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变焦女士- 70 cdr MultiStomp合唱/延期/混响踏板

多级吉他踏板Stompbox和工作室效果,内置调谐器,USB连接器和大型液晶显示
91年 写审查 项ID: MS70CDR
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吨的影响在一个踏板!

变焦ms - 70 cdr MultiStomp合唱/延期/混响踏板房屋影响处理器和踏板的虚拟图书馆的大小一个stompbox-sized踏板。选择从86年开始创建你的理想信号链建模的影响。大型液晶显示屏使ms - 70 cdr容易使用在任何光照条件下进行。的盒子,这种变焦处理器30预设gig-ready经典的效果和50用户预设,所以你可以设计并保存自己的声音。从摇滚到金属,ms - 70 cdr是任何演出准备。腾出一些空间在你的力量pedalboard变焦ms - 70 cdr MultiStomp合唱/混响/延迟踏板。

相关视频:女士- 70 cdr MultiStomp合唱/延期/混响踏板

变焦ms - 70 cdr MultiStomp合唱/混响/延迟踏板乍一看:
  • 惊人的经典模型的影响
  • 直观的界面使链容易管理的影响
  • 大型液晶显示屏使操作变得容易
惊人的经典模型的影响

六stompbox齿条的组合效果,放大ms - 70 cdr MultiStomp合唱/混响/延迟踏板愿给予你所需要的声音在你的下一份工作。经典的影响包括合唱,混响,延迟,镶边,颤音,颤音,等等。您可以使用六个效应同时创建大,郁郁葱葱的声音。创建一个脂肪摇滚山谷回声回声或海绵延迟,不管你需要放大ms - 70 cdr MultiStomp可以交付。

直观的界面使链容易管理的影响

变焦ms - 70 cdr MultiStomp合唱/混响/延迟影响踏板运动一个用户友好的图形界面,配有大液晶显示器和analog-style光标键/参数旋钮。女士- 70 cdr,创建、保存和重新安排你的连锁效应(包括生活和工作室)从来都不是一件容易的事。

大型液晶显示屏使操作变得容易

变焦ms - 70 cdr MultiStomp效果踏板有大型液晶显示器内置的,所以你可以立即看到您的设置。你会喜欢能够看到什么你预设的设置是这么大,背光显示。没有什么比去猜测你的旋钮设置和显示一切搞乱。三个参数控制让你迅速调整设置。游标内置在脚踏开关让你深入挖掘预设和功能放大ms - 70 cdr MultiStomp合唱/混响/延迟踏板。

变焦ms - 70 cdr MultiStomp合唱/混响/延迟踏板特性:
  • 紧凑的多级处理器
  • 86年stompbox效果
  • 影响包括合唱,混响,延迟,颤音,镶边,等等
  • 大液晶屏
  • 30预设补丁和50使用补丁
  • 音响,
  • 伟大的吉他,键盘,鲈鱼,踏板钢铁等等
  • 内置彩色调谐器
添加大量的火力与变焦pedalboard ms - 70 cdr效果踏板!

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变焦ms - 70 cdr MultiStomp合唱/延期/混响踏板演示
变焦ms - 70 cdr MultiStomp合唱/延期/混响踏板演示

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技术规格

  • 踏板类型:Multi-FX
  • 模拟/数字:数字
  • 预设:30 x工厂预设,50 x用户
  • 影响类型:86 x Stompbox外汇,6 x同时外汇
  • 输入:2 x 1/4 " TS
  • 输出:2 x 1/4 " TS
  • 电源:USB总线驱动/ 9 v直流电源(单独出售)
  • 电池:2 x AA
  • 高度: 2.3”
  • 宽度: 3.05”
  • 深度: 5.13”
  • 重量: 0.77磅。
  • 制造商零件号:zm评选- 70 cdr
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顾客评论

4.4的5

客户增加了媒体

\n
\nSo aside from just using it for my MicroFreak, I am now also incorporating this little magic Effects Box into my Tascam Model 12 Mixer\/Recorder workflow. Channels 1 & 2 have \"insert\" jacks. I can utilize these with a \"Y cable\" between the Model 12 and the Zoom Box. Using the Y, one for in and one for out on the Zoom, the other single end of the cable carries both the send and return signal back to the Tascam Insert Jack on Channels 1 & 2 (both are mono, unbalanced.) This gives me a slew of extra Effects for my Analog Synthesizers in addition to what the Tascam Model already offers.", "sir_rating": "5.0", "sir_name": "Floyd ONeil", "sir_whereareyou": "Greenville, SC", "sir_background": "Old Drummer, Synthesizer Programmer since 1972, Forner Recording Enginneer and Studio Owner from 1970 - 1988.", "sir_keepanonymous": null }, { "id": 31086, "store_items_review_id": 400225, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-16b827680920bfa0bb1a388def8ddd1b4a6b0249\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNDE0MDcyMTAyLXBocHk4dDJyai5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-c0faf25d5e2aa2925aa984eac8c79bc747cd5763\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNDE0MDcyMTAyLXBocHk4dDJyai5qcGVn", "sir_title": "ZOOM MS70CDR", "sir_comments": "I had one space on a Nano and needed a decent tuner and the most flexible, best sounding multi effects unit on the market for Bass and this is it. Highly recommended!", "sir_rating": "5.0", "sir_name": "Ty", "sir_whereareyou": "Austin, Texas", "sir_background": "Bass Player", "sir_keepanonymous": null }, { "id": 4912, "store_items_review_id": 275741, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-5eb68b692da957a0a3afc6ebfe682a38170bbdda\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNzEwMjIyNDM3LXBocHhyZ3Rxdi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-b173afe4d9813988d2eb398dde74fca30376ad02\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNzEwMjIyNDM3LXBocHhyZ3Rxdi5qcGVn", "sir_title": "Killer Drones", "sir_comments": "If youre into making a racket with synths, samplers, and other such electrical machinery, this pedal cant be beat for the price. I wish I had known about it years ago. It has instantly become a centerpiece in my setup as Im finally getting some new and exciting sounds since forever. Ill probably buy another one at some point.
\n
\nIve mostly been using it with Blackbox, which is a pretty stellar combination. I have it set up as an FX send\/return so I can dink around with patches and resample the sounds for further processing\/sequencing. Not many better ways to kill time during a pandemic.
\n
\nMy opinion:
\n1) Sound quality - An Eventide it is not. But it makes some mental sounds that Im not sure any other FX pedal in this price range can touch. I mostly use the reverbs and delays, which are perfect for my needs (the spring and plate are nice on a 303, but the spring doesnt sound anything like a spring is supposed to; it has its own flavor that I quite like). A few of the delays can be used like a rudimentary looper if youre into that sort of thing (Smooth Delay and Stomp Dly are my current favorites for that). I wouldnt call it lush sounding but you can coax some pretty cozy sounds out of it. Its great for drones. If youre used to fancy pedals that sound expensive, try before you buy. If youre into experimenting and coming up with new sounds to sample & process then this thing will be your pal.
\n
\n2) Usability - Super easy to learn and navigate but Im the kind of person who RTFM. Not too menu-divey; youre usually only one page away from where you want to go. It hasnt made me swear once. Well, I said WTF a couple times but it was a cheer.
\n
\n3) Build quality - Its in a metal case so thats good. I worry about the longevity of the encoders. Those buggers always go wonky after too much twiddling, and too much twiddling this thing will get. I saw someone on ebay selling one with a cracked screen so thats a thing. Im also not super confident in the push buttons & stomp switch but time will tell. It seems solid out of the box though (but a reminder: its not an Eventide).
\n
\n4) Power - This thing can be powered three ways: 2 AA batteries, USB, or wall wart. Im building a battery powered setup so this is a key reason I bought it. Beware that it can suffer from the dreaded USB whine if youre not careful. I tried powering it from the USB host port on both Blackbox and MPC Live and \"whheeeeeeee\" it went like I stepped on its toe. This isnt necessarily a fault with the unit; USB noise just happens if youre not doing it right. I have other USB gear that can whine too. Sounds fine on AA batteries, USB power supply, and USB battery brick. I havent tried powering it with a wall wart but I dont see the need with all the phone chargers I have sitting around. Theres a lot of fun here in a small, mobile package.
\n
\n5) Sync - This is the only real problem area for me. You can only sync via tap tempo. Thats it. You cant dial in the tempo using an encoder and there is no clock or MIDI in. Tempo can only be set in integers, so you cant set a tempo of 66.6 BPM. The good news is most of the delays and a few other time-based FX can be synced via tap tempo. So far Ive not had a problem hitting the target (you can tap either the stomp switch or an encoder\u2013the encoder has been more accurate for me). You can also set the units with an encoder (like 8th notes or whatever) so thats handy (heads-up: the time units are hidden way at the top of the dial, easy to miss). Ive read that the USB port does have some MIDI capability\u2013like you can use CCs to engage the tuner and change patches\u2013but it doesnt take MIDI clock. That would be a sweet firmware update, Zoom.
\n
\n6) Changing patches - Ive seen some noodlers complain about the way you have to change patches on the unit\u2013I guess their hands are busy\u2013so if youre a guitar player you might not like this thing for live use if you need to play footsie with it. Ive seem some third-party switches for it that solve that problem though. But for my setup the patch change buttons are preferred. That said, it is a bit of a drag scrolling through 137 FX but theyre at least organized by category (reverbs, delays, etc.), which gets you there a lot faster.
\n
\nIn the end, great pedal for sound design and experimentation at relatively little cost. To make it better I would add 1) MIDI or clock sync and 2) A soft touch momentary button instead of the stomp switch.", "sir_rating": "5.0", "sir_name": "A. User", "sir_whereareyou": "North", "sir_background": "24 years", "sir_keepanonymous": null }, { "id": 25437, "store_items_review_id": 373123, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-bbc37599854540821c3aafd7d674db8eaa7615ae\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwOTE0MjE1MTIzLXBocHRrZGRkdi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-2a414e3034ecf9d77ace454f1298f0e8f0c030c0\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwOTE0MjE1MTIzLXBocHRrZGRkdi5qcGVn", "sir_title": "Great pedal BIG caveat", "sir_comments": "The effects sound great, and there are a lot of them. The interface is a little tricky to use, I think the GUI could have been a little better thought out, but, all in all it does what you want in a small, lightweight package. HOWEVER, there is a very annoying high-pitched whine that this pedal emits, I scoped it with a spectrum analyzer and it is prominent at 5458hz (5.5khz). Holy cow is it annoying, really ear-piercing. This being said, depending on the frequency response of your setup, your speakers may mask the noisee, or, your amplifiers frequency response might roll this of considerably, but it will ALWAYS be there. I ran it with a PRS MT15, NO other cables in the mix, even tested the pedal by itself with a dummy cable in the input, removing the signal chain entirely, no change, so this unit literally generates the noise completely on its own, bear in mind this is inherent to the pedals design. Some people arent bothered by it, but I was, and I cant imagine how someone couldnt find it very irritating. I ended up returning mine, though admittedly, this is a borderline deal breaker, so YMMV.", "sir_rating": "2.5", "sir_name": "Eddie Currant", "sir_whereareyou": "PHOENIX, AZ", "sir_background": "B.A Music, guitar teacher, composer", "sir_keepanonymous": null }, { "id": 25438, "store_items_review_id": 373123, "media_type": "video", "thumbnail": null, "media_path": "https:\/\/youtu.be\/Ys29vkl9Tv4", "sir_title": "Great pedal BIG caveat", "sir_comments": "The effects sound great, and there are a lot of them. The interface is a little tricky to use, I think the GUI could have been a little better thought out, but, all in all it does what you want in a small, lightweight package. HOWEVER, there is a very annoying high-pitched whine that this pedal emits, I scoped it with a spectrum analyzer and it is prominent at 5458hz (5.5khz). Holy cow is it annoying, really ear-piercing. This being said, depending on the frequency response of your setup, your speakers may mask the noisee, or, your amplifiers frequency response might roll this of considerably, but it will ALWAYS be there. I ran it with a PRS MT15, NO other cables in the mix, even tested the pedal by itself with a dummy cable in the input, removing the signal chain entirely, no change, so this unit literally generates the noise completely on its own, bear in mind this is inherent to the pedals design. Some people arent bothered by it, but I was, and I cant imagine how someone couldnt find it very irritating. I ended up returning mine, though admittedly, this is a borderline deal breaker, so YMMV.", "sir_rating": "2.5", "sir_name": "Eddie Currant", "sir_whereareyou": "PHOENIX, AZ", "sir_background": "B.A Music, guitar teacher, composer", "sir_keepanonymous": null } ]" review-count="5">
写下你的评论

一个巨大的影响MicroFreak踏板

我只是购买了这种变焦MultiStomp效应箱提高干燥的声音从我Arturia MicroFreak合成器。MicroFreak相当惊人的合成器,无尽的声波的可能性,但没有任何效果,即使是一个简单的合唱。虽然我已经涉足吉他和低音一生我不是一个“真正的”球员这些工具(我老鼓手)所以我从来没有效果踏板。我用任何影响植入我的安培,哦,是的,我有一个便宜的哇哇踏板回到1969年。有人建议这个变焦MultiStomp。我必须承认这是相当令人印象深刻的和影响以如此低的价格。我也刚刚发现有一个叫做放大效应的免费应用程序管理器,可用于MAC和PC,包括和让你从所有其他的安装影响到这个踏板框/踏板变焦效果。谈论一个强国的影响从一个小盒子。

所以除了MicroFreak使用它,我现在也把这个小魔法效果框进我Tascam 12搅拌机/记录器工作流模型。通道1 & 2有“插入”。我可以利用这些模型之间有一个“Y电缆”12和缩放框。使用Y,一个在,另一个用于放大,另一单的电缆进行发送和返回信号通道1 & 2的Tascam插入杰克(两者都是mono、不平衡)。这给了我大量的额外的影响对我的模拟合成器除了Tascam模型已经提供了。
通过弗洛伊德奥尼尔从格林维尔,SC
音乐背景:老鼓手,合成器程序员自1972年以来,福尔记录Enginneer和工作室的主人从1970 - 1988。
\n
\nSo aside from just using it for my MicroFreak, I am now also incorporating this little magic Effects Box into my Tascam Model 12 Mixer\/Recorder workflow. Channels 1 & 2 have \"insert\" jacks. I can utilize these with a \"Y cable\" between the Model 12 and the Zoom Box. Using the Y, one for in and one for out on the Zoom, the other single end of the cable carries both the send and return signal back to the Tascam Insert Jack on Channels 1 & 2 (both are mono, unbalanced.) This gives me a slew of extra Effects for my Analog Synthesizers in addition to what the Tascam Model already offers.","type":"customer","itemid":"MS70CDR","name":"Floyd O'Neil","headline":"One Great Effects Pedal for my MicroFreak"}" :media="[{"id":31359,"store_items_review_id":401448,"media_type":"image","media_path":"https:\/\/storage.googleapis.com\/web-uploads-55902ffc\/20230424151106-phpeo2rbm.jpeg","created_at":"2023-04-24 15:11:08","thumbnail":"https:\/\/media.sweetwater.com\/api\/i\/w-300__h-300__wm-__q-60__hmac-5d7251dd8f8cc7eefef37a8ad5ecf6c9ec05dfad\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNDI0MTUxMTA2LXBocGVvMnJibS5qcGVn"}]">

变焦MS70CDR

我有一个空间在纳米和需要一个体面的调谐器和最灵活,最听起来多影响单位在市场上低音,这是它。强烈推荐!
通过泰从奥斯汀,德克萨斯州
音乐背景:贝斯手

杀手无人机

如果你与合成器吵,取样器,电机等,这踏板价格不能被打败。我希望我已经知道多年前。它立即成为一个核心设置我终于得到一些新的和令人兴奋的声音自永远。我可能会买另一个。

我是黑盒的使用它,这是一个非常出色的组合。我已经将它设置为一个外汇发送/返回我可以丁克在补丁并重新取样的声音/测序进行进一步的处理。没有多少大流行期间更好的方式来消磨时间。

我的意见:
1)音质-一个黄昏。但也使一些精神的声音,我不知道任何其他外汇踏板在这个价格区间可以联系。我主要使用混音和延迟,这是适合我的需要(303年春天和板是好的,但听起来一点也不像一个弹簧应该;它有自己的味道,我很喜欢)。的延迟可以使用像一个基本的电影如果你对这类事情(光滑的延迟和跺脚海底是我目前最喜欢的)。我不会叫它郁郁葱葱的声音但你可以诱导一些相当舒适的声音。是伟大的无人机。如果你习惯的踏板,听起来十分昂贵,先试后买。如果你尝试,提出新的声音样本&过程这个东西就会成为你的朋友。

2)可用性-超级容易学习和导航RTFM但我的那种人。不要太menu-divey;你通常只有一页离你想去的地方。它没有让我发誓一次。好吧,我说WTF几次但是欢呼。

3)建立质量——这是在一个金属外壳,这样很好。我担心编码器的寿命。那些虫子总是靠不住的太多玩弄后,和玩弄这个东西会太多了。我看见有人在ebay上销售了屏幕,这样的一件事。我也不是超级自信的按钮和踩开关,但时间会告诉我们。似乎固体的尽管(但一个提醒:这不是一个黄昏)。

4)力量——这个东西可以驱动的三种方式:2节AA电池,USB,或墙壁疣。我建立一个电池供电的设置这是一个关键的原因我买了它。小心,它可以遭受可怕的USB抱怨如果你不小心。我试着给它从USB主机端口黑箱和MPC生活和“whheeeeeeee”就像我踩它的脚趾。这并不一定是错单位;USB噪音只是如果你没有做。我也有其他USB设备可以抱怨。听起来好AA电池,USB电源,和USB电池砖。我没有试过为一堵墙疣,但我看不出需要的手机充电器我坐着。这里有很多的乐趣在一个小,移动包。

5)同步——这对我来说是唯一的真正的问题区域。你只能通过开发节奏同步。就是这样。你不能拨打节奏使用编码器和没有时钟或MIDI。节奏只能设定在整数,所以你不能设置一个BPM 66.6的节奏。好消息是大部分的延误和其他一些基于时间的外汇可以通过利用节奏同步。到目前为止,我没有一个问题击中目标(你可以利用stomp开关或一个encoder-the编码器一直对我来说更准确)。还可以设置编码器的单位(如8日笔记之类的)这是方便(提醒:时间单位是隐藏的顶部的拨号方式,容易错过)。我读过的USB端口确实有一些MIDI随着您可以使用CCs进行调谐器和改变patches-but不需要MIDI时钟。这将是一个甜蜜的固件更新,放大。

6)改变补丁——我见过一些面食者抱怨你必须改变补丁在单位,我猜他们的手忙,所以如果你是一个吉他手,你可能不喜欢这的生活使用如果你需要调情。我似乎有些第三方开关为它解决这个问题。但是我安装补丁改变按钮优先。说,这是有点拖滚动到137年外汇但是他们至少按类别组织(混音、延迟等),这可以让你更快。

最后,巨大的声音踏板设计和实验成本相对较少。以使它更好我想补充1)MIDI或时钟同步和2)软触摸的按钮,而不是踩开关。
通过答:用户从北
音乐背景:24年了
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\nI've mostly been using it with Blackbox, which is a pretty stellar combination. I have it set up as an FX send\/return so I can dink around with patches and resample the sounds for further processing\/sequencing. Not many better ways to kill time during a pandemic.
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\nMy opinion:
\n1) Sound quality - An Eventide it is not. But it makes some mental sounds that I'm not sure any other FX pedal in this price range can touch. I mostly use the reverbs and delays, which are perfect for my needs (the spring and plate are nice on a 303, but the spring doesn't sound anything like a spring is supposed to; it has its own flavor that I quite like). A few of the delays can be used like a rudimentary looper if you're into that sort of thing (Smooth Delay and Stomp Dly are my current favorites for that). I wouldn't call it lush sounding but you can coax some pretty cozy sounds out of it. It's great for drones. If you're used to fancy pedals that sound expensive, try before you buy. If you're into experimenting and coming up with new sounds to sample & process then this thing will be your pal.
\n
\n2) Usability - Super easy to learn and navigate but I'm the kind of person who RTFM. Not too menu-divey; you're usually only one page away from where you want to go. It hasn't made me swear once. Well, I said WTF a couple times but it was a cheer.
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\n3) Build quality - It's in a metal case so that's good. I worry about the longevity of the encoders. Those buggers always go wonky after too much twiddling, and too much twiddling this thing will get. I saw someone on ebay selling one with a cracked screen so that's a thing. I'm also not super confident in the push buttons & stomp switch but time will tell. It seems solid out of the box though (but a reminder: it's not an Eventide).
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\n4) Power - This thing can be powered three ways: 2 AA batteries, USB, or wall wart. I'm building a battery powered setup so this is a key reason I bought it. Beware that it can suffer from the dreaded USB whine if you're not careful. I tried powering it from the USB host port on both Blackbox and MPC Live and \"whheeeeeeee\" it went like I stepped on its toe. This isn't necessarily a fault with the unit; USB noise just happens if you're not doing it right. I have other USB gear that can whine too. Sounds fine on AA batteries, USB power supply, and USB battery brick. I haven't tried powering it with a wall wart but I don't see the need with all the phone chargers I have sitting around. There's a lot of fun here in a small, mobile package.
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\n5) Sync - This is the only real problem area for me. You can only sync via tap tempo. That's it. You can't dial in the tempo using an encoder and there is no clock or MIDI in. Tempo can only be set in integers, so you can't set a tempo of 66.6 BPM. The good news is most of the delays and a few other time-based FX can be synced via tap tempo. So far I've not had a problem hitting the target (you can tap either the stomp switch or an encoder–the encoder has been more accurate for me). You can also set the units with an encoder (like 8th notes or whatever) so that's handy (heads-up: the time units are hidden way at the top of the dial, easy to miss). I've read that the USB port does have some MIDI capability–like you can use CCs to engage the tuner and change patches–but it doesn't take MIDI clock. That would be a sweet firmware update, Zoom.
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\n6) Changing patches - I've seen some noodlers complain about the way you have to change patches on the unit–I guess their hands are busy–so if you're a guitar player you might not like this thing for live use if you need to play footsie with it. I've seem some third-party switches for it that solve that problem though. But for my setup the patch change buttons are preferred. That said, it is a bit of a drag scrolling through 137 FX but they're at least organized by category (reverbs, delays, etc.), which gets you there a lot faster.
\n
\nIn the end, great pedal for sound design and experimentation at relatively little cost. To make it better I would add 1) MIDI or clock sync and 2) A soft touch momentary button instead of the stomp switch.","type":"customer","itemid":"MS70CDR","name":"A. User","headline":"Killer Drones"}" :media="[{"id":4912,"store_items_review_id":275741,"media_type":"image","media_path":"https:\/\/storage.googleapis.com\/web-uploads-55902ffc\/20200710222437-phpxrgtqv.jpeg","created_at":"2020-07-10 22:52:53","thumbnail":"https:\/\/media.sweetwater.com\/api\/i\/w-300__h-300__wm-__q-60__hmac-6e0a1d1ca36e7d6d59ca6b947f04524d8bb9fcbb\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjAwNzEwMjIyNDM3LXBocHhyZ3Rxdi5qcGVn"}]">

吃惊!

对这个管尖声叫喊的人,你已经有了你需要的一切。超速,促进、模糊失真,混响,延迟,合唱,移相器,镶边,颤音,和压缩机。
通过奥利弗年代在
音乐背景:会话吉他手

变焦踏板

我不是一个人,喜欢计划的事情。提供的方向似乎光。对我有很多的控制按钮,只需要尝试了。都说它有一个漂亮的屏幕,更影响我的关心我的生活。预设需要调整你的个人品味,但非常深。为我花费大量的时间程序,但从长远来看,这将是值得的。这有点太大博$ $踏板框。它将取代我的几个其他踏板。我是带着一个调谐器,它也。快速设置现场演出。 I give it a top rating because it has a large amount of power and fits in your guitar case
通过躺下睡觉在
音乐背景:前路音乐家经常周末战士

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我们的内部齿轮专家怎么看?

负责人克里斯Eckman

我已经创建了环境和迷幻音乐多年。即使在预算紧缩的情况下,我总是寻找新的和有趣的效果。负担得起的缩放- 70 cdr女士给了我所有的高保真混响,延迟,我需要和调制方式。最重要的是,它让我定制和堆栈它们来创建我从未听过的声音。我很少记录没有它!
参见:合唱,变焦,变焦多级踏板,变焦合唱踏板,变焦混响&延迟踏板
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