芬达杰森的时候定制电视广播员,巧克力破裂

Solidbody电吉他桤木的身体,枫的脖子,红木指板,和2单线圈拾音器,巧克力破裂

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芬达杰森的时候定制电视广播员,巧克力破裂

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杰森的时候的谷仓燃烧器定制电视广播员

以及少量的同时代人,杰森的时候已经迎来了一个新的时代的乡村音乐回到storytelling-based写歌的风格的根源,原始的情感,和同样原始的表演。但毫无疑问,杰森的时候不仅仅是复兴;他是一位当代艺术家将他的国家和现代摇滚“n”的影响。杰森的时候定制的模拟电视广播员是杰森的风格。基于杰森的定制店master-built电视广播员,这个华丽的仪器对与这些新派老派的灵魂的态度。完成一条路穿过巧克力破裂与适量的痛苦,杰森的时候定制电视广播员的桤木身体功能白色双边绑定,用黑白对比3层pickguard。它特别表示的肌肉Shoals-inspired沼泽摇滚杰森和400单位现场演出期间爆发。60年代中期结合,在一个舒适的概要的脖子和chicken-pickin材料修改桥,和你有一个谷仓燃烧器的电视准备躺下一些严重的凹槽。

路穿桤木的身体提供经验丰富的感觉和美学

杰森的时候定制电视广播员特性balanced-sounding桤木的身体——在挡泥板身体中流砥柱的独特的音调的中心“n”的一些摇滚最持久的经典。一条路穿过硝基漆完成给这solidbody电吉他的外观和感觉一种流行的古典乐器。一个3层黑白pickguard、修改brass-saddle Tele桥,和百货调谐器把电视上的完美的收尾工作,为你提供经验丰富的美学,加上绝对可靠的性能和调优稳定性。

Custom-voiced皮卡美味Tele鼻音

杰森的时候的定制店电视广播员经历了一个燃烧试验后不久,他收到了芬达的建筑大师。现场表演期间在威利纳尔逊的7月4日的野餐,杰森的pedalboard意外去世了,留给他的只是他定制店电话直接插进他的amp。杰森这个只支持配对的成套和脱掉屋顶。杰森的时候定制电视广播员的custom-voiced杰森的时候皮卡提供严重Tele鼻音和沼泽摇滚树皮绝对唱通过管组合——不需要踏板!

60年代中期“C”形脖子确保简单的可玩性

杰森的时候定制电视广播员是治疗,很大程度上是因为它的中期60年代“C”形脖子概要文件。这是一个愉快的脖子,吉他手斯威特沃特注意,它的增加质量产量极其自然的感受,以及优秀的维持。188金宝搏官网是多少7.25 -inch-radius红木指板是完成21 vintage-tall担心感到难以置信。这脖子保证吉他的桤木身体与传统4-bolt板,印有杰森的锚和麻雀纹身,包括合成骨螺母。

芬达杰森的时候定制电视广播员电吉他特点:

杰森的时候再创造的定制店电视广播员
Balanced-sounding桤木身体集中体现了经典的挡泥板的语气
路穿硝基漆完成提供了经验丰富的外观和感觉
Custom-voiced单线圈严重Tele鼻音
60年代中期“C”配置文件是愉快的与质量
7.25 Easy-playing -inch-radius键盘与21 vintage-tall担忧
引人注目的白色双边绑定和3层黑白pickguard
修改brass-saddle Tele桥是适合chicken-pickin”风格

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技术规格

一般
数字的字符串6
左/右撇子右撇子
身体
体型Solidbody
体型杰森的时候定制电视广播员
基体材料桤木
身体完光泽硝基漆
颜色巧克力破裂
脖子
脖子上的材料枫木
脖子形状60年代中期C
颈部关节补强型
半径7.25”
键盘的材料紫檀
键盘镶嵌白色Pearloid点
许多烦恼21日的高
标尺长度25.5”
螺母宽度1.650”
螺母的材料合成骨
硬件
桥/附属物3-Saddle String-through身体Tele黄铜马鞍
调谐器百货企业
电子产品
脖子皮卡特别表达了杰森的时候电视广播员单线圈
桥接特别表达了杰森的时候电视广播员单线圈
控制1 x主卷,1 x的主基调
切换我家的叶片小开关
杂项
字符串台端面应挡泥板,-.046
案例/演出袋工作包
制造商零件号:0140320364

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顾客评论

4.5的5

客户增加了媒体

\nSounds great, plays amazing, in fact my only complaint is how terrible the fret ends were. Near unplayable until I fixed it. Not one to normally say anything about fret sprout but the price on this one means it should of been perfect out the box to me. Fix it fender. Thanks sweetwater!", "sir_rating": "5.0", "sir_name": "Dwight C", "sir_whereareyou": "Macon, GA", "sir_background": "Used to get paid", "sir_keepanonymous": null }, { "id": 20076, "store_items_review_id": 347211, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-4cc149a9396e5d5554ffe8ce40ec24966b807658\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwMjE1MTQxMjExLXBocGxnY2h5YS5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-783d8555b706168c826f797e2fc35c0e6b7ef2be\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwMjE1MTQxMjExLXBocGxnY2h5YS5qcGVn", "sir_title": "Not the Same Review...maybe", "sir_comments": "You always read this review on Squier and MIM Fender guitars:\" Ive owned a lot of expensive Fender guitars and this Squier\/Player\/MIM is as good if not better\". Well Im not going to write that review. OR maybe I am, OK I own a lot of more expensive Fenders but this Jason Isbell is now my favorite Tele. Seriously, its too expensive for a MIM, I cant stand \"reliced\" guitars, its got a cut-down bridge, a big goofy looking high white hat switch knob and a black pickguard and I still love it. I really wanted not to like this guitar but as soon as I picked it up and played a couple of chords I changed my mind. This guitar rings out like no other guitar I ever played. OK I havent compared it to a really good custom shop Fender but out of the guitars I own this Jason Isbell makes my other guitars sound like they are stuffed with cotton. Maybe I just got lucky and got a good one. The pickups are strong, beefy and twangy but I wish it had a treble bleed circuit. When you roll back the volume you loose the nice bright high end. This might be a plus for some players but I like to have the full fidelity though the volume range and use the tone control. I really didnt even know who Jason Isbell was but I wanted a Tele Custom with the binding and when I saw this one I had to try it. I would suggest you try one and see if its got the same magic that mine has. The only way to tell if its right for you is to get it in your hands and cranked through your amp and setup. Sweetwater has a great return policy and makes it easy to return if you dont like it. And I know because Ive returned a few guitars, but not this one.", "sir_rating": "5.0", "sir_name": "Brooks Reid", "sir_whereareyou": "HOBE SOUND, FL", "sir_background": null, "sir_keepanonymous": null }, { "id": 31982, "store_items_review_id": 404510, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-cb7f3aafa2b6060ffd508dce4a245d3f02e6bb03\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNTIwMDAwMDQ1LXBocDNsYjN5Zi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-6ca35aa920044769e0315648e9a8178cccc52e67\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNTIwMDAwMDQ1LXBocDNsYjN5Zi5qcGVn", "sir_title": "Muy Caliente!", "sir_comments": "In only a few words; this is one of the best Telecasters Ive ever played.
\n
\nI had never heard of Jason Isbell before I found this guitar - and Im not really a fan after some brief listening (not bad, just not my vibe) but I was In the market for a Telecaster and not interested in spending my life savings while still needing something studio-worthy (I work as a Recording Engineer and producer, but also some session work - been playing Guitar for about 20 years).
\n
\nThis Tele is Chocolate Burst - looks a lot like Tobacco Burst (My favorite finish), but the edges are a nice chocolate brown color fading in - I think its my new favorite burst color! Just enough color to add some flavor without spoiling the natural wood grain beneath. Its also finished in Nitro - and while we could debate all day about Nitro vs Poly finishes and what they do to the tone - I for one tend to find that Nitro guitars let the body resonate more naturally - or rather, arent dampened by the poly finish.
\nDouble white bounding, Rosewood Fret-board (I prefer Rosewood to Maple personally), vintage correct saddles and tuners.
\nMine has already begun to check - See Photos. The finish as it expands and contracts with humidity and temperature will create fractures. They add character and personality in my opinion, and I love how they are unique to my guitar.
\n
\nPickups -
\n
\nThe pickups are HOT - lots of touch sensitivity. Plugged into my 57 Tweed Bandmaster, the pickups push the amp into a natural overdrive the more you dig in - its incredibly pleasing.
\n
\nThe pickups are a Tim Shaw custom design - and WOW!!! The bridge is your classic Tele sound; bright and twangy, perfect for chickn-pickn but sounds amazing with some overdrive or distortion.
\nMid position sounds almost like a Stratocaster - Its got SpAnk! Perfect for rhythm strumming, fits great in a mix with plenty of top end clarity.
\nLast is the Neck Pickup - the pickup I figured I wouldnt use much (most Telecasters Necks Ive played leave a lot to be desired, usually pretty dark, almost muddy). I wasnt expecting too much, but boy was I wrong!!!
\nThe Neck Pickup is absolutely, astonishingly, mind-bogglingly! FANTASTIC!!
\nThere is so much clarity, the top end sizzles while the mids and lows rumble. The Neck Position alone sells the guitar for me, I honestly cant believe how good it is - something I would expect to see from a Custom Shop guitar at five times the price tag.
\n
\nThe Tone knob acts as a high-frequency roll off.
\nWhere a lot of people like a tone roll-down that retains the high end, to my understanding; Jason Isbell and Tim Shaw wanted to deliver a lot of high end up front that could be rolled off with the tone knob. Essentially thought better to have too-much high end and roll some off than to not have enough to start with.
\nIm not sure I like one style vs another, but Ive had no issue dialing a warm (or less sharp) tone with the knob as it.
\n
\nFretwork -
\nFrets themselves came out of the box pretty well polished and smooth. Ends are smoothed along the board with no modifications really required. I did end up giving all the frets a polish at my first string change, as well as cleaning\/rolling up a few of the ends, mostly to my own taste.
\nThe fretboard itself has a slight rolling on the edge which gives the guitar a slightly \"played-in\" feel. Though the board itself is likely sanded down slightly to give this effect, its pretty easy to tell this was designed this way and not actually \"played in over the years\". Its still a nice touch that makes a neck play a little better vs stock.
\n
\nHardware -
\nAs for the remainder of the guitars hardware; the pots and knobs are smooth, selector switch is smooth and feels solid, pickup ashtray, string tree, saddles, screws, pickguard, and strap knobs are all solid, well made and secured well.
\n
\nCons (sorta) -
\n
\nMade In Mexico -
\nI have a couple MIM Guitars from the 90s that are on par with just about any of the American made Fenders, but I cant say the same for the modern MIM line. Theyre far less expensive than the American made line, but the attention to small details is definitely present in the American made line vs the MIM.
\nMIM Can still sound and play great, but theyll probably cost you some time in modifications and set-up.
\nIf you have no experience working on guitars, I would recommend having Sweetwater do a set-up (at the very least) for you, this guitar included.
\n
\n
\nFinish -
\nPersonally Im not a fan of the \"relic\" dings and sanding done to the finish to make the guitar look older and already played in. Its just not my thing, Id much rather ding and work the finish off of my guitar myself - a badge of time spent with the instrument. Though its not a deal-breaker for me, the sound and feel of the instrument is far more important than how it looks in my humble opinion. However, I can see where this could be an issue for some musicians.
\n
\nHardware -
\nThe brass saddles are NOT compensated and have a bit more trouble intonating properly - out of the box, mine doesnt intonate as well as some of my more modern designed guitars - but I also expect that with this being a more \"vintage\" design. I may end up replacing the saddles with a compensated variant as the guitar ages.
\nSecond is the Tuning Pegs - another more vintage styled piece of hardware. For me they work just fine, but I have definitely been spoiled with locking tuners over the years. I tend to have to tune between songs - especially with lead heavy playing. I may end up putting locking tuners on in time, but its something to take note of.
\nNeither of these things are huge issues for me.
\n
\nThe Real Con -
\n
\nLastly is the nut...
\nIm surprised the nut that shipped on the guitar made it past inspection.
\nThe nut itself definitely needed slot filing for the strings, and while youd expect to make some minor modifications to fit the string gauge youre playing (I believe the guitar ships with 10s - I prefer 9s personally), this nut was abysmal.
\nThe nut was very low - great for low action, but the string slots were almost non-existent. The high-E string for example, had what resembled a small incision with an exact-o knife! The only string that was properly seated out of the box was the A string.
\nAfter some play testing, the B string (not properly seated) would pop out of the nut slot whenever youd bend the string beneath the 7th fret. NOT GOOD!
\n
\n
\nI originally hoped I could just get my nut files and set-up the nut to my gauge strings - this nut was just too low to file better slots for the strings. The nut would have to be replaced.
\n
\n
\nI ended up spending the time to file and shape a block of bone as a replacement (Shown in the picture). The original nut material was fine, but I think the bone added to the ring and resonance of the guitar by maybe 10%.
\nThis modification, in my opinion, was absolutely necessary to get the guitar playable. I imagine not every guitar coming out of the factory is going to be like this, but if youre not experienced in replacing nuts on guitars, Id highly recommend either having Sweetwater put a new one in for you (and having it set-up for your string gauge preference), or buying a pre-slotted TUSQ nut to drop in yourself (its actually pretty easy to do).
\n
\n
\nOverall, youre getting a Nitro finished, double bound tele with a great neck and INCREDIBLE pickups.
\nFor the money this guitar punches WAY above its price-point.
\nWith some minor modifications and a proper set-up this guitar can easily compete with the American Made Ultras and maybe even the Custom Shops. I know I will be using it in the studio for years to come and cant wait to see how the paint-job ages.
\n
\nAlso a big shout out to my Sales Engineer Erik Bothwell, who alleviated my concerns about shipping the instrument. After receiving the instrument I am confident I can buy from Sweetwater again, that my instrument will be delivered undamaged and packed as snug as a bug in a rug! Thanks again Erik!", "sir_rating": "4.5", "sir_name": "Jakob", "sir_whereareyou": null, "sir_background": "Audio Engineer, Producer, Musician 20+ years", "sir_keepanonymous": null }, { "id": 31983, "store_items_review_id": 404510, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-4bc59a787ff91256c0df5fd667203ce8789385d4\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNTIwMDAwMDQ2LXBocHhpeGthOC5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-da6780ad1a0712a24935d3df70db8e98661b115d\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNTIwMDAwMDQ2LXBocHhpeGthOC5qcGVn", "sir_title": "Muy Caliente!", "sir_comments": "In only a few words; this is one of the best Telecasters Ive ever played.
\n
\nI had never heard of Jason Isbell before I found this guitar - and Im not really a fan after some brief listening (not bad, just not my vibe) but I was In the market for a Telecaster and not interested in spending my life savings while still needing something studio-worthy (I work as a Recording Engineer and producer, but also some session work - been playing Guitar for about 20 years).
\n
\nThis Tele is Chocolate Burst - looks a lot like Tobacco Burst (My favorite finish), but the edges are a nice chocolate brown color fading in - I think its my new favorite burst color! Just enough color to add some flavor without spoiling the natural wood grain beneath. Its also finished in Nitro - and while we could debate all day about Nitro vs Poly finishes and what they do to the tone - I for one tend to find that Nitro guitars let the body resonate more naturally - or rather, arent dampened by the poly finish.
\nDouble white bounding, Rosewood Fret-board (I prefer Rosewood to Maple personally), vintage correct saddles and tuners.
\nMine has already begun to check - See Photos. The finish as it expands and contracts with humidity and temperature will create fractures. They add character and personality in my opinion, and I love how they are unique to my guitar.
\n
\nPickups -
\n
\nThe pickups are HOT - lots of touch sensitivity. Plugged into my 57 Tweed Bandmaster, the pickups push the amp into a natural overdrive the more you dig in - its incredibly pleasing.
\n
\nThe pickups are a Tim Shaw custom design - and WOW!!! The bridge is your classic Tele sound; bright and twangy, perfect for chickn-pickn but sounds amazing with some overdrive or distortion.
\nMid position sounds almost like a Stratocaster - Its got SpAnk! Perfect for rhythm strumming, fits great in a mix with plenty of top end clarity.
\nLast is the Neck Pickup - the pickup I figured I wouldnt use much (most Telecasters Necks Ive played leave a lot to be desired, usually pretty dark, almost muddy). I wasnt expecting too much, but boy was I wrong!!!
\nThe Neck Pickup is absolutely, astonishingly, mind-bogglingly! FANTASTIC!!
\nThere is so much clarity, the top end sizzles while the mids and lows rumble. The Neck Position alone sells the guitar for me, I honestly cant believe how good it is - something I would expect to see from a Custom Shop guitar at five times the price tag.
\n
\nThe Tone knob acts as a high-frequency roll off.
\nWhere a lot of people like a tone roll-down that retains the high end, to my understanding; Jason Isbell and Tim Shaw wanted to deliver a lot of high end up front that could be rolled off with the tone knob. Essentially thought better to have too-much high end and roll some off than to not have enough to start with.
\nIm not sure I like one style vs another, but Ive had no issue dialing a warm (or less sharp) tone with the knob as it.
\n
\nFretwork -
\nFrets themselves came out of the box pretty well polished and smooth. Ends are smoothed along the board with no modifications really required. I did end up giving all the frets a polish at my first string change, as well as cleaning\/rolling up a few of the ends, mostly to my own taste.
\nThe fretboard itself has a slight rolling on the edge which gives the guitar a slightly \"played-in\" feel. Though the board itself is likely sanded down slightly to give this effect, its pretty easy to tell this was designed this way and not actually \"played in over the years\". Its still a nice touch that makes a neck play a little better vs stock.
\n
\nHardware -
\nAs for the remainder of the guitars hardware; the pots and knobs are smooth, selector switch is smooth and feels solid, pickup ashtray, string tree, saddles, screws, pickguard, and strap knobs are all solid, well made and secured well.
\n
\nCons (sorta) -
\n
\nMade In Mexico -
\nI have a couple MIM Guitars from the 90s that are on par with just about any of the American made Fenders, but I cant say the same for the modern MIM line. Theyre far less expensive than the American made line, but the attention to small details is definitely present in the American made line vs the MIM.
\nMIM Can still sound and play great, but theyll probably cost you some time in modifications and set-up.
\nIf you have no experience working on guitars, I would recommend having Sweetwater do a set-up (at the very least) for you, this guitar included.
\n
\n
\nFinish -
\nPersonally Im not a fan of the \"relic\" dings and sanding done to the finish to make the guitar look older and already played in. Its just not my thing, Id much rather ding and work the finish off of my guitar myself - a badge of time spent with the instrument. Though its not a deal-breaker for me, the sound and feel of the instrument is far more important than how it looks in my humble opinion. However, I can see where this could be an issue for some musicians.
\n
\nHardware -
\nThe brass saddles are NOT compensated and have a bit more trouble intonating properly - out of the box, mine doesnt intonate as well as some of my more modern designed guitars - but I also expect that with this being a more \"vintage\" design. I may end up replacing the saddles with a compensated variant as the guitar ages.
\nSecond is the Tuning Pegs - another more vintage styled piece of hardware. For me they work just fine, but I have definitely been spoiled with locking tuners over the years. I tend to have to tune between songs - especially with lead heavy playing. I may end up putting locking tuners on in time, but its something to take note of.
\nNeither of these things are huge issues for me.
\n
\nThe Real Con -
\n
\nLastly is the nut...
\nIm surprised the nut that shipped on the guitar made it past inspection.
\nThe nut itself definitely needed slot filing for the strings, and while youd expect to make some minor modifications to fit the string gauge youre playing (I believe the guitar ships with 10s - I prefer 9s personally), this nut was abysmal.
\nThe nut was very low - great for low action, but the string slots were almost non-existent. The high-E string for example, had what resembled a small incision with an exact-o knife! The only string that was properly seated out of the box was the A string.
\nAfter some play testing, the B string (not properly seated) would pop out of the nut slot whenever youd bend the string beneath the 7th fret. NOT GOOD!
\n
\n
\nI originally hoped I could just get my nut files and set-up the nut to my gauge strings - this nut was just too low to file better slots for the strings. The nut would have to be replaced.
\n
\n
\nI ended up spending the time to file and shape a block of bone as a replacement (Shown in the picture). The original nut material was fine, but I think the bone added to the ring and resonance of the guitar by maybe 10%.
\nThis modification, in my opinion, was absolutely necessary to get the guitar playable. I imagine not every guitar coming out of the factory is going to be like this, but if youre not experienced in replacing nuts on guitars, Id highly recommend either having Sweetwater put a new one in for you (and having it set-up for your string gauge preference), or buying a pre-slotted TUSQ nut to drop in yourself (its actually pretty easy to do).
\n
\n
\nOverall, youre getting a Nitro finished, double bound tele with a great neck and INCREDIBLE pickups.
\nFor the money this guitar punches WAY above its price-point.
\nWith some minor modifications and a proper set-up this guitar can easily compete with the American Made Ultras and maybe even the Custom Shops. I know I will be using it in the studio for years to come and cant wait to see how the paint-job ages.
\n
\nAlso a big shout out to my Sales Engineer Erik Bothwell, who alleviated my concerns about shipping the instrument. After receiving the instrument I am confident I can buy from Sweetwater again, that my instrument will be delivered undamaged and packed as snug as a bug in a rug! Thanks again Erik!", "sir_rating": "4.5", "sir_name": "Jakob", "sir_whereareyou": null, "sir_background": "Audio Engineer, Producer, Musician 20+ years", "sir_keepanonymous": null }, { "id": 31984, "store_items_review_id": 404510, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-921c0a5360f83a305b6fc2766a32224d0b224ce4\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNTIwMDAwMDQ4LXBocDZxMGZ4Zi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-c42cf29fbd02cbdeea509b0b5a229a1549f3a49a\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjMwNTIwMDAwMDQ4LXBocDZxMGZ4Zi5qcGVn", "sir_title": "Muy Caliente!", "sir_comments": "In only a few words; this is one of the best Telecasters Ive ever played.
\n
\nI had never heard of Jason Isbell before I found this guitar - and Im not really a fan after some brief listening (not bad, just not my vibe) but I was In the market for a Telecaster and not interested in spending my life savings while still needing something studio-worthy (I work as a Recording Engineer and producer, but also some session work - been playing Guitar for about 20 years).
\n
\nThis Tele is Chocolate Burst - looks a lot like Tobacco Burst (My favorite finish), but the edges are a nice chocolate brown color fading in - I think its my new favorite burst color! Just enough color to add some flavor without spoiling the natural wood grain beneath. Its also finished in Nitro - and while we could debate all day about Nitro vs Poly finishes and what they do to the tone - I for one tend to find that Nitro guitars let the body resonate more naturally - or rather, arent dampened by the poly finish.
\nDouble white bounding, Rosewood Fret-board (I prefer Rosewood to Maple personally), vintage correct saddles and tuners.
\nMine has already begun to check - See Photos. The finish as it expands and contracts with humidity and temperature will create fractures. They add character and personality in my opinion, and I love how they are unique to my guitar.
\n
\nPickups -
\n
\nThe pickups are HOT - lots of touch sensitivity. Plugged into my 57 Tweed Bandmaster, the pickups push the amp into a natural overdrive the more you dig in - its incredibly pleasing.
\n
\nThe pickups are a Tim Shaw custom design - and WOW!!! The bridge is your classic Tele sound; bright and twangy, perfect for chickn-pickn but sounds amazing with some overdrive or distortion.
\nMid position sounds almost like a Stratocaster - Its got SpAnk! Perfect for rhythm strumming, fits great in a mix with plenty of top end clarity.
\nLast is the Neck Pickup - the pickup I figured I wouldnt use much (most Telecasters Necks Ive played leave a lot to be desired, usually pretty dark, almost muddy). I wasnt expecting too much, but boy was I wrong!!!
\nThe Neck Pickup is absolutely, astonishingly, mind-bogglingly! FANTASTIC!!
\nThere is so much clarity, the top end sizzles while the mids and lows rumble. The Neck Position alone sells the guitar for me, I honestly cant believe how good it is - something I would expect to see from a Custom Shop guitar at five times the price tag.
\n
\nThe Tone knob acts as a high-frequency roll off.
\nWhere a lot of people like a tone roll-down that retains the high end, to my understanding; Jason Isbell and Tim Shaw wanted to deliver a lot of high end up front that could be rolled off with the tone knob. Essentially thought better to have too-much high end and roll some off than to not have enough to start with.
\nIm not sure I like one style vs another, but Ive had no issue dialing a warm (or less sharp) tone with the knob as it.
\n
\nFretwork -
\nFrets themselves came out of the box pretty well polished and smooth. Ends are smoothed along the board with no modifications really required. I did end up giving all the frets a polish at my first string change, as well as cleaning\/rolling up a few of the ends, mostly to my own taste.
\nThe fretboard itself has a slight rolling on the edge which gives the guitar a slightly \"played-in\" feel. Though the board itself is likely sanded down slightly to give this effect, its pretty easy to tell this was designed this way and not actually \"played in over the years\". Its still a nice touch that makes a neck play a little better vs stock.
\n
\nHardware -
\nAs for the remainder of the guitars hardware; the pots and knobs are smooth, selector switch is smooth and feels solid, pickup ashtray, string tree, saddles, screws, pickguard, and strap knobs are all solid, well made and secured well.
\n
\nCons (sorta) -
\n
\nMade In Mexico -
\nI have a couple MIM Guitars from the 90s that are on par with just about any of the American made Fenders, but I cant say the same for the modern MIM line. Theyre far less expensive than the American made line, but the attention to small details is definitely present in the American made line vs the MIM.
\nMIM Can still sound and play great, but theyll probably cost you some time in modifications and set-up.
\nIf you have no experience working on guitars, I would recommend having Sweetwater do a set-up (at the very least) for you, this guitar included.
\n
\n
\nFinish -
\nPersonally Im not a fan of the \"relic\" dings and sanding done to the finish to make the guitar look older and already played in. Its just not my thing, Id much rather ding and work the finish off of my guitar myself - a badge of time spent with the instrument. Though its not a deal-breaker for me, the sound and feel of the instrument is far more important than how it looks in my humble opinion. However, I can see where this could be an issue for some musicians.
\n
\nHardware -
\nThe brass saddles are NOT compensated and have a bit more trouble intonating properly - out of the box, mine doesnt intonate as well as some of my more modern designed guitars - but I also expect that with this being a more \"vintage\" design. I may end up replacing the saddles with a compensated variant as the guitar ages.
\nSecond is the Tuning Pegs - another more vintage styled piece of hardware. For me they work just fine, but I have definitely been spoiled with locking tuners over the years. I tend to have to tune between songs - especially with lead heavy playing. I may end up putting locking tuners on in time, but its something to take note of.
\nNeither of these things are huge issues for me.
\n
\nThe Real Con -
\n
\nLastly is the nut...
\nIm surprised the nut that shipped on the guitar made it past inspection.
\nThe nut itself definitely needed slot filing for the strings, and while youd expect to make some minor modifications to fit the string gauge youre playing (I believe the guitar ships with 10s - I prefer 9s personally), this nut was abysmal.
\nThe nut was very low - great for low action, but the string slots were almost non-existent. The high-E string for example, had what resembled a small incision with an exact-o knife! The only string that was properly seated out of the box was the A string.
\nAfter some play testing, the B string (not properly seated) would pop out of the nut slot whenever youd bend the string beneath the 7th fret. NOT GOOD!
\n
\n
\nI originally hoped I could just get my nut files and set-up the nut to my gauge strings - this nut was just too low to file better slots for the strings. The nut would have to be replaced.
\n
\n
\nI ended up spending the time to file and shape a block of bone as a replacement (Shown in the picture). The original nut material was fine, but I think the bone added to the ring and resonance of the guitar by maybe 10%.
\nThis modification, in my opinion, was absolutely necessary to get the guitar playable. I imagine not every guitar coming out of the factory is going to be like this, but if youre not experienced in replacing nuts on guitars, Id highly recommend either having Sweetwater put a new one in for you (and having it set-up for your string gauge preference), or buying a pre-slotted TUSQ nut to drop in yourself (its actually pretty easy to do).
\n
\n
\nOverall, youre getting a Nitro finished, double bound tele with a great neck and INCREDIBLE pickups.
\nFor the money this guitar punches WAY above its price-point.
\nWith some minor modifications and a proper set-up this guitar can easily compete with the American Made Ultras and maybe even the Custom Shops. I know I will be using it in the studio for years to come and cant wait to see how the paint-job ages.
\n
\nAlso a big shout out to my Sales Engineer Erik Bothwell, who alleviated my concerns about shipping the instrument. After receiving the instrument I am confident I can buy from Sweetwater again, that my instrument will be delivered undamaged and packed as snug as a bug in a rug! Thanks again Erik!", "sir_rating": "4.5", "sir_name": "Jakob", "sir_whereareyou": null, "sir_background": "Audio Engineer, Producer, Musician 20+ years", "sir_keepanonymous": null } ]" review-count="5">

写下你的评论

不认为任何事情都有可能妨碍我的stratocaster电吉他,但我还没有放下这一个。那一刻我听到杰森的时候释放一个签名我知道我得到它。(我最喜欢的现代音乐家)。找不到一个在去年股票,但今年我抢一个就可以。
听起来不错,发挥惊人的,事实上我唯一的抱怨是多么可怕而结束。附近的积水,直到我固定它。不是一个通常说什么烦恼发芽,但这个价格意味着它应该是完美的盒子给我。修复它碰垫。感谢斯威特沃特188金宝搏官网是多少!

你总是读本文Squier和MIM芬达吉他:“我拥有很多昂贵的芬达吉他和这Squier /播放器/ MIM一样好如果不是更好”。我不打算写评论。或者我,好了我自己的很多更昂贵的挡泥板但现在这杰森的时候是我最喜欢的电视。MIM说真的,太贵了,我不能忍受“遗迹”吉他,它有一个精简版的桥,一个大高飞高白色帽子开关旋钮和黑色pickguard,我依然爱它。我真正想要的不是这样的吉他但是只要我把它捡起来,打了几个和弦我改变主意了。这个吉他戒指像没有其他吉他我玩过。好我没将它比作一个很好的定制店挡泥板但吉他的我自己的这杰森的时候让我其他吉他听起来像他们塞满了棉花。也许我只是很幸运,有一个好的。乐感的皮卡是强大的,结实的,但是我希望它有一个流血电路的三倍。当你回滚卷松散明亮的高端。 This might be a plus for some players but I like to have the full fidelity though the volume range and use the tone control. I really didn't even know who Jason Isbell was but I wanted a Tele Custom with the binding and when I saw this one I had to try it. I would suggest you try one and see if it's got the same magic that mine has. The only way to tell if it's right for you is to get it in your hands and cranked through your amp and setup. Sweetwater has a great return policy and makes it easy to return if you don't like it. And I know because I've returned a few guitars, but not this one.

只有几句话;这是一个最好的电视广播员我玩过。

之前我从未听说过杰森的时候发现了这个吉他,我不是一个喜欢在一些简单的听力(不是坏,只是不是我的感觉),但我在一个电视广播员和市场消费不感兴趣我的毕生积蓄,同时仍然需要一些studio-worthy(我作为录音师和制作人,但也有一些会话的工作——弹吉他了大约20年)。

这个电视是“巧克力破裂”——看起来很像烟草破裂(我最喜欢的完成),但是边缘是一个好的巧克力棕色衰落——我认为这是我的新喜欢的破裂的颜色!足够的颜色添加一些味道没有破坏自然的木纹。也完成了硝基-虽然我们可以整天讨论硝基vs聚结束和他们所做的基调——我往往发现硝基吉他让身体更自然地产生共鸣——或者说,不抑制由保利finish。
重瓣白色边界,紫檀Fret-board(我个人喜欢红木,枫木),年份正确的马鞍和调谐器。
我已经开始“检查”——看到照片。完成的扩张和收缩湿度和温度将创建骨折。他们添加角色和个性在我看来,我很喜欢他们独特的“我”吉他。

皮卡,

皮卡是热——大量的触摸灵敏度。插入我的57粗花呢乐队指挥,皮卡推动音箱成自然超速你挖——这是非常令人愉快的。

皮卡是蒂姆·肖定制设计,哇! ! !这座桥是经典的电视声音;明亮和乐感,适合chickn—挑选他,但听起来很神奇有超速或扭曲。
中期职位听起来像是一个电吉他——它有揍!完美的节奏弹奏,适合在混合大量的高端清晰。
最后是颈部皮卡,皮卡我想我不会用太多(大多数电视广播员脖子上我还有很多不足之处,通常很黑暗,几乎泥泞的)。我不期望太多,但男孩是我错了! ! !
皮卡是绝对的颈部,惊人的,令人难以置信的!太棒了! !
有这么多清晰、高端喜人而mids和低点的隆隆声。颈部位置单独卖吉他对我来说,我真的不敢相信是多么好——我希望看到一个定制的吉他商店价格的五倍。

语气旋钮作为高频滚了。
很多人喜欢一个基调将保留高端,我的理解;杰森的时候,蒂姆·肖想预先交付很多高端,可以滚了旋钮的语气。本质上认为有太多的高端,一些比没有足够的开始。
我不确定我喜欢一个风格与另一个,但我没有问题拨打一个温暖与旋钮(或更少)尖锐的语气。

回纹装饰,
担忧自己的盒子很好打磨光滑。结束是平滑的板没有真正需要修改。我最终给波兰的所有烦恼在我的第一个字符串的变化,以及清洁/卷起的目的,主要是为了我自己的味道。
指板本身有一个轻微的边缘滚动使吉他有点“类似布切尔”的感觉。尽管董事会本身可能是沙地的小幅下降给这种效果,很容易告诉这是这样设计的,不是“在多年来”。仍然是一个不错的触碰让脖子玩好一点和股票。

硬件-
至于剩下的吉他的硬件;锅和旋钮光滑、选择开关是光滑和感觉的固体,皮卡烟灰缸,字符串树,马鞍,螺丝,pickguard,和带旋钮都是固体,制作精良,安全。

缺点(近似)

在墨西哥,
我有几个MIM吉他从90年代与任何美国的挡泥板,但我不能说相同的为现代MIM线。他们比美国便宜了,但注意小细节绝对是目前在美国MIM线vs。
MIM仍然可以声音和发挥不错,但他们可能会花费你一些时间在修改和设置。
如果你对吉他没有工作经验,我建议在斯威特沃特做一个设置为你(至少),这包括吉他。188金宝搏官网是多少

完成- - - - - -
我个人不喜欢“遗迹”丁氏和砂光的终点让吉他看起来老,已经在。只是不是我的东西,我宁愿丁和我吉他的完成自己工作时间与仪器的象征。虽然对我来说不是一个因素,乐器的声音和感觉更重要的是比看起来依我拙见。然而,我可以看到,这可能是一个问题对于一些音乐家。

硬件-
铜马鞍不补偿,有一点麻烦吟咏正确——开箱即用的,我并不吟咏以及我的一些更现代的设计的吉他,但是我也希望这是一个更多的“古董”的设计。我可能最终取代了马鞍补偿变体的吉他。
第二个是调弦——另一个更多的复古风格的硬件。对我来说他们工作的很好,但我肯定已经被宠坏了锁定调谐器。我倾向于调整歌曲之间——特别是铅重玩。我可能会把锁调谐器在时间,但这是需要注意的一件事。
这些事情对我来说是巨大的问题。

真正的共同

最后是螺母……
我很惊讶的螺母装上吉他过去检查。
螺母本身肯定需要槽申请字符串,虽然会进行一些小的修改以适应字符串表你玩(我相信吉他附带10的-我喜欢9个人),这个螺母是糟糕透顶。
螺母非常低——伟大的低行动,但弦槽是几乎不存在。high-E字符串举例来说,与一个类似小切口exact-o刀!唯一的字符串是正确地坐着的是一个字符串。
一些游戏测试后,B字符串(坐在不当)“流行”的螺母槽每当你弯下的字符串7日烦恼。不是很好!

我原本希望我可以得到我的螺母文件和设置螺母我判断字符串——这个螺母是太低了字符串文件更好的插槽。螺母必须更换。

我最终支出时间文件和形状一块骨头作为替代(图片所示)。最初的螺母材料很好,但我认为骨头添加到环和吉他的共振可能10%。
这一修改,在我看来,是绝对必要的吉他可玩。我想并不是所有的吉他工厂是这样的,但是如果你没有经验取代坚果吉他,我强烈建议要么在斯威特沃特把一个新的为你,把它设置为你的字符串判断偏好),或购买一个pre-slotted TUSQ螺母下降自己(其实很容易做到)。188金宝搏官网是多少

你得到一个硝基完成,总体而言,双绑定电话与一个伟大的脖子和难以置信的皮卡。
为了钱这吉他拳高于其价位。
一些小的修改和适当的设置这个吉他可以很容易地与美国竞争超促进剂,甚至定制店。我知道我将使用它在未来几年的工作室,迫不及待想看到油漆。

也是一个大的喊出我的销售工程师埃里克·博思韦尔,缓解我担心运输的工具。收到仪器后,我相信我能从斯威特沃特购买再一次,我的仪器将破损和包装一样舒适的地毯的一个错误!188金宝搏官网是多少再次感谢埃里克!

喜欢这个吉他! ! !神奇的和看起来更好。没有什么负面的说。完全建立和听起来不可思议。也不能说更多关于斯威特沃特。188金宝搏官网是多少与扎克和他购买的微风。收到的吉他没有时间,一切都很好。
强烈推荐! ! !

这是一个伟大的吉他,斯威特沃特最好的服务我爱感觉和完成188金宝搏官网是多少,听起来很不错!

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