求很好。
我唯一的抱怨是旋钮。我真希望他们只是普通旋钮,顺利。clickiness是有点烦人,但是真的,美妙的声音和期权这个踏板确实克服了小缺陷。
这个东西结合更新低音站2是一个组合的野兽。:)
女士- 70 cdr
好单位影响,混音可以更好的但是他们仍然可用。我不会犹豫地使用它。面的很好玩! !
伟大的踏板
非常酷。很好的模拟调节。接口并不是傻瓜证明,但是你也不需要一个图出来的高级学位。有一些很好预设。我运行一个立体平台与其他音响踏板。只是小心堵塞或者你可能的一切accidnetally杀死你的语气很快。
我一个/ B-Ed日冕Trichorus预设一个实际的TC扒Trichorus踏板。缩放预设可能是99%的钱。
我曾经有一个小的克隆和这个踏板小克隆,您可以运行缩放小克隆在音响!
扶轮预设是非常好的。
变焦的颤音预设可能比我的肉汁踏板。
疯狂的调制预设(会高声喧闹的人/环境影响我买了这个踏板实际上是一个主要原因。他们是很酷的,如果你不认为他们很酷,你有能力改变任何的所有参数,直到你找到你自己的酷的定义。
我认为首先有一个体积下降。但我搬两个踏板,这是非常好。
调谐器并不是真正的伟大,但这也可能是多远这个踏板链条是董事会。
还没有为这个踏板固件更新。我不知道将会有一个,但是你不需要去找一个10/16/2015。
我只做这个检查一天收到它后,大约3小时的折腾了。但是,我想我可以安全地说我保持它。
是一个伟大的踏板的时候你想一些奇怪的声音,让你玩一点,但不想花300美元4踏板,你点击一次一整套的那种声音,您可以使用它们来创建一个新的曲调或者只是使它脱颖而出。
伟大的……但权力。
嗨伙计们每个好的话是正确的。我的一条建议,运行单元测试和程序单元与电源和保持新鲜电池备份。我第一次使用电池和他们顺着踏板能力也是如此。我以为我的耳朵玩把戏。但我的主程序是情商合唱延时混响.....郁郁葱葱的声音听起来。但这仅仅是使用了不少处理2节AA电池,开始声音不同电池的。神奇的.pedal。伟大的价值。但有一个电源准备好了. .
相当惊人的
这是我的第二个变焦踏板(MS-50多Stomp是第一个)和我fourt放大产品。我有rt - 223节奏跟踪这对它的多功能性是惊人的,我也第一个变焦吉他外汇年前。总是满意他们的技术和工艺。我爱什么CDR Timefactor的娱乐,黄昏和Strymon踏板以用户友好的价格。像往常一样,马特Emick很棒但是我肯定希望他们会派遣更多的糖果!
伟大的声音,但有点困惑
声音的选择在这个踏板真正高质量的。我打算用它来一次只有一个作用——尽管它可以给你6理论上。如果没有优秀的声音,我也许就不会购买它由于学习曲线参与操作正确。但是我计划学习它,利用它可以做伟大的事情。最好是有电池有一个电力排水有时与其他影响连锁意外关掉设备。后把电池(除了在电源插头)一切都好。电池似乎提供一种必要的备用电源的设备被试探出于某种原因,关闭,需耐心点这个设备,但是值得的。
变焦Multi-Stomp ms - 70 cdr
它说在锡。伟大的合唱,延迟,混响和更多的在一个包中。我能够摆脱3 stomboxes只有这一块和替换。
我的朋友拥有最好的最好的——Strymon和黄昏。他试着放大并宣布“讨价还价的世纪”。它不会取代高端工作室齿轮齿条,但得到了充分工作多。检查Brett金曼Utube审查。
我用它玩生活,它设置了3声音和3空格,一之间。做一个简单的灵魂,这样我觉得我从未迷失!
很容易的程序和使用和声音太好了。
伟大的踏板
买了它作为一个备份给我极大的踏板,发现自己只是把它演出。伟大的效果和小足迹使它适合小阶段。有一点的学习曲线最喜欢放大产品但时间花得很值得。我不做很多调整在歌曲所以商店连锁效应的能力,让他们的歌曲或者我可以做得很好。如果你是儿童玩的弹弓,它仍然会使一个伟大的除了你的董事会(名副其实的瑞士军刀)。在线商店可以购买使用更多的影响。
大量的货真价实
我没有做过很多与这个小的宝石。然而。我知道,我需要一个图形情商,一个模拟延迟slapbck ala副本,和一个小房间混响。我可以设置3外汇虚拟节拍,以正确的顺序,预设,与我想要的设置,在短短几分钟。
,听起来很不错!
一个外汇链,踏板超过支付本身。
似乎所有的混音pre-delay控制。
有50个预设插槽。《美国残疾人法》的ms - 70 cdr很好,太。非常干净,没有噪音。我的耳朵没有延迟。我还在口袋里。
与任何多级踏板一样,并不是每一个效果是杀手,但大多数都是惊喜地好。“动词非常好。
我绝对推荐这种蓝色小盒子。
像一只松鼠!
可爱,c
没有装饰,小,什么这快,它很好。需要一些时间来弄清楚考虑它的大小。尽可能多的带我去找到我的老板GT10。
值得努力的!
我第一几次用它有点迷惑,即使我是手动后!但坚持和闲逛的控制。YouTube视频也很有帮助。一旦我有“啊哈!”,我绝对是垫底的大量特性和功能放大挤进这个单位。有很多可能的组合可编程的影响可能的,你可以设置它所以你喜欢方便的脚踏开关。这将取代许多单位在我pedalboard和将提供小时的享受探索它能所做的一切。
伟大的踏板
实际上有两个变焦踏板的吉他和低音。我决定- 70 cdr女士是我先试一试。建造坚固的踏板。唯一的问题是微小的说明书中的文本。有几十种预设,我一直尝试。变焦AC适配器是一个额外的成本…你可以计划踏板绕过或循环通过预设的列表。我刚刚开始学习它能做什么。如果你想要一个踏板,可以做许多事情,那么这个踏板将为你工作。你可以调整的各个方面的影响。 Lots of clean sounds. Not a distortion pedal. That is the other pedal by Zoom. Reasonable price too for what it does. I watched a demo by Don Carr to get started. Need more detailed instruction if I can read the text in the instructions. So my only beef with the pedal is the instruction booklet and the AC power adapter. It does run on batteries, two AA batteries. I am looking for more in-depth instruction online.
伟大的作品
这是一个伟大的踏板。我用它在我的模拟合成器。听起来不错。大量的不同的效果。爱的延迟。利用基于时间节奏的影响。唯一的原因,我没有给它五颗星是因为一个陡峭的学习曲线。
可能正是你需要的。
这个踏板很好,只是我需要在过去的几年里。
从混响推迟颤音合唱,这个东西,它模拟了很多经典的踏板很好。
所以对我来说,这是一个教育。我学到了很多关于各种各样的踏板通过在摆弄这个。控制是有点繁琐,不容易在你组做调整,但一旦你采取一点时间来建立你的最喜欢的预设很高兴能够跳我的预设一个水龙头之间穿过。
当我填写pedalboard,少使用这个,我发现自己在我设置我的膝盖比我以前当我使用这个。
我不使用这个尽可能多的,因为你可以买一个延迟或混响或合唱等等比这里的声音听起来5%——这就是我想说当比较我的记忆内存男孩男孩克隆设置在这里。但是,所有这些选项听起来如此接近这个价格的真实的东西在一个盒子里吗?真的难以置信。
如果你经常旅行,需要一个小/简单pedalboard,或者开始踏板,我完全推荐这个。
伟大的声音
大踏板——真正的得到固件版本2.0很多很棒的外汇。我和pedalboard——开关它在与老板线路选择器——它需要的唯一的事就是好midi控制。
我有八个预设和五个滚动预设列表-只是基础有点延迟,颤音,氛围,合唱,我把我的小。
伟大的声音从一个非常小的单位。各种各样的应用程序的一个非常不错的选择。
不坏!
我买了这一点混响在黑暗的恐怖和我运行它通过影响循环(好黑暗恐怖的好处)。我发现我想要的声音在第一次运行通过,并感到非常高兴。我主要使用环境混响,它听起来不错,没有压倒性的。
有很多伟大的对这个单位的影响,但我只希望混响。我也可以设立一个延迟或slapback。
调音师不是那么好……我不知道问题是什么,但它不停地告诉我,吉他是在C或c# E弦。所以,我电话和爆发调谐器应用程序,并在E…所以,你可能不想惹调谐器功能。
神奇的声音/用户友好
您可以定制这个用很少的时间和精力。我认为这将是一个新风格对许多未来多影响踏板,因为这与大板很容易。它是实心的,但它不是一个脚的操作单元。中间的银色按钮是唯一你可以使用你的脚,要用你的手指来完成一切。这不是像老板一样坚实的踏板,但牢固,它比任何单一的老板踏板;也更容易使用比大多数老板踏板。价格是伟大的。我将支付两倍如果他们使它完全兼容的脚没有成为一个巨大的复杂的董事会。指令是非常难以阅读,而不是澄清。我在线手册的指示和一些伟大的你管视频。 This is the dream pedal for a jazz player.
不错的交易
我有大约一个月的踏板。预设是一个很好的介绍。仿真是相当好的。我喜欢这样的事实,我现在可以运行一个小音响的克隆。我有一个TC肉汁踏板(有相同的声音作为电晕Tri-Chorus模式)。我做了一个A / B测试和他们真的钉TC Tri-Chorus声音。颤音是不错。扶轮是公平的。正常的延迟和混音都不错,但是我也有其他不同的踏板和amp(68年超级混响)覆盖了很多领域。利基的影响(音高和细粒度的延迟,更专业混音是有趣的,但是我还没有沉没我的牙齿成他们尽可能多的其他一些调制效应)。 I'be only played around a bit with flange, phase, and the like. But they are there and sound good on the presets.
是,它是一个单一粒度,一键stomp时一个multi-fx同时,所有的功能都堆在一起。所以,动态切换预设和操纵参数需要你花些时间在地上推和扭旋钮。甚至诸如利用节奏需要一点更深的理解的不同延迟的工作。我只有一点时间真正进入改变参数合我胃口,所以考虑的。
基本上我计划使用这个踏板的瑞士军刀的效果我真的没有钱或pedalboard空间投资(旋转,法兰,第二个颤音如果——我用合唱的肉汁,阶段,距延迟/ arpeggiator基本吉他合成器)。这就是我能告诉你。价格是一个伟大的价值,但投入一些时间的准备。
变焦Multi-Stomp
我拥有了ms - 70 CDR大约一个月了。总的来说,我喜欢的声音,这一事实可以有多个效果。然而,我有一些挑剔。
首先,虽然单位广告6个内存插槽,真的没有,不同。首先,正如一些人所说,这取决于您所使用的影响,你可能得最高分5甚至4影响后的处理能力。其次,我还没有看到提到是什么线选择的效果。它基本上是一个荣耀的主音量控制。除了充当主卷,它允许您对即使在旁路模式有一定的影响,取决于你把线选择在信号路径,可以是有用的生活情况。
所以,如果你只是想要一个预设主卷(或想要使用我刚刚描述的行选择函数),您必须使用一个影响槽,给你五个槽的影响。这不是一个非常大的交易,因为我大部分的预设只有一个或两个效果。我有编程预置有影响,但我基本上只是想取代我的廉价的数码延迟我的客厅踏板板更好的东西,所以,能够计划推迟合唱和混响对我来说是蛋糕上的糖衣。
我认为单位更多的是一个记录设备而不是一个居住单元。然而,你可以使它滚动的预设(多少我忘了随便的),或者你可以把它放在你的踏板板作为偶尔的瑞士军刀随机声音,或者只是把它设置为一个效应(如延迟)。
我唯一的抱怨是音调转变的效果。复调是一个点——这是不如波格游戏但比老Digitech打击。奇怪的是,我得到一些奇怪的色彩3低音弦,特别是低E弦,即使单音符。国际海事组织,没有借口踏板制造商不使他们的音高复调转变的影响。我拥有一个Digitech多效装置大约10年前(我不记得哪一个)与近乎完美的复调音乐音高变化的效果。
至于其他影响,我非常喜欢他们。很酷,他们包括一些怪的效果,如微光动词。我不知道为什么他们包括比如12个合唱和移相器只有一个效果,但是不管。我确信声音不太与词典或黄昏,但是对于你得到很多的钱很好的听起来包在一个小的便宜的价格。我打算买Digitech Polara混响;但当我回到它大部分的混响效果直接传递信号没有影响,所以我不得不返回它。我很高兴它了,因为我得到了一大堆更少几块钱的放大。
的工作
它工作,但是很难调整。手动在这方面是比较有用的。预设是好的如果你发现一个或多个接近你所需要的东西。我想要合唱和混响,但没有延迟。最终我鹅卵石一起做这项工作。
变焦ms - 70 cdr
棒,te声音是完美的,和预设的影响极大。
值得每一分钱。
伟大的讨价还价,但不要在电池运行它
一个优秀的价值的价格。听起来不错,不是太笨手笨脚的操作在生活环境中(一定要设置一个收藏夹列表快速访问)和显示是容易阅读在黑暗的舞台上。
不过,一个警告:电池寿命很短。甚至可能不会持续到演出。至少需要2节AA和你不需要一个螺丝刀来取代它们。
严重的小盒子
至少有一些独特的影响从踏板,花费500美元。“冰”和“微光”效应最为显著。它似乎变焦收集所有的奇怪,古怪的影响从踏板Strymon时间表和黄昏踏板系列是一件非常酷的事情(除了,你知道,unoriginality和Behringer-esque偷窃克隆现有效果)。
我真的只触及表面的踏板自己但尽可能无缝接口正考虑单位的大小。我也喜欢变焦加载预设程序非常有趣和有用的单一组合的影响。
音质是惊人的和影响范围从仅仅是有用的方法。我不会介意的,如果缩放选择房子的单位在一个更大的盒子接口目的但稍加练习就好了。
到目前为止,我刚试过与吉他但是我将使用它与键盘,我好奇的想看看它如何不同乐器的声音。我觉得它将会非常有趣。这是一个非常有趣的踏板,根深蒂固的可能性。
现在我完全对变焦,似乎他们已经加强了他们的产品的质量。我记得他们的供应商只有干酪多级单元为初学者和低端搅拌机和录音设备。
我希望他们剩下的线站起来这个盒子的质量。
恒星的声音在一个紧凑的Stompbox。
拥有超过80的惊人效果和调谐器,这盒子无疑提高了其他厂商的酒吧。我一直在很长一段时间多影响单位只有基于时间的影响和OD /失真或疯狂的建模。
大多数多级单元的问题是导航到不同的补丁和动态调整。你还必须花大量的时间与这些单位让他们单独执行你所希望的方式。我想这就是为什么很多吉他手更喜欢个人踩箱子。
这个盒子也不例外。它的怪癖尽管一旦你熟悉了它如何运作调整更直观。我还发现手册有点神秘和字体微观。
好的,一旦你有你的声音放大允许你在你喜欢的任何顺序分配给他们写信。足够简单,但是我认为它会很酷的如果你能分配不同的字母。说你想要在一个演出推迟,B混响和C延迟和混响。然后在另一个演出你想要一个法兰,B阶段,等。换句话说,不同的银行,你做不到。你可以以任意顺序分配字母a - z,但它很酷说,4效果在一个银行,只有两个在另一个。了,很容易改变的顺序的影响。
总之,这是一个神奇的盒子,值得的合理的价格。所有这些效应分别将花费数千!
对我来说,这是一个门将!
很棒的踏板——主要的抱怨
我买了这个添加一些ice-n-spice吉他尺蠖钻机目前由一个小鳄鱼卷,一个MS100BT(其他变焦Multistomp吉他),一个ebow,第三回飞棒。效果和纯粹的数量是惊人的价格。冰延迟和微光混响让一些真正有趣的,美丽的纹理和价值价格仅为我的需求。
这是我的抱怨:可怕的DSP限制达到误差(这与POD HD500)真的惹恼了我。读者不知道这意味着什么,基本上踏板只有这么多的处理能力,一旦吃了你不能使用其他processor-heavy效果,没有真正的方式,找出哪些具体的试验和错误。我可以忍受这种踏板,它只是刺激,他们应该在产品描述中提到的东西。是的,你可以立刻使用X数量的效果……但由于DSP的错误而不是其中任何一个。说我想要一个补丁1 1混响和延迟。有一些混音,处理器密集型的,你不能将某些延迟类型添加到补丁——它只是说限制了,你必须接受一个更少的资源密集型的效果。不是世界末日,但我希望技术最终赶上来,我们从来没有看到这个障碍多影响踏板。但是价格和你得到你真的没什么可抱怨的。我就会杀了这样在80年代。 And 90s... even 5 years ago.
我真的不摇滚这个踏板,所以不知道如何表现在声。上述电影平台通常是直接用于立体音响。MS100BT没有执行很好为我带卷(嚼amp sims非常嘈杂的),但也许MS70CDR会更好在响亮的水平,这不是一个amp modeler。我用大部分低增益设置在MS100BT钻机所以一切看起来很安静。YMMV。
只有我想是这些Multistomps软件编辑。是的,他们很容易调整动态——但是我想能够有一个GUI来调整。这不是有趣得一个)pedalboard放在我的桌子上或者B)拔掉MS70CDR做调整。没人喜欢被弯腰驼背调整背上背着一把吉他。
检查这个踏板虽然如果你正在寻找一些很好的间隔的纹理到你的声音和不想处理的成本和所花费的脑细胞用黄昏踏板(我有Modfactor几年虽然听起来很棒,我没有耐心的学习曲线调整的)。所有这些东西以119美元的价格吗?在这样的一个小盒子吗?来吧。这是疯狂的。
良好的踏板
什么它应该做的相当好,容易学习编程。我需要运行它通过这步在现场表演但却给一种踏板模型是什么。良好的起动器添加深度对我的热烈欢迎。克里斯·刘易斯和斯威特沃特的家伙们是最好的工作,他们知道188金宝搏官网是多少他们的东西!很好的服务
变焦合唱
不是激励有立体声合唱踏板审查在mono
你可能需要他们两个……
嗯,它不是一个糟糕的踏板,然而这是问题MultiStomps,一些效果(动词和延迟)声音最好的循环,和一些影响声音更好的在前面,这是一个事实。所以…要做什么吗?买两个吗?特别高的适度增加,动词和延迟是一个必须在循环或其听起来像一团糟。我喜欢动词和延迟通过我不羁的影响导致循环这个踏板,我甚至还可以添加一个合唱,但是忘记镶边和移相器效果循环,听起来很可怕。如果你玩高温和的增长,你会有一个问题…或者买两个。
也有人之前提到过,银行从A, B, C等等。在现场的情况下,至少可以说有点艰难的如果你需要从a到C。
伟大的踏板大警告
影响声音大,而且有很多。接口有点棘手的使用,我认为GUI可能是一个小更多的深思熟虑,但总的来说它你想要在一个小,轻便的包。然而,有一个非常讨厌的高音哀鸣踏板发出,我范围的频谱分析仪,它是著名的在5458赫兹(5.5 khz)。圣牛是烦人,很刺耳的。这是说,根据你设置的频率响应,你的扬声器可能掩盖noisee,或者,你的放大器的频率响应可能卷这相当,但它会永远在那里。我跑它PRS MT15,没有其他电缆混合,即使测试踏板本身与一个虚拟电缆输入,完全消除信号链,没有变化,所以这个单位完全靠自己产生噪音,记住这是固有的踏板的设计。有些人并不担忧,但我是,我不能想象有人找不到很刺激。我最终返回,不过不可否认,这是一个边缘性的致命伤,所以YMMV。
\nSo aside from just using it for my MicroFreak, I am now also incorporating this little magic Effects Box into my Tascam Model 12 Mixer\/Recorder workflow. Channels 1 & 2 have \"insert\" jacks. I can utilize these with a \"Y cable\" between the Model 12 and the Zoom Box. Using the Y, one for in and one for out on the Zoom, the other single end of the cable carries both the send and return signal back to the Tascam Insert Jack on Channels 1 & 2 (both are mono, unbalanced.) This gives me a slew of extra Effects for my Analog Synthesizers in addition to what the Tascam Model already offers.", "sir_rating": "5.0", "sir_name": "Floyd ONeil", "sir_whereareyou": "Greenville, SC", "sir_background": "Old Drummer, Synthesizer Programmer since 1972, Forner Recording Enginneer and Studio Owner from 1970 - 1988.", "sir_keepanonymous": "0" }, { "id": 31086, "store_items_review_id": 400225, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-16b827680920bfa0bb1a388def8ddd1b4a6b0249\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNDE0MDcyMTAyLXBocHk4dDJyai5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-c0faf25d5e2aa2925aa984eac8c79bc747cd5763\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNDE0MDcyMTAyLXBocHk4dDJyai5qcGVn", "sir_title": "ZOOM MS70CDR", "sir_comments": "I had one space on a Nano and needed a decent tuner and the most flexible, best sounding multi effects unit on the market for Bass and this is it. Highly recommended!", "sir_rating": "5.0", "sir_name": "Ty", "sir_whereareyou": "Austin, Texas", "sir_background": "Bass Player", "sir_keepanonymous": "0" }, { "id": 4912, "store_items_review_id": 275741, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-5eb68b692da957a0a3afc6ebfe682a38170bbdda\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNzEwMjIyNDM3LXBocHhyZ3Rxdi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-b173afe4d9813988d2eb398dde74fca30376ad02\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNzEwMjIyNDM3LXBocHhyZ3Rxdi5qcGVn", "sir_title": "Killer Drones", "sir_comments": "If youre into making a racket with synths, samplers, and other such electrical machinery, this pedal cant be beat for the price. I wish I had known about it years ago. It has instantly become a centerpiece in my setup as Im finally getting some new and exciting sounds since forever. Ill probably buy another one at some point.
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\nIve mostly been using it with Blackbox, which is a pretty stellar combination. I have it set up as an FX send\/return so I can dink around with patches and resample the sounds for further processing\/sequencing. Not many better ways to kill time during a pandemic.
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\nMy opinion:
\n1) Sound quality - An Eventide it is not. But it makes some mental sounds that Im not sure any other FX pedal in this price range can touch. I mostly use the reverbs and delays, which are perfect for my needs (the spring and plate are nice on a 303, but the spring doesnt sound anything like a spring is supposed to; it has its own flavor that I quite like). A few of the delays can be used like a rudimentary looper if youre into that sort of thing (Smooth Delay and Stomp Dly are my current favorites for that). I wouldnt call it lush sounding but you can coax some pretty cozy sounds out of it. Its great for drones. If youre used to fancy pedals that sound expensive, try before you buy. If youre into experimenting and coming up with new sounds to sample & process then this thing will be your pal.
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\n2) Usability - Super easy to learn and navigate but Im the kind of person who RTFM. Not too menu-divey; youre usually only one page away from where you want to go. It hasnt made me swear once. Well, I said WTF a couple times but it was a cheer.
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\n3) Build quality - Its in a metal case so thats good. I worry about the longevity of the encoders. Those buggers always go wonky after too much twiddling, and too much twiddling this thing will get. I saw someone on ebay selling one with a cracked screen so thats a thing. Im also not super confident in the push buttons & stomp switch but time will tell. It seems solid out of the box though (but a reminder: its not an Eventide).
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\n4) Power - This thing can be powered three ways: 2 AA batteries, USB, or wall wart. Im building a battery powered setup so this is a key reason I bought it. Beware that it can suffer from the dreaded USB whine if youre not careful. I tried powering it from the USB host port on both Blackbox and MPC Live and \"whheeeeeeee\" it went like I stepped on its toe. This isnt necessarily a fault with the unit; USB noise just happens if youre not doing it right. I have other USB gear that can whine too. Sounds fine on AA batteries, USB power supply, and USB battery brick. I havent tried powering it with a wall wart but I dont see the need with all the phone chargers I have sitting around. Theres a lot of fun here in a small, mobile package.
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\n5) Sync - This is the only real problem area for me. You can only sync via tap tempo. Thats it. You cant dial in the tempo using an encoder and there is no clock or MIDI in. Tempo can only be set in integers, so you cant set a tempo of 66.6 BPM. The good news is most of the delays and a few other time-based FX can be synced via tap tempo. So far Ive not had a problem hitting the target (you can tap either the stomp switch or an encoder\u2013the encoder has been more accurate for me). You can also set the units with an encoder (like 8th notes or whatever) so thats handy (heads-up: the time units are hidden way at the top of the dial, easy to miss). Ive read that the USB port does have some MIDI capability\u2013like you can use CCs to engage the tuner and change patches\u2013but it doesnt take MIDI clock. That would be a sweet firmware update, Zoom.
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\n6) Changing patches - Ive seen some noodlers complain about the way you have to change patches on the unit\u2013I guess their hands are busy\u2013so if youre a guitar player you might not like this thing for live use if you need to play footsie with it. Ive seem some third-party switches for it that solve that problem though. But for my setup the patch change buttons are preferred. That said, it is a bit of a drag scrolling through 137 FX but theyre at least organized by category (reverbs, delays, etc.), which gets you there a lot faster.
\n
\nIn the end, great pedal for sound design and experimentation at relatively little cost. To make it better I would add 1) MIDI or clock sync and 2) A soft touch momentary button instead of the stomp switch.", "sir_rating": "5.0", "sir_name": "A. User", "sir_whereareyou": "North", "sir_background": "24 years", "sir_keepanonymous": "0" }, { "id": 25437, "store_items_review_id": 373123, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-bbc37599854540821c3aafd7d674db8eaa7615ae\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwOTE0MjE1MTIzLXBocHRrZGRkdi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-2a414e3034ecf9d77ace454f1298f0e8f0c030c0\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwOTE0MjE1MTIzLXBocHRrZGRkdi5qcGVn", "sir_title": "Great pedal BIG caveat", "sir_comments": "The effects sound great, and there are a lot of them. The interface is a little tricky to use, I think the GUI could have been a little better thought out, but, all in all it does what you want in a small, lightweight package. HOWEVER, there is a very annoying high-pitched whine that this pedal emits, I scoped it with a spectrum analyzer and it is prominent at 5458hz (5.5khz). Holy cow is it annoying, really ear-piercing. This being said, depending on the frequency response of your setup, your speakers may mask the noisee, or, your amplifiers frequency response might roll this of considerably, but it will ALWAYS be there. I ran it with a PRS MT15, NO other cables in the mix, even tested the pedal by itself with a dummy cable in the input, removing the signal chain entirely, no change, so this unit literally generates the noise completely on its own, bear in mind this is inherent to the pedals design. Some people arent bothered by it, but I was, and I cant imagine how someone couldnt find it very irritating. I ended up returning mine, though admittedly, this is a borderline deal breaker, so YMMV.", "sir_rating": "2.5", "sir_name": "Eddie Currant", "sir_whereareyou": "PHOENIX, AZ", "sir_background": "B.A Music, guitar teacher, composer", "sir_keepanonymous": "0" }, { "id": 25438, "store_items_review_id": 373123, "media_type": "video", "thumbnail": null, "media_path": "https:\/\/youtu.be\/Ys29vkl9Tv4", "sir_title": "Great pedal BIG caveat", "sir_comments": "The effects sound great, and there are a lot of them. The interface is a little tricky to use, I think the GUI could have been a little better thought out, but, all in all it does what you want in a small, lightweight package. HOWEVER, there is a very annoying high-pitched whine that this pedal emits, I scoped it with a spectrum analyzer and it is prominent at 5458hz (5.5khz). Holy cow is it annoying, really ear-piercing. This being said, depending on the frequency response of your setup, your speakers may mask the noisee, or, your amplifiers frequency response might roll this of considerably, but it will ALWAYS be there. I ran it with a PRS MT15, NO other cables in the mix, even tested the pedal by itself with a dummy cable in the input, removing the signal chain entirely, no change, so this unit literally generates the noise completely on its own, bear in mind this is inherent to the pedals design. Some people arent bothered by it, but I was, and I cant imagine how someone couldnt find it very irritating. I ended up returning mine, though admittedly, this is a borderline deal breaker, so YMMV.", "sir_rating": "2.5", "sir_name": "Eddie Currant", "sir_whereareyou": "PHOENIX, AZ", "sir_background": "B.A Music, guitar teacher, composer", "sir_keepanonymous": "0" } ]" :for-review="373123">
咩,你得到的价格过高。
我已经玩了5年,没关系,没什么兴奋的事情,尤其是在价格。
例如,几乎所有的外汇提供在本单元可用于几乎1/2 G1Four如果一个的价格。另外,G1Four更简单的编辑功能,它有更多的内存,这也是容易滚动G1Four补丁。
这个踏板要做的唯一的事就是一个影响G1Four缺乏:器官仿真效果(称为“Z-Organ”)。甚至不优秀Electro-Harmonix提供的器官模拟器相比,但至少这个单元操作电池,它更便宜,它允许我添加一些人造器官部分演示。
真的吗?
我很抱歉但质量和忠诚的延误和混音单元还有很多需要改进。
我认为它有一个很好的,而透明ZNR降噪模型和一个杰出的前置放大器在EP3带延迟模型仍在当延迟。除此之外,我发现所有的延误和混音动力学的主要低质量和整体的声音。大多数演示我看过起动衰变和predecay方式比较Strymon和黄昏,当然像福特嘉年华和我奔驰都是汽车。确定低成本停止过桥的路上更好的踏板,但与更好更高的踏板,只是没有办法。如果一个人给这5你评级Strymon,黄昏,对手或其他高层货架单位?来吧。
好的价格和大小
它一个小装置。能够串在一起的多个效果任何顺序是非常酷的。的效果就是不听起来很棒。我认为相反的混响比我的词典MX200很模糊。移相器是有点弱,即使您可以选择多个阶段。非常数字测深。颤音和延迟是很好的。情商是有用和菜单是深思熟虑的。有一个学习曲线,使用它,但它不是太坏。有一个大屏幕照亮我的踏板董事会烦人。 The knobs are also push buttons and more than once my big clumsy foot stepped on the footswitch and a knob at the same time so I had to bend down to fix it and get out of whatever weird mode I was in to be able to turn the effect back off. Not cool in a performance. I ended up ditching it after two weeks on tour.
可爱的初学者玩具,无用的生活
在20年的评论,我从来没有认为任何低于3。这得到一个2,因为它听起来好,但这完全是无用的在任何生活环境下如果需要切换超过预设或声音。事实上我不知道有很多5星级评价。回到交换。
你不能开关或打开/关闭预设或补丁很容易,改变向前和向后的唯一方法是使用你的手指。甚至多个步骤——你不能把一个旋钮或按下一个按钮,你必须进入一个菜单,然后改变!对我来说,这是一个完整的失败的踏板,住在地下室。不相信我吗?看——通常web董事会充满“我如何使用控制器,这使它可用的?”。
听起来是好的,especaially的价格,但他们都真正夺走我的amp的魔力。我有许多多级盒子,这只是平均水平。我觉得我管的动力学amp消失和变得更加贫瘠。可能的键和SS实践安培,大小是一个巨大的加比其他选项。
谁设计了这个?
其他踏板用脚踏开关打开。不是这个踏板。这个踏板是古怪的即使是连接。
它并不总是打开即使完全连接音箱是吧!
菜单是公平的,手动是一文不值。为什么比蚂蚁小文本?
连锁的编辑效果很差。
踏板是好的,但并不大。
不买这个产品,除非你喜欢战斗菜单和踏板没有打开或关闭开关。
复杂的操作。
对我来说有太多的设置让你的声音。
不买这个产品,相信我的话。
你不能把它关掉,你必须把它插到电源板切换。非常复杂的导航、声音与大多数效果下降,你需要使用另一个助推器踏板来支持它,或amp将挂钩,真正坏的东西。一些影响是愚蠢的。对不起我买了这个单位。一个真正的土耳其。这个人给好评....呀!。