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百灵达TD-3-MO-AM模拟合成器低音线——黄色

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联系起来的电火花的起源,百灵达TD-3-MO-AM模拟合成器和定序器产生的节奏和油腻的低音听起来electro-funk定义,酸,电子,房子过去30年。TD-3-MO是一个标志性的前任的权威解释,但有一点不一样!功能一个模拟电视信号路径,16-step音序器,晶体管整形电路,内置arpeggiator,针对一谐振低通滤波器与性格,渗出和大量的杀手插件,其功能推到极端。当电子和家生产商在TD-3-MO斯威特沃特拿到,没有停止恐慌!188金宝搏官网是多少肮脏的、压制和毫无悔意,TD-3-MO是当代的“复古”方式槽机转世生产者和声音设计师——,你肯定喜欢!

相关视频:TD-3-MO-AM模拟合成器低音线——黄色

明确无误的模拟的态度

百灵达的TD-3-MO的签名咆哮和穿孔开始真实的模拟VCO。选择之间的咬,激进的锯齿或明亮,共振方波synth低音创作奠定了基础。然后扭转变形与TD-3-MO针对谐振VCF直到他们树皮、抗议和尖叫。和总糟糕synth混乱,冲击驱动开关和看着你的听众的脸融化。

强大的、直观的编程

编程TD-3-MO的机载16-step 7-track音序器是一件轻而易举的事。步中构成模式模式或使用键盘模式并实时记录和保存多达250用户模式即时回忆。注入活力与可编程序列的口音和幻灯片使用TD-3-MO 11位控制和操纵它们和28开关动态性能。更多的音景敬畏,利用机载arpeggiator构建复杂,进化的旋律和超凡脱俗的效果。

解剖学的国防部

在原来的单位,电路弯管机和电子爱好者找到了一个完美的改装平台。前卫的酸和房子生产商挽救他们的机器从典当行和旧货店,游戏制作者实现这个误解低音野兽是最好的,当你把手册和把它超越其设计师的意图。TD-3-MO挤满了一些最受欢迎的调整炮制的mod社区,包括一个MIDI C / C可调滤波器,一个滑动时间控制的变量,一个3-mode扫描速度开关,口音扫描开关,软攻击控制,一个过滤器调频控制,刻骨铭心sub-oscillator,粗糙的超速档,post-VCA“消声器”失真电路拨号的侵略。不要被其紧凑的尺寸和相对简单的控制——TD-3-MO富含创造性潜力和成熟的史诗声波探索!

链接多个模块与聚链

TD-3-MO-AM是一个很小的恐怖。然而,聚链输出,您可以链接多个模块疯狂16-voice复调。和它与他人,容易集成到现有的synth钻机和寒鸦通过5针喧嚣和USB-MIDI,主人或奴隶模块。

百灵达TD-3-MO-AM特点:

  • 一个“地方”的解释一个标志性低音synth模块
  • 单一振荡波形可切换的锯齿波和广场
  • 模拟VCO、VCF VCA信号通路设计基于传奇的设计
  • 针对谐振滤波器扭曲和变形的声音
  • 强大的可编程性,16-step音序器7追踪和250个用户模式插槽
  • 深度和维度添加到您的模式与可编程的口音,幻灯片,过滤调频,sub-oscillator,超速,和实时参数操作
  • 链接多个模块在多聚链16-voice复调

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技术规格

  • 类型:低音合成器与定序器
  • 垫:13 x键按钮
  • 声音:锯齿/脉冲波形与截止和谐振控制
  • 预设:250 x用户模式
  • 复调音乐:单声道,16-voice聚链
  • 定序器:16-step, 7-track
  • 效果:过滤器,超速
  • 模拟输入:1 x 1/8“TS(过滤器)
  • 模拟输出:1 x 1/4”(线),1 x 1/8“(过滤)
  • 耳机:1 x 1/8”
  • MIDI I / O:,/通过USB
  • 其他I / O:简历在/,/门,过滤器调频,筛选简历,口音/,幻灯片,在同步
  • USB接口:1 x B型
  • 软件:Synthtribe应用
  • - Mac操作系统需求:OS x10.6.8或更高版本
  • 操作系统需求- PC:Windows 7或更高
  • 电源:9 v直流电源(包括)
  • 高度: 2.2”
  • 宽度: 12 "
  • 深度: 6.5”
  • 重量: 2.0磅。
  • 制造商零件号:000 - eyg02 - 00010
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顾客评论

4.1的5

客户增加了媒体

\n
\n1) Whats \"Modded Out\" compared to a regular TD-3?
\nThere are several mods. All of them are useful or interesting. Some rise to the top and are worthy of special mention:
\n- Sub oscillator (three levels, from subtle to intense).
\n- Filter FM.
\n- Separate normal and accent decay knobs (!killer!).
\n- MIDI control over the filter knob (allows very fast filter changes & syncing to patterns).
\n- Filter tracking.
\n- Overdrive.
\n- Extensive slide time controls.
\n
\n2) Is the TD-3-MO really worth it over the TD-3?
\n- The mods allow for a much broader range of sounds and modulation over a non-modded TD-3. If it is in your budget, consider getting both. A TD-3 with a TD-3-MO make for a very nice pairing. If you can only pick one, the TD-3-MOs additional capabilities set it clearly in the winners circle. Yes, its worth it.
\n
\n3) Can all the mods be switched off? What about the overdrive?
\n- All the mods can be turned off except the overdrive (sort of). Ive gotten many questions about this from other producers interested in the TD-3-MO. Having now used it, I can tell you there is nothing to worry about. The overdrive doesnt kick in until the top portion of the knobs travel. It offers a different effect than the TD-3s distortion circuit. Many might actually prefer overdrive as it sounds more \"musical.\" If you want that distortion-like sound, add a bit of filter FM with the overdrive turned up. You can make it sound as nasty and dirty as you want while still retaining the good qualities of the overdrive effect.
\n
\n4) Hows the build quality?
\n- The build quality is on-par with expectations. It is all plastic, but feels much more substantial than competitive gear. Im a bit of a knob snob and usually swap out OEM knobs with chroma caps. With the TD-3-MO the knobs feel good enough I am not swapping them. They are textured on the side and offer a solid grip. Still plastic, but not jarring.
\n
\nOne legitimate complaint about build quality is the feet leveling. This is true of every single piece of Behringer gear I own (several units). Ive tested them across multiple flat and level surfaces. Nearly every one has a \"wobble\" on a flat surface, including the TD-3-MO. My guess is units are warping slightly during shipping, resulting in a gentle twist. Not sure if Behringer can address this. It isnt difficult to gently twist the chassis back to level, but it is annoying.
\n
\nFinal Thoughts:
\nThe TD-3-MO offers so much more over the regular TD-3 that I think Behringer has created a new classic. I simply cant cover all the little sonic quirks and surprises youll find using this unit (hint: play with the decay at extreme levels). Combine this with a Behringer RD-8 or RD-9 and you can make albums of music. The TD-3-MO analog workflow offers authentic \"Devil Fish\" 303 sounds, all in a modern package. Check out YouTube for several great sound demos. As is typical with Behringer products, they offer these units at an almost unbelievable price point. It is easy to recommend the TD-3-MO to any EDM producer from beginner to expert.", "sir_rating": "5.0", "sir_name": "Ryan S.", "sir_whereareyou": "Utah", "sir_background": "90s Synth Guy", "sir_keepanonymous": null } ]" review-count="2">
写下你的评论

伟大的小synth ! !

我爱它! !脂肪丰富的听起来这是一个去synth自从我搭配Rd-6这是太棒了!绝对的好买那些喜欢酸屋风格我投资了一个木架子,每个synth配合得非常好。一个伟大的除了我的工作室! !
通过威廉从马里兰州陶森市

TD-3-MO-AM——地方幸福!

TD-3-MO“地方”简直是太棒了。在这个评论,我想打破一些常见的问题,我已经从其他音乐家。

1)什么是“地方”常规TD-3相比呢?
有几个插件。它们都有用或有趣。一些上升到顶部,并值得特别提及:
——子振荡器(三个层次,从细微到强烈)。
FM -过滤器。
——独立的正常和口音衰变旋钮(杀手!)。
MIDI控制滤波器旋钮(允许快速过滤器改变&同步模式)。
——滤波器跟踪。
——超速。
——广泛的幻灯片的时间控制。

2)在TD-3 TD-3-MO真的值得吗?
——插件允许更广泛的声音和调制non-modded TD-3。如果在你的预算,可以考虑两种。一个TD-3 TD-3-MO使一个很好的搭配。如果你只能选一个,TD-3-MO的额外功能设置明显的赢家圈。是的,这是值得的。

3)所有的插件可以关掉吗?超速档呢?
——所有的插件可以关闭除了超速档(的)。我已经许多问题从其他生产商对TD-3-MO感兴趣。现在使用它,我可以告诉你没有什么可担心的。超速不踢,直到顶部部分旋钮的旅行。它提供了一个不同的影响比TD-3失真电路。许多可能会喜欢超速,因为它听起来更“音乐”。If you want that distortion-like sound, add a bit of filter FM with the overdrive turned up. You can make it sound as nasty and dirty as you want while still retaining the good qualities of the overdrive effect.

4)构建质量怎么样?
——构建质量与预期相提并论。这都是塑料,但感觉比竞争更实质性的齿轮。我有点旋钮的势利眼,通常交换与色度OEM旋钮帽。与TD-3-MO旋钮感觉足够好我不是交换。他们是变形的,提供一个坚实的抓地力。还是塑料,但不突兀。

一个合法投诉建立质量水准。这是真的每一块百灵达齿轮我自己的(几个单元)。我已经测试了他们跨多个平整的表面。几乎每一个都有一个“摆动”放在一个平面上,包括TD-3-MO。我的猜测是单位在运输期间略有扭曲,导致温和的转折。不知道百灵达可以解决这个问题。就不难轻轻捻底盘水平,但它是烦人的。

最后的想法:
TD-3-MO提供更多的常规TD-3我认为百灵达已经创建了一个新的经典。我只是不能覆盖所有小声波怪癖和惊喜你会发现使用这个单位(提示:玩衰变的极端水平)。结合一个百灵达RD-8 RD-9和专辑的音乐。TD-3-MO模拟工作流提供了真实的“魔鬼鱼”303年的声音,都在现代包。看看YouTube演示几个伟大的声音。典型的百灵达产品,他们提供这些单位几乎令人难以置信的价格点。很容易推荐TD-3-MO任何EDM生产商从新手到专家。
通过瑞安。从犹他州
音乐背景:90年代Synth的家伙
\n
\n1) What's \"Modded Out\" compared to a regular TD-3?
\nThere are several mods. All of them are useful or interesting. Some rise to the top and are worthy of special mention:
\n- Sub oscillator (three levels, from subtle to intense).
\n- Filter FM.
\n- Separate normal and accent decay knobs (!killer!).
\n- MIDI control over the filter knob (allows very fast filter changes & syncing to patterns).
\n- Filter tracking.
\n- Overdrive.
\n- Extensive slide time controls.
\n
\n2) Is the TD-3-MO really worth it over the TD-3?
\n- The mods allow for a much broader range of sounds and modulation over a non-modded TD-3. If it is in your budget, consider getting both. A TD-3 with a TD-3-MO make for a very nice pairing. If you can only pick one, the TD-3-MO's additional capabilities set it clearly in the winner's circle. Yes, it's worth it.
\n
\n3) Can all the mods be switched off? What about the overdrive?
\n- All the mods can be turned off except the overdrive (sort of). I've gotten many questions about this from other producers interested in the TD-3-MO. Having now used it, I can tell you there is nothing to worry about. The overdrive doesn't kick in until the top portion of the knob's travel. It offers a different effect than the TD-3's distortion circuit. Many might actually prefer overdrive as it sounds more \"musical.\" If you want that distortion-like sound, add a bit of filter FM with the overdrive turned up. You can make it sound as nasty and dirty as you want while still retaining the good qualities of the overdrive effect.
\n
\n4) How's the build quality?
\n- The build quality is on-par with expectations. It is all plastic, but feels much more substantial than competitive gear. I'm a bit of a knob snob and usually swap out OEM knobs with chroma caps. With the TD-3-MO the knobs feel good enough I am not swapping them. They are textured on the side and offer a solid grip. Still plastic, but not jarring.
\n
\nOne legitimate complaint about build quality is the feet leveling. This is true of every single piece of Behringer gear I own (several units). I've tested them across multiple flat and level surfaces. Nearly every one has a \"wobble\" on a flat surface, including the TD-3-MO. My guess is units are warping slightly during shipping, resulting in a gentle twist. Not sure if Behringer can address this. It isn't difficult to gently twist the chassis back to level, but it is annoying.
\n
\nFinal Thoughts:
\nThe TD-3-MO offers so much more over the regular TD-3 that I think Behringer has created a new classic. I simply can't cover all the little sonic quirks and surprises you'll find using this unit (hint: play with the decay at extreme levels). Combine this with a Behringer RD-8 or RD-9 and you can make albums of music. The TD-3-MO analog workflow offers authentic \"Devil Fish\" 303 sounds, all in a modern package. Check out YouTube for several great sound demos. As is typical with Behringer products, they offer these units at an almost unbelievable price point. It is easy to recommend the TD-3-MO to any EDM producer from beginner to expert.","type":"customer","itemid":"BehrTD3MOAM","name":"Ryan S.","headline":"TD-3-MO-AM - Modded Out Bliss!"}" :media="[{"id":19337,"store_items_review_id":343664,"media_type":"image","media_path":"https:\/\/storage.googleapis.com\/web-uploads-55902ffc\/20220120200235-phpii7kvp.jpeg","created_at":"2022-01-20 20:18:15","thumbnail":"https:\/\/media.sweetwater.com\/api\/i\/w-300__h-300__wm-__q-60__hmac-02f75f0fa9e8c6d59cc129a443c014e9d5f80173\/URL_aHR0cHM6Ly9zdG9yYWdlLmdvb2dsZWFwaXMuY29tL3dlYi11cGxvYWRzLTU1OTAyZmZjLzIwMjIwMTIwMjAwMjM1LXBocGlpN2t2cC5qcGVn"}]">

我玩过最好Bassline Synth !

绝对不要吓倒深,令人惊讶的是通用的synth的动态、可编程功能。简单,易于使用,最重要的是……我完全被吹走了,当我听到这听起来。你得到303年传统原始的声音,但更先进的转折。控制你对声音设计的范围,远远超过原来的前任。来自一个混合,硬件/软件用户,某些组件的合成,根本不可能没有这个硬件的实际经验。我不能更惊讶。很棒的设备,我强烈推荐这个给任何人希望他们basslines或者只是有一个很辣的,模块化的,领导synth一般。
通过J Rosevelt从杜伦,数控
音乐背景:专业水平制作人、歌手、作曲家

值得的。

这是一个伟大的声音合成器。这听起来可能不精确的像80年代末,90年代初狂欢酸,你在你的想象(semi-rightfully)理想化,但它实际上提供了很多声音设计扩展说303不。因此,如果你是一个富有想象力和经验丰富的电子音乐生产商使用易宝套件或其他工具,你将得到更多。我发现我买的许多东西不能完全满足我的期望,或一段。如果你正在寻找303年纯粹主义者,避开。如果你正在寻找303 + + +的新时代,立即购买。接触干燥,触摸数字,不是最模拟303你会听到声音。只要确保你准备吊儿郎当与测序速度等问题从寒鸦,测序的实际硬件仅限于纯电子回路的应用程序。你可以利用这个硬件的优势,当你找出如何从易宝序列。摆弄ABL和MIDI修饰符自动化,错的半音。
通过马克斯Frecka从辛辛那提,哦

TD-3 -莫

我买了一个黄色的,这很伤我的心我的眼睛在一段时间之后,我很后悔没有购买白银。我的另外两个TD-3所以我熟悉它是如何工作的和声音。国际海事组织,原TD-3密苏里州声音的可能性相比相当有限。我平时的事情是开始扭动旋钮,看看会发生什么。在这种情况下,重要的是要知道这是怎么回事的听起来的可能性。不是我的303儿童玩的弹弓是梦想成真这如我所料,它仍然是非常有限的国际海事组织,但绝对值得购买帽比普通单位。我最初的抱怨是“* * * *,我可以得到更多的从我的软件版本”,但这并不是一个公平的评估我在寒鸦有更多处理的可能性。莫通过一些额外的外置齿轮运行后,失真,排版,情商,等等,我想说这是一种更可靠的声音,很好,和是完全值得拥有。还是希望我早就买了银。
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