黄金时代项目R1 MKII带麦克风评论|斯威特沃特188金宝搏官网是多少

的道格·桑德斯是5月12日,2023年音乐背景:蓝草50多年了(40年道路乐队)

黄金时代R1 MK11带迈克是我所见过的最旧的RCA 77的声音。它给了我40的蓝草
我一直在寻找。最重要的是它没有成本买三条腿和一只手臂。如果你正在寻找
中锋伯爵的声音从你的班卓琴得到其中一个带话筒(顺便说下你需要一个好的战前吉布森班卓琴)。

2022年8月28日,由科德角Metroloop 音乐背景:工程师,球员,技术。

我很喜欢这种负担得起带麦克风的。在短时间内到达以来我用各种声学仪器,人声和吉他音箱的结果。图8模式确实宽敞添加一个新维度记录。它很快成为我的最爱。

2022年6月14日,由约翰·钱从孟菲斯音乐背景:长时间贝斯手

我享受这个低价带麦克风记录直立低音。这不是嘈杂与一些评论。当别人提到过,您需要使用Cloudlifter或Triton音频Fethead清洁获得——我以后使用。XLR电缆可以拿出麦克风位置——忽略评论抱怨它不是。我打算用它来记录声音和Stedman金属流行过滤器斯威特沃特销售。188金宝搏官网是多少(注意,尼龙流行过滤器往往低沉的声音有些与warm-sounding带麦克风不工作得很好。)我碰巧喜欢包括覆盖也可以使用麦克风时仍然安装在一个站保持了黄昏。总之,这是一个非常好的麦克风。

由亚迈尔斯从芝加哥11月3日,2021年音乐背景:Multi-instrumentalist、制作人、词曲作者、录音工程师

现在这个麦克风后几个月,我有更高的赞誉。一双鼓手朋友使用原始高斯4038年代和做一些鼓会话与他让我意识到黄金时代R1的行为多么相似。不,它不分享与美元麦克风频率响应. .但它肯定捕获瞬变一样。有一个“东西”,科尔斯和其他类似带麦克风在钹,专门踩镲和钹。他们似乎拿起棍子让接触钹超过他们实际共振和铙钹的色彩。基本上,当你把一个4038你好帽子,你得到某些可识别的“CHCK”声。这是厚的,我将其描述为“tappy”。不再疯狂的铙钹洗和大型频率过载(. .即使是一对最昂贵的电容麦克风可以快速的受害者)。 But not with this mic. not one bit. the Golden age delivers a very tasteful "CHCK".
我还想指出在mono这个麦克风听起来多好。当一个麦克风在mono听起来不错,它很好的麦克风。我总是教,音响是“我们的耳朵听到“mono是“麦克风听起来像什么”。mono不撒谎,宝贝!
我一直使用它在mono装备至少过去25个交易日没有失败。这听起来不可思议,更重要的是,它处理处理像绝对冠军。我最喜欢的是给整个鼓组合砖墙限幅器,然后坐在一旁羡慕富人,完整的瞬变突然来生活。对我来说,这只能通过一个黑带麦克风。和它是我的秘密武器麦克风近来对电吉他,。我使用两个不同的动力学在立体声扬声器,然后我有这个坏男孩大约4英尺远的amp,接近音乐家,处理中心。它拿起大量的氛围,更多的字符串比扬声器的音箱摘。它增加了一个字符,活泼吉他跟踪,我不会很快忘记。在mono的话题;这也是一个很好的声乐麦克风时正常工作。(请不要死亡金属会议。)

哦,我有没有提到它的一个很好的鼓麦克风吗?哈哈哈。其中两个,a + 25 db立体声麦克风助推器。你在以后会感谢我的!即使你不记录很多鼓,这个麦克风听起来很好的,没有让我失望无论如何我试一试。

尝试记住它是一个带麦克风,所以敏感48 v幻力量和爆破音歌手,踢鼓,喇叭等等。一个好的经验法则是握着你的手的丝带和测试如果你觉得任何空气进入它。甚至一个小“微风”可以严重损害一个带麦克风。我不认为这些是超级薄丝带像高斯4038,但他们不会永远持续下去如果你粗心。

I would also like to point out how good this mic sounds in mono. When a mic sounds good in mono, its a good mic. I was always taught that stereo is \"how our ears hear\" and mono is \"what the mic sounds like\". mono doesnt lie, baby!
Ive been using it in mono over my kit for at least the past 25 sessions WITHOUT FAIL. It sounds incredible, and more importantly, it handles processing like an absolute champion. My favorite is putting a brick wall limiter on the whole drum mix and then sitting back to admire the rich, full transients suddenly come to life. To me, that can only be achieved with a nice dark ribbon mic. And its been my secret weapon mic for electric guitars lately, too. I use two different dynamics up on the speaker in stereo, then I have this bad boy about 4 feet away from the amp, closer to the musician, panned center. It picks up a ton of ambience, and more of their strings being plucked than the speaker of the amp. It adds a character and liveliness to guitar tracking that I will not soon forget. While on the topic of mono; this is also a fantastic vocal mic when employed properly. (No death metal sessions, please.)

Oh, and did I mention its an excellent drum mic? hahaha. get two of these, and a +25db stereo mic booster. youll thank me later! Even if you dont record a lot of drums, this microphone sounds excellent and has not let me down no matter what I try it on.

Try to keep in mind it is a ribbon mic, so it is sensitive to 48v phantom power and plosives from vocalists, kick drums, trumpets, etc. A good rule of thumb is to hold your hand in front of the ribbon and test if you feel any air coming onto it. Even a small \"breeze\" can be seriously harmful to a ribbon mic. I dont think these are super thin ribbons like a Coles 4038, but they arent going to last forever if you are careless with them.", "sir_rating": "5.0", "sir_name": "Asher Myers", "sir_whereareyou": "Chicago", "sir_background": "Multi-instrumentalist, Producer, Songwriter, Recording Engineer", "sir_keepanonymous": "0" }, { "id": 17091, "store_items_review_id": 332820, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-4d420383c6beab33f84661f6014828ba177fc073\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTIyLXBocHE0bHZpeS5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-b9524257cfa960797d714096a143c660d3764f32\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTIyLXBocHE0bHZpeS5qcGVn", "sir_title": "Part two, several months later", "sir_comments": "After having this mic for a few months now, I have even higher praise for it. A drummer friend of mine uses a pair of PRISTINE Coles 4038s and doing a few drum sessions with him made me realize how similar the Golden Age R1 behaves. No, it doesnt share a frequency response with a $ mic.. but it sure captures transients the same way. Theres a \"thing\" that Coles and other similar ribbon mics do on cymbals, specifically hi-hats & ride cymbals. They seem to pick up the stick making contact with cymbals more than they pick up the actual resonances & overtones of the cymbal. Basically, when u put a 4038 right over a hi hat, u get a certain recognizable \"CHCK\" sound. Its thick, and I would describe it as tappy. no more crazy cymbal wash and mega frequency overload (which.. even a pair of the most expensive condenser mics can quickly fall victim to). But not with this mic. not one bit. the Golden age delivers a very tasteful \"CHCK\".
I would also like to point out how good this mic sounds in mono. When a mic sounds good in mono, its a good mic. I was always taught that stereo is \"how our ears hear\" and mono is \"what the mic sounds like\". mono doesnt lie, baby!
Ive been using it in mono over my kit for at least the past 25 sessions WITHOUT FAIL. It sounds incredible, and more importantly, it handles processing like an absolute champion. My favorite is putting a brick wall limiter on the whole drum mix and then sitting back to admire the rich, full transients suddenly come to life. To me, that can only be achieved with a nice dark ribbon mic. And its been my secret weapon mic for electric guitars lately, too. I use two different dynamics up on the speaker in stereo, then I have this bad boy about 4 feet away from the amp, closer to the musician, panned center. It picks up a ton of ambience, and more of their strings being plucked than the speaker of the amp. It adds a character and liveliness to guitar tracking that I will not soon forget. While on the topic of mono; this is also a fantastic vocal mic when employed properly. (No death metal sessions, please.)

Oh, and did I mention its an excellent drum mic? hahaha. get two of these, and a +25db stereo mic booster. youll thank me later! Even if you dont record a lot of drums, this microphone sounds excellent and has not let me down no matter what I try it on.

Try to keep in mind it is a ribbon mic, so it is sensitive to 48v phantom power and plosives from vocalists, kick drums, trumpets, etc. A good rule of thumb is to hold your hand in front of the ribbon and test if you feel any air coming onto it. Even a small \"breeze\" can be seriously harmful to a ribbon mic. I dont think these are super thin ribbons like a Coles 4038, but they arent going to last forever if you are careless with them.", "sir_rating": "5.0", "sir_name": "Asher Myers", "sir_whereareyou": "Chicago", "sir_background": "Multi-instrumentalist, Producer, Songwriter, Recording Engineer", "sir_keepanonymous": "0" }, { "id": 17092, "store_items_review_id": 332820, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-b2d2d6bf1fbff32af19119d6c6d433e3c7c2d342\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTI0LXBocGo3bndudi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-3fde4eaef8232806affe1353bca2bb0f5907de20\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTI0LXBocGo3bndudi5qcGVn", "sir_title": "Part two, several months later", "sir_comments": "After having this mic for a few months now, I have even higher praise for it. A drummer friend of mine uses a pair of PRISTINE Coles 4038s and doing a few drum sessions with him made me realize how similar the Golden Age R1 behaves. No, it doesnt share a frequency response with a $ mic.. but it sure captures transients the same way. Theres a \"thing\" that Coles and other similar ribbon mics do on cymbals, specifically hi-hats & ride cymbals. They seem to pick up the stick making contact with cymbals more than they pick up the actual resonances & overtones of the cymbal. Basically, when u put a 4038 right over a hi hat, u get a certain recognizable \"CHCK\" sound. Its thick, and I would describe it as tappy. no more crazy cymbal wash and mega frequency overload (which.. even a pair of the most expensive condenser mics can quickly fall victim to). But not with this mic. not one bit. the Golden age delivers a very tasteful \"CHCK\".
I would also like to point out how good this mic sounds in mono. When a mic sounds good in mono, its a good mic. I was always taught that stereo is \"how our ears hear\" and mono is \"what the mic sounds like\". mono doesnt lie, baby!
Ive been using it in mono over my kit for at least the past 25 sessions WITHOUT FAIL. It sounds incredible, and more importantly, it handles processing like an absolute champion. My favorite is putting a brick wall limiter on the whole drum mix and then sitting back to admire the rich, full transients suddenly come to life. To me, that can only be achieved with a nice dark ribbon mic. And its been my secret weapon mic for electric guitars lately, too. I use two different dynamics up on the speaker in stereo, then I have this bad boy about 4 feet away from the amp, closer to the musician, panned center. It picks up a ton of ambience, and more of their strings being plucked than the speaker of the amp. It adds a character and liveliness to guitar tracking that I will not soon forget. While on the topic of mono; this is also a fantastic vocal mic when employed properly. (No death metal sessions, please.)

Oh, and did I mention its an excellent drum mic? hahaha. get two of these, and a +25db stereo mic booster. youll thank me later! Even if you dont record a lot of drums, this microphone sounds excellent and has not let me down no matter what I try it on.

Try to keep in mind it is a ribbon mic, so it is sensitive to 48v phantom power and plosives from vocalists, kick drums, trumpets, etc. A good rule of thumb is to hold your hand in front of the ribbon and test if you feel any air coming onto it. Even a small \"breeze\" can be seriously harmful to a ribbon mic. I dont think these are super thin ribbons like a Coles 4038, but they arent going to last forever if you are careless with them.", "sir_rating": "5.0", "sir_name": "Asher Myers", "sir_whereareyou": "Chicago", "sir_background": "Multi-instrumentalist, Producer, Songwriter, Recording Engineer", "sir_keepanonymous": "0" }, { "id": 17093, "store_items_review_id": 332820, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-d160b0ee3e0bef91a8880d1d90095cf80168fa55\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTI1LXBocG00OHJjNy5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-76844705371a491d49b58a6e739f8b0b42698a67\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTI1LXBocG00OHJjNy5qcGVn", "sir_title": "Part two, several months later", "sir_comments": "After having this mic for a few months now, I have even higher praise for it. A drummer friend of mine uses a pair of PRISTINE Coles 4038s and doing a few drum sessions with him made me realize how similar the Golden Age R1 behaves. No, it doesnt share a frequency response with a $ mic.. but it sure captures transients the same way. Theres a \"thing\" that Coles and other similar ribbon mics do on cymbals, specifically hi-hats & ride cymbals. They seem to pick up the stick making contact with cymbals more than they pick up the actual resonances & overtones of the cymbal. Basically, when u put a 4038 right over a hi hat, u get a certain recognizable \"CHCK\" sound. Its thick, and I would describe it as tappy. no more crazy cymbal wash and mega frequency overload (which.. even a pair of the most expensive condenser mics can quickly fall victim to). But not with this mic. not one bit. the Golden age delivers a very tasteful \"CHCK\".
I would also like to point out how good this mic sounds in mono. When a mic sounds good in mono, its a good mic. I was always taught that stereo is \"how our ears hear\" and mono is \"what the mic sounds like\". mono doesnt lie, baby!
Ive been using it in mono over my kit for at least the past 25 sessions WITHOUT FAIL. It sounds incredible, and more importantly, it handles processing like an absolute champion. My favorite is putting a brick wall limiter on the whole drum mix and then sitting back to admire the rich, full transients suddenly come to life. To me, that can only be achieved with a nice dark ribbon mic. And its been my secret weapon mic for electric guitars lately, too. I use two different dynamics up on the speaker in stereo, then I have this bad boy about 4 feet away from the amp, closer to the musician, panned center. It picks up a ton of ambience, and more of their strings being plucked than the speaker of the amp. It adds a character and liveliness to guitar tracking that I will not soon forget. While on the topic of mono; this is also a fantastic vocal mic when employed properly. (No death metal sessions, please.)

Oh, and did I mention its an excellent drum mic? hahaha. get two of these, and a +25db stereo mic booster. youll thank me later! Even if you dont record a lot of drums, this microphone sounds excellent and has not let me down no matter what I try it on.

Try to keep in mind it is a ribbon mic, so it is sensitive to 48v phantom power and plosives from vocalists, kick drums, trumpets, etc. A good rule of thumb is to hold your hand in front of the ribbon and test if you feel any air coming onto it. Even a small \"breeze\" can be seriously harmful to a ribbon mic. I dont think these are super thin ribbons like a Coles 4038, but they arent going to last forever if you are careless with them.", "sir_rating": "5.0", "sir_name": "Asher Myers", "sir_whereareyou": "Chicago", "sir_background": "Multi-instrumentalist, Producer, Songwriter, Recording Engineer", "sir_keepanonymous": "0" }, { "id": 10186, "store_items_review_id": 301251, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-c345dbb569526479349f684e4da7c28698016f69\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjEwMjA5MjIwNTA2LXBocHR6ejVpZS5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-ef2c241ca16573d34633acceacbe8ec29abc80a9\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjEwMjA5MjIwNTA2LXBocHR6ejVpZS5qcGVn", "sir_title": "Golden Age ribbon microphone", "sir_comments": "I almost feel silly going on and on about this microphone, everything you have read about this is true, so many great reviews on this and so much so that I am purchasing the active and the tube pre versions of this microphone when I can afford them. I love this microphone!", "sir_rating": "5.0", "sir_name": "Ron Shelton", "sir_whereareyou": "Detroit Mi.", "sir_background": "Guitar builder", "sir_keepanonymous": "0" } ]" :for-review="332820">

2021年6月12日由罗伯漂白的音乐背景:现场工程师和工作室。爱好的音乐家。

我拿起其中一个有一天心血来潮。通常我不去低价麦克风,但这有这样的好评,这是一个伟大的价格,我想“什么。”My session this weekend is recording a world class pianist at a concert hall in town. I had a full day to get the micing done, so I brought a handful of mics for options, but I threw the R1 in my kit to at least try. It was the first mic I put on the piano. Immediately there was WAY too much low end. I started messing with the EQ, but then stopped and decided to experiment with mic placement. I think mic placement is going to be very important with this mic. With proper placement, I got a very balanced sound with just the right amount of treble and bass. I'm going to use the R1 for the recording. Obviously, it's not the only microphone on the stage, but it is the one close micing the piano. It's a beautiful, deep, full and robust sound. VERY warm. I'm impressed. I have all the usual studio micsn), and then I have a small handful of "industry's dirty little secret" mics. I have an SE2200 that I absolutely love, a couple of Rode's that are great for certain applications, and I'm now adding the Golden Age Projects R1 to that list of mics that out perform their sticker price. I would strongly recommend this microphone for anyone looking to add a ribbon mic to their mic locker. I'm using it with a Cloud Lifter pre amp. Thanks to my sales rep Jason Koons for getting it to me so quickly.

由亚从芝加哥5月7日,2021年音乐背景:鼓手、制作人、录音师

这是一个令人难以置信的麦克风,无论如何你会感到它的价格标签。的价格不代表质量。现在,这是一个很好的工作室质量的麦克风。如果你的房间听起来像poopoo,或者您使用的是廉价的斯佳丽前置放大器,你很可能会感到失望。认真对待记录和得到一个麦克风助推器(云顶料),一个好的xlr电缆(低估),高质量,相对透明的前置放大器,最重要的是,一个听觉上对待空间来记录和回放。不带麦克风,好或坏,会满足你蹩脚的房间。

我看到很多相同的抱怨,我不认为这些人知道他们正在谈论什么。诚实。抱怨XLR电缆限制旋转的运动吗?它分离。XLR电缆可以很容易地删除。这里有一个想法:不要做一个白痴。之前拔掉xlr麦克风,然后把它插在一旦你有麦克风放置在旋转。超级简单的解决方案,90%的其他评论家忽略或太缺乏经验。

总之,如果你抱怨这个麦克风,你可能有以下问题(这个麦克风本身的质量无关的):

——“其宽敞/拿起不必要的噪音”(是的。带麦克风的本质的设计)
——“太吵了/太安静”(你需要一个内置麦克风助推器和专业质量前置放大器。廉价的前置放大器不会做这个麦克风正义;也不会Neumann)
——“我不能调整,因为电缆的方式”(你需要拔掉见鬼电缆。这个是非常简单的。)
“它太重了”(是的,最专业的丝带和LDC麦克风是沉重的。得到一些沙袋和博士专业站或最终的支架,其投资,你不能避免)
你离开你的大脑在工作室和无权审查任何东西。

从底特律罗恩·谢尔顿英里去2月9日,2021年音乐背景:吉他建设者

我几乎觉得很傻,麦克风,你读过的所有关于这是真的,那么多伟大的评论在这,以至于我采购活动和管前版本的这个麦克风当我能买得起。我爱这个麦克风!

I would also like to point out how good this mic sounds in mono. When a mic sounds good in mono, its a good mic. I was always taught that stereo is \"how our ears hear\" and mono is \"what the mic sounds like\". mono doesnt lie, baby!
Ive been using it in mono over my kit for at least the past 25 sessions WITHOUT FAIL. It sounds incredible, and more importantly, it handles processing like an absolute champion. My favorite is putting a brick wall limiter on the whole drum mix and then sitting back to admire the rich, full transients suddenly come to life. To me, that can only be achieved with a nice dark ribbon mic. And its been my secret weapon mic for electric guitars lately, too. I use two different dynamics up on the speaker in stereo, then I have this bad boy about 4 feet away from the amp, closer to the musician, panned center. It picks up a ton of ambience, and more of their strings being plucked than the speaker of the amp. It adds a character and liveliness to guitar tracking that I will not soon forget. While on the topic of mono; this is also a fantastic vocal mic when employed properly. (No death metal sessions, please.)

Oh, and did I mention its an excellent drum mic? hahaha. get two of these, and a +25db stereo mic booster. youll thank me later! Even if you dont record a lot of drums, this microphone sounds excellent and has not let me down no matter what I try it on.

Try to keep in mind it is a ribbon mic, so it is sensitive to 48v phantom power and plosives from vocalists, kick drums, trumpets, etc. A good rule of thumb is to hold your hand in front of the ribbon and test if you feel any air coming onto it. Even a small \"breeze\" can be seriously harmful to a ribbon mic. I dont think these are super thin ribbons like a Coles 4038, but they arent going to last forever if you are careless with them.", "sir_rating": "5.0", "sir_name": "Asher Myers", "sir_whereareyou": "Chicago", "sir_background": "Multi-instrumentalist, Producer, Songwriter, Recording Engineer", "sir_keepanonymous": "0" }, { "id": 17091, "store_items_review_id": 332820, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-4d420383c6beab33f84661f6014828ba177fc073\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTIyLXBocHE0bHZpeS5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-b9524257cfa960797d714096a143c660d3764f32\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTIyLXBocHE0bHZpeS5qcGVn", "sir_title": "Part two, several months later", "sir_comments": "After having this mic for a few months now, I have even higher praise for it. A drummer friend of mine uses a pair of PRISTINE Coles 4038s and doing a few drum sessions with him made me realize how similar the Golden Age R1 behaves. No, it doesnt share a frequency response with a $ mic.. but it sure captures transients the same way. Theres a \"thing\" that Coles and other similar ribbon mics do on cymbals, specifically hi-hats & ride cymbals. They seem to pick up the stick making contact with cymbals more than they pick up the actual resonances & overtones of the cymbal. Basically, when u put a 4038 right over a hi hat, u get a certain recognizable \"CHCK\" sound. Its thick, and I would describe it as tappy. no more crazy cymbal wash and mega frequency overload (which.. even a pair of the most expensive condenser mics can quickly fall victim to). But not with this mic. not one bit. the Golden age delivers a very tasteful \"CHCK\".
I would also like to point out how good this mic sounds in mono. When a mic sounds good in mono, its a good mic. I was always taught that stereo is \"how our ears hear\" and mono is \"what the mic sounds like\". mono doesnt lie, baby!
Ive been using it in mono over my kit for at least the past 25 sessions WITHOUT FAIL. It sounds incredible, and more importantly, it handles processing like an absolute champion. My favorite is putting a brick wall limiter on the whole drum mix and then sitting back to admire the rich, full transients suddenly come to life. To me, that can only be achieved with a nice dark ribbon mic. And its been my secret weapon mic for electric guitars lately, too. I use two different dynamics up on the speaker in stereo, then I have this bad boy about 4 feet away from the amp, closer to the musician, panned center. It picks up a ton of ambience, and more of their strings being plucked than the speaker of the amp. It adds a character and liveliness to guitar tracking that I will not soon forget. While on the topic of mono; this is also a fantastic vocal mic when employed properly. (No death metal sessions, please.)

Oh, and did I mention its an excellent drum mic? hahaha. get two of these, and a +25db stereo mic booster. youll thank me later! Even if you dont record a lot of drums, this microphone sounds excellent and has not let me down no matter what I try it on.

Try to keep in mind it is a ribbon mic, so it is sensitive to 48v phantom power and plosives from vocalists, kick drums, trumpets, etc. A good rule of thumb is to hold your hand in front of the ribbon and test if you feel any air coming onto it. Even a small \"breeze\" can be seriously harmful to a ribbon mic. I dont think these are super thin ribbons like a Coles 4038, but they arent going to last forever if you are careless with them.", "sir_rating": "5.0", "sir_name": "Asher Myers", "sir_whereareyou": "Chicago", "sir_background": "Multi-instrumentalist, Producer, Songwriter, Recording Engineer", "sir_keepanonymous": "0" }, { "id": 17092, "store_items_review_id": 332820, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-b2d2d6bf1fbff32af19119d6c6d433e3c7c2d342\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTI0LXBocGo3bndudi5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-3fde4eaef8232806affe1353bca2bb0f5907de20\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTI0LXBocGo3bndudi5qcGVn", "sir_title": "Part two, several months later", "sir_comments": "After having this mic for a few months now, I have even higher praise for it. A drummer friend of mine uses a pair of PRISTINE Coles 4038s and doing a few drum sessions with him made me realize how similar the Golden Age R1 behaves. No, it doesnt share a frequency response with a $ mic.. but it sure captures transients the same way. Theres a \"thing\" that Coles and other similar ribbon mics do on cymbals, specifically hi-hats & ride cymbals. They seem to pick up the stick making contact with cymbals more than they pick up the actual resonances & overtones of the cymbal. Basically, when u put a 4038 right over a hi hat, u get a certain recognizable \"CHCK\" sound. Its thick, and I would describe it as tappy. no more crazy cymbal wash and mega frequency overload (which.. even a pair of the most expensive condenser mics can quickly fall victim to). But not with this mic. not one bit. the Golden age delivers a very tasteful \"CHCK\".
I would also like to point out how good this mic sounds in mono. When a mic sounds good in mono, its a good mic. I was always taught that stereo is \"how our ears hear\" and mono is \"what the mic sounds like\". mono doesnt lie, baby!
Ive been using it in mono over my kit for at least the past 25 sessions WITHOUT FAIL. It sounds incredible, and more importantly, it handles processing like an absolute champion. My favorite is putting a brick wall limiter on the whole drum mix and then sitting back to admire the rich, full transients suddenly come to life. To me, that can only be achieved with a nice dark ribbon mic. And its been my secret weapon mic for electric guitars lately, too. I use two different dynamics up on the speaker in stereo, then I have this bad boy about 4 feet away from the amp, closer to the musician, panned center. It picks up a ton of ambience, and more of their strings being plucked than the speaker of the amp. It adds a character and liveliness to guitar tracking that I will not soon forget. While on the topic of mono; this is also a fantastic vocal mic when employed properly. (No death metal sessions, please.)

Oh, and did I mention its an excellent drum mic? hahaha. get two of these, and a +25db stereo mic booster. youll thank me later! Even if you dont record a lot of drums, this microphone sounds excellent and has not let me down no matter what I try it on.

Try to keep in mind it is a ribbon mic, so it is sensitive to 48v phantom power and plosives from vocalists, kick drums, trumpets, etc. A good rule of thumb is to hold your hand in front of the ribbon and test if you feel any air coming onto it. Even a small \"breeze\" can be seriously harmful to a ribbon mic. I dont think these are super thin ribbons like a Coles 4038, but they arent going to last forever if you are careless with them.", "sir_rating": "5.0", "sir_name": "Asher Myers", "sir_whereareyou": "Chicago", "sir_background": "Multi-instrumentalist, Producer, Songwriter, Recording Engineer", "sir_keepanonymous": "0" }, { "id": 17093, "store_items_review_id": 332820, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-d160b0ee3e0bef91a8880d1d90095cf80168fa55\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTI1LXBocG00OHJjNy5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-76844705371a491d49b58a6e739f8b0b42698a67\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjExMTAzMTc0MTI1LXBocG00OHJjNy5qcGVn", "sir_title": "Part two, several months later", "sir_comments": "After having this mic for a few months now, I have even higher praise for it. A drummer friend of mine uses a pair of PRISTINE Coles 4038s and doing a few drum sessions with him made me realize how similar the Golden Age R1 behaves. No, it doesnt share a frequency response with a $ mic.. but it sure captures transients the same way. Theres a \"thing\" that Coles and other similar ribbon mics do on cymbals, specifically hi-hats & ride cymbals. They seem to pick up the stick making contact with cymbals more than they pick up the actual resonances & overtones of the cymbal. Basically, when u put a 4038 right over a hi hat, u get a certain recognizable \"CHCK\" sound. Its thick, and I would describe it as tappy. no more crazy cymbal wash and mega frequency overload (which.. even a pair of the most expensive condenser mics can quickly fall victim to). But not with this mic. not one bit. the Golden age delivers a very tasteful \"CHCK\".
I would also like to point out how good this mic sounds in mono. When a mic sounds good in mono, its a good mic. I was always taught that stereo is \"how our ears hear\" and mono is \"what the mic sounds like\". mono doesnt lie, baby!
Ive been using it in mono over my kit for at least the past 25 sessions WITHOUT FAIL. It sounds incredible, and more importantly, it handles processing like an absolute champion. My favorite is putting a brick wall limiter on the whole drum mix and then sitting back to admire the rich, full transients suddenly come to life. To me, that can only be achieved with a nice dark ribbon mic. And its been my secret weapon mic for electric guitars lately, too. I use two different dynamics up on the speaker in stereo, then I have this bad boy about 4 feet away from the amp, closer to the musician, panned center. It picks up a ton of ambience, and more of their strings being plucked than the speaker of the amp. It adds a character and liveliness to guitar tracking that I will not soon forget. While on the topic of mono; this is also a fantastic vocal mic when employed properly. (No death metal sessions, please.)

Oh, and did I mention its an excellent drum mic? hahaha. get two of these, and a +25db stereo mic booster. youll thank me later! Even if you dont record a lot of drums, this microphone sounds excellent and has not let me down no matter what I try it on.

Try to keep in mind it is a ribbon mic, so it is sensitive to 48v phantom power and plosives from vocalists, kick drums, trumpets, etc. A good rule of thumb is to hold your hand in front of the ribbon and test if you feel any air coming onto it. Even a small \"breeze\" can be seriously harmful to a ribbon mic. I dont think these are super thin ribbons like a Coles 4038, but they arent going to last forever if you are careless with them.", "sir_rating": "5.0", "sir_name": "Asher Myers", "sir_whereareyou": "Chicago", "sir_background": "Multi-instrumentalist, Producer, Songwriter, Recording Engineer", "sir_keepanonymous": "0" }, { "id": 10186, "store_items_review_id": 301251, "media_type": "image", "thumbnail": "https:\/\/media.sweetwater.com\/api\/i\/w-160__wm-__q-60__hmac-c345dbb569526479349f684e4da7c28698016f69\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjEwMjA5MjIwNTA2LXBocHR6ejVpZS5qcGVn", "media_path": "https:\/\/media.sweetwater.com\/api\/i\/w-1080__wm-__q-60__hmac-ef2c241ca16573d34633acceacbe8ec29abc80a9\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjEwMjA5MjIwNTA2LXBocHR6ejVpZS5qcGVn", "sir_title": "Golden Age ribbon microphone", "sir_comments": "I almost feel silly going on and on about this microphone, everything you have read about this is true, so many great reviews on this and so much so that I am purchasing the active and the tube pre versions of this microphone when I can afford them. I love this microphone!", "sir_rating": "5.0", "sir_name": "Ron Shelton", "sir_whereareyou": "Detroit Mi.", "sir_background": "Guitar builder", "sir_keepanonymous": "0" } ]" :for-review="301251">

杰克从丹佛,公司于2020年8月12日音乐背景:一切

所以我有这几个月了,试过各种来源。吉他出租车,木吉他,人声,鼓开销。

它真的照在鼓开销!它基本上是鼓的语气我一直在多年之后,我有丰富的冷凝器(AKG C414,阿斯顿精神,等),所有听起来不错,但是这有酱汁。

它真正的好声音。后把pultec EQP-1瞧,光滑,自然的声音!比说话或说唱音乐。

对吉他出租车来说,这是非常敏感的接近这意味着它可以快速得到真正的低音加重。坦率地说,我仍然喜欢信赖的老SM57。为一个更宽敞的声音虽然很高兴!

基本上,只要你知道你在使用它,这是一个奇妙的带麦克风在一个合理的价格。在某一时刻我将得到另一个立体声开销,但是现在mono杀伤。

斯威特188金宝搏官网是多少沃特客户3月10日,2020年

这是一个极好的麦克风为我买了什么:女爵士人声。我的女儿会偶尔和许多电容麦克风声音严厉,他们可以给她的声音有点冷的质量。GA非常光滑,听起来不错。为了钱,它是惊人的。有些投诉是完全准确的。它不能使用标准的工作室麦克风持有者(因此我不能使用我的一贯的流行过滤器)。绳限制它倾斜的程度。当然好,这确实是有点烦人,但是我们是积极的:包括持有人,因此是一个麦克风电缆。麦克风并不是噪声(如有人说)这只是安静。那么如果你的前置放大器噪声是的它会吵,当你获得了。 Which you will indeed have to do. But with a good preamp that is not a problem. Anyway, for me this think is sounding much better than my $400 condensers (for this specific application). I do also love using the dead spots on the side. Just put guitar on one side and bass on the other and it is super clean.

由迭戈F加利西亚语从加州11月27日,2018年音乐背景:音乐家/音响工程师

我最近购买了这个麦克风敬拜中心和把它放在你好帽子,结果真的很棒。即使有一些不太好的钹这个麦克风听起来很好。

马里兰州安纳波利斯的托德Pafford 10月10日,2018年

我发现这R1的,听起来很自然,但needs-no-eq-fixing声乐麦克风我一直寻找。我是一个吉他手,在必要的时候,一个自然的男中音经常唱男高音部分,我受到太多的丝丝声。R1抓住了温暖和身体在我的声音而驯服的丝丝声的高端碾轧,正是我所需要的东西。我与R1的蓝色小Cloudlifter CL-1 R1的信号,给我的小混合器的增益旋钮有点休息。这是一个完美的团队,我不能要求更多。这完美的麦克风(对我)…这是一个无需用脑的事。

斯威特188金宝搏官网是多少沃特客户9月5日,2018年

我有点不愿意买这个麦克风,以为是因为它价格合理,它可能不提供。我错了。我买了这个,因为我正在写一首听起来像乐队从1940年的大时代,因此购买这个歌手的麦克风。这听起来就像我所希望的!很多低端的丰富性和高位减到完美的程度。的宝贝!这听起来一样好带我听过。建立超级高质量的外观和感觉。强烈推荐! !

CRS188金宝搏官网是多少的斯威特沃特客户音频12月23日,2022年音乐背景:20年以上做这一切

这是最便宜的麦克风在我的收藏之一,然而,我抓住这几个其他高美元的中等收入国家的很多时间。当然,我经历一场真正的1073年和羚羊转换器但仍…这是一个坚实的麦克风。目前坐在鼓哦中心/ Mono(约前踢11的高),它捕获完整的工具包在近乎完美的平衡。

我准备买第二个离开设置在另一个房间。

(他们是好明亮的人声,鼓房间和原声吉他好)

杰克P在2021年3月13日

我一直爱的丝带几个特定的用途——鼓开销,管弦乐字符串和吉他安培。我已经有机会听到各种丝带,成本渲染(rca、高斯等)。因为我的工作室是相当有限的预算,这个模型中跳了出来,我是尝试!我有6个月了,成为我的麦克风,绕着。伟大的mono鼓开销(我最终会得到一个立体模型)和奇妙的跟踪我的大提琴。声音很好,但并不总是正确的选择。它有一个很好的频率响应,和低噪声。你需要一个良好的前置放大器,60 - 70 db的增益来驱动——我有优秀的结果与1073年总统风格。

放置pultec-style情商和提高高位真正帮助的声音唱美丽的方式。记录声音* *始终保持平滑,而一个典型的冷凝器迅速变得严厉。这远远便宜其他带选项(例如MXL)。

只有牛肉这是电缆附件的位置意味着你不能使用的全部旅行。差距有奇怪的选择,但通常是一个问题。如果它将是一件很酷的固体之类的,但是……这真的不是一个。

蒂亚戈巴兰在2018年7月23日

我买了这个麦克风大约三年前……我爱你的声音。我用它来记录声音,木吉他,鼓,鼓……我很喜欢:)

斯威特188金宝搏官网是多少沃特客户从新奥尔良5月31日2023年音乐背景:职业音乐家/作曲家/吉他手。

很好的价格区间。有吸引力的。设计使它很难对一些类型的位置。

2022年5月16日由香农背景音乐:30年以上

为背景,多年来我一直带麦克风的粉丝,和使用几个高端麦克风从阿肯色州教育协会(N22 R84 R84a, N8, R92, KU5A, R44机身内部)。除了R44机身内部,我拥有所有这些长时间。不幸的是,我不得不卖掉我所有的丝带麦克风和去年的前置放大器。
Soundwise, R1MK2支安打。我不会犹豫地伸手去拿它,即使我仍然有很多高端的东西。它最类似于一个R84。我还会选择在一个R84吗?也许……在某些情况下。它有更多的高端,R84更悠然。我总是有很多高端的添加到R84当使用人声,有时引入了噪声小。R1MK2经历Cloudlifter,所有一切都需要退出一些低点。我认为R84确实有更好的保真度,但它实际上成本6 x。 So sonically, the R1MK2 hits a home run.
通过化妆,这麦克风还有很多需要改进。终点看起来一点也不像什么在盒子上。你得到的是一个明亮的黄色完成,感觉摸起来粗糙。当我把它捡起来,这感觉就像我拿着玻璃纤维。演播室灯光下,这东西看起来愚蠢的明亮。下次我做一个视频,我要编辑后的颜色。那就是烦人。
质量控制是不好的。第一个麦克风有削弱的篮子里。188金宝搏官网是多少斯威特沃特发送替代,人身体上的缺陷。徽章是粘在非常便宜,如果你处理错误的方式移动。但是,只有美元和声音与中等收入国家竞争,成本,更多。

由肖恩·普洛克特费尔文,2019年6月25日,TN

没有拥有一个AEA、RCA罗耶. .等…很难说这是一个奇妙的麦克风说话较。其他评论关于麦克风的位置输入杰克和“贴袋”是公平的。然而....我注意到,相比于其他“预算”的丝带,它不需要接近前置放大器增益,我没有发现它吵了。听起来不错吉他(明智地辗轧低端)和鼓。我有两个。有一点要注意,我发现我的一个麦克风连接“逆转阶段”,这是容易被翻转极性固定在一个输入通道。制造缺陷“风险”,预算麦克风。

所以。都认为我想说这是一个很好的麦克风。我接受了很多非常有用的和令人愉快的结果。高端麦克风可能听起来更好。但……没什么可抱怨的。

2019年2月21日,由弗雷德leimberger从印第安纳波利斯

我购买的这个麦克风后尝试ga3a comp。这是一个很酷的压缩机。

这个麦克风是另一个故事。
1。糟糕的设计。中等收入国家xlr杰克被放置在体外低。自旋转臂麦克风也在那里,杰克完全限制一下你从许多麦克风调整选项。尤其是当使用附加电缆夹。电缆夹即使在那里。它使麦克风调整更加困难,它完全扳手的麦克风电缆。
用彩带,大多数人只会删除下臂和使用shockmount代替。注意:这个麦克风太大了,适合一个典型的shockmount。你必须买一个定制的shockmount由G.A……即使如此,shockmount只会到处麦克风lol的一边。
它有一个方便的挂存储袋(我认为这是一个鸡腿袋),但是麦克风的身体太大了,适合进袋子里没有迫使下来。然后你必须使用武力来把它拉出来。它没有感觉活动的类型安全的带麦克风。如果袋子是一英寸宽,这将是一个伟大的工具。

2。声音。首先,我知道没有太高的预期的预算带麦克风。话虽这么说,都过去了。频率响应图不是indicitave你会听到什么。我知道,它应该是一个自然暗测深麦克风,但比我其他丝带频率图给出了黄金时代wayy太多信用高于像1.5 k。它是黑暗的…而深入。真的隐藏了“自然反应”,丝带爱。
然后是噪音。神圣的魔草。这是我最吵闹麦克风插入。没有夸张。我不断地告诉自己“我能做这个工作,我可以做这个工作”。但是一旦我开始插到压缩机,一切都结束了。产生的噪音使它完全无法使用。

3所示。结论。我销售工程师提到它在运输中损坏的可能性,或者只是一个糟糕的单位线。我真的希望如此。但我决定不交换,因为我绝对不能处理的设计缺陷。即使它听起来像我所希望的,我不会再买一个或建议任何人,因为这是一个痛苦。

来自缅因州的保罗·斯垂顿6月10日,2021年

这个麦克风是失望。超级吵了。尝试用pre amp,仍然太多噪音。

黄金时代项目R1 MKII带麦克风评论

低至4美元/月
与48密苏里融资*

顾客评论

4.4的5

客户增加了媒体

问一个销售工程师

最高额定评论

带迈克

除了我的工作室

黄金时代项目R1 MKII直立低音

第二部分,几个月后

令人印象深刻的价格

不听法案

黄金时代带麦克风

迅速成为我主要的麦克风dum开销和人声

漂亮的声音

很棒的麦克风

我的搜索已经结束

它的声音

值得的!

一个伟大的负担得起的带麦克风

出色的麦克风

好声音麦克风

大与缺点

所有事情考虑……

不是这一个

嘈杂的